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Thriller box office · Week 13 · Mar 21–27, 2004

Thriller Box Office, Week 13 of 2004: Thriller Releases of Mar 21–27

The Ladykillers (2004) is the highest-grossing thriller movie released in week 13 of 2004 (Mar 21–27), with $76.7M worldwide, ahead of Dogville (2004) at $16.7M and Never Die Alone (2004) at $5.9M. 4 thriller films released that week report a worldwide gross, $99.4M in all, 47% of it from the US & Canada. That is down 43% on Week 12, 2004, whose releases took $173.7M.

week 13 releases with a gross
4
combined worldwide
$99.4M
The Ladykillers (2004), the #1
$76.7M
vs Week 12, 2004
−43%
The Ladykillers (2004) movie poster #1 of 4
#1 thriller movie of Week 13, 2004

The Ladykillers (2004)

2004 · Thriller, Comedy

$76.7M worldwide · 77% of the chart's total

$39.8M US & Canada · 52% $36.9M elsewhere · 48%
Top 4

What Were the Biggest Thriller Hits of Week 13 of 2004?

The Ladykillers (2004) leads with $76.7M, 77% of the total. The top 4 together took $99.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Ladykillers (2004) movie poster Number 1
    $76.7M The Ladykillers (2004)
    $39.8M US & Canada · 52% $36.9M elsewhere · 48%
  2. Dogville (2004) movie poster Number 2
    $16.7M Dogville (2004)
    $1.5M US & Canada · 9% $15.2M elsewhere · 91%
  3. Never Die Alone (2004) movie poster Number 3
    $5.9M Never Die Alone (2004)
    $5.6M US & Canada · 95% $277.7K elsewhere · 5%
  4. The I Inside (2004) movie poster Number 4
    $73K The I Inside (2004)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 13 of 2004, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2004 (Mar 21–27).

  1. 1 The Ladykillers (2004) movie poster
    The Ladykillers (2004) Mar 26, 2004 · English · Thriller, Comedy, Crime $76.7M worldwide
    Mar 26, 2004 US and Canada: $39.8M Rest of the world: $36.9M Worldwide: $76.7M
  2. 2 Dogville (2004) movie poster
    Dogville (2004) Mar 26, 2004 · English · Drama, Mystery, Thriller $16.7M worldwide
    Mar 26, 2004 US and Canada: $1.5M Rest of the world: $15.2M Worldwide: $16.7M
  3. 3 Never Die Alone (2004) movie poster
    Never Die Alone (2004) Mar 26, 2004 · English · Action, Drama, Thriller $5.9M worldwide
    Mar 26, 2004 US and Canada: $5.6M Rest of the world: $277.7K Worldwide: $5.9M
  4. 4 The I Inside (2004) movie poster
    The I Inside (2004) Mar 21, 2004 · English · Drama, Sci-Fi, Thriller $73K worldwide
    Mar 21, 2004 US and Canada: – Rest of the world: – Worldwide: $73K
US & Canada vs the world

Where Did the Money Come From in Week 13 of 2004?

Of the top 4, Never Die Alone (2004) earned the biggest share at home (95% in the US & Canada), while Dogville (2004) made 91% of its gross abroad. Across all 4 films, $47M (47%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 The Ladykillers (2004) $76.7M
    $39.8M US & Canada · 52% $36.9M elsewhere · 48%
  2. 2 Dogville (2004) $16.7M
    $1.5M US & Canada · 9% $15.2M elsewhere · 91%
  3. 3 Never Die Alone (2004) $5.9M
    $5.6M US & Canada · 95% $277.7K elsewhere · 5%
  4. 4 The I Inside (2004) $73K
    No US & Canada figure reported
Earlier years

How Does Week 13 of 2004 Compare With Earlier Years?

Of these 10 years, Week 13, 2002 earned the most: $245.8M from 5 films, led by Panic Room (2002). Week 13, 2004 took $99.4M.

Week Films Worldwide Change Biggest film
Week 13, 1995 Mar 26–Apr 1 No films 0 – – –
Week 13, 1996 Mar 24–30 1 film 1 $968.1K – Ghost in the Shell (1996) $968.1K
Week 13, 1997 Mar 23–29 2 films · +15438% 2 $150.4M +15438% The Devil's Own (1997) $140.8M
Week 13, 1998 Mar 22–28 No films 0 – – –
Week 13, 1999 Mar 21–27 2 films 2 $13.3M – The Mod Squad (1999) $13.3M
Week 13, 2000 Mar 19–25 3 films · +586% 3 $91.3M +586% Romeo Must Die (2000) $91M
Week 13, 2001 Mar 25–31 2 films · −46% 2 $48.9M −46% The Tailor of Panama (2001) $28M
Week 13, 2002 Mar 24–30 5 films · +403% 5 $245.8M +403% Panic Room (2002) $197.1M
Week 13, 2003 Mar 23–29 3 films · −52% 3 $117.3M −52% The Core (2003) $73.5M
Week 13, 2004 Mar 21–27 4 films · −15% 4 $99.4M −15% The Ladykillers (2004) $76.7M
FAQ

Thriller Box Office Week 13 of 2004: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing thriller movie in week 13 of 2004 (Mar 21–27)?

The Ladykillers (2004) leads with $76.7M worldwide, $39.8M of it in the US & Canada. Next come Dogville (2004) at $16.7M and Never Die Alone (2004) at $5.9M.

How much did thriller movies released in week 13 of 2004 (Mar 21–27) earn?

4 thriller films released in week 13 of 2004 (Mar 21–27) report a worldwide gross, $99.4M in all, or $24.8M per film on average. Week 12, 2004 releases took $173.7M.

How many thriller movies released in week 13 of 2004 (Mar 21–27) made $1 billion?

None. The biggest, The Ladykillers (2004), earned $76.7M.

How much of the Week 13, 2004 Thriller box office came from the US and Canada?

$47M of the $99.4M total, or 47%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 13, 2004 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2004 (Mar 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 13, 2004 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.