#1 of 3 #1 thriller movie of Week 7, 2004
2004 · Action, Thriller
$2.4M worldwide · 99% of the chart's total
$371.4K US & Canada · 15% $2.1M elsewhere · 85%
Thriller box office · Week 7 · Feb 8–14, 2004
Thriller Box Office, Week 7 of 2004: Thriller Releases of Feb 8–14
Highwaymen (2004) is the highest-grossing thriller movie released in week 7 of 2004 (Feb 8–14), with $2.4M worldwide, ahead of The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004) at $11.5K and Love Object (2004) at $6K. 3 thriller films released that week report a worldwide gross, $2.5M in all, 15% of it from the US & Canada.
- week 7 releases with a gross
- 3
- combined worldwide
- $2.5M
- Highwaymen (2004), the #1
- $2.4M
- earned in the US & Canada
- 15%
#1 of 3 Top 3
What Were the Biggest Thriller Hits of Week 7 of 2004?
Highwaymen (2004) leads with $2.4M, 99% of the total. The top 3 together took $2.5M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 7 of 2004, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 2004 (Feb 8–14).
- 1 Feb 13, 2004 US and Canada: $371.4K Rest of the world: $2.1M Worldwide: $2.4M
- 2 The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004)Feb 9, 2004 US and Canada: – Rest of the world: – Worldwide: $11.5K
Feb 9, 2004 · English · Comedy, Thriller, War $11.5K worldwide - 3 Feb 13, 2004 US and Canada: $6K Rest of the world: Worldwide: $6K
Weeks around it
How Does Week 7 Compare With the Weeks Around It?
Week 7 releases took $2.5M. The biggest of these 9 weeks is week 9 (Feb 22–28) with $48.7M, led by Twisted (2004).
- Week 1 Wk 1 Jan 1–3 No reported grosses – No reported grosses
- Week 2 Wk 2 Jan 4–10 No reported grosses – No reported grosses
- Week 3 Wk 3 Jan 11–17 Torque (2004) $47M Torque (2004)
- Week 4 Wk 4 Jan 18–24 Trauma (2004) $279.7K Trauma (2004)
- Week 5 Wk 5 Jan 25–31 The Big Bounce (2004) $7.8M The Big Bounce (2004)
- Week 6 Wk 6 Feb 1–7 Charlie (2004) $347.3K Charlie (2004)
- Week 7 Wk 7 Feb 8–14 Highwaymen (2004) $2.5M Highwaymen (2004)
- Week 8 Wk 8 Feb 15–21 Crimson Rivers II: Angels of the Apocalypse (2004) $40.2M Crimson Rivers II: Angels of the Apocalypse (2004)
- Week 9 Wk 9 Feb 22–28 Twisted (2004) $48.7M Twisted (2004)
Earlier years
How Does Week 7 of 2004 Compare With Earlier Years?
Of these 10 years, Week 7, 2003 earned the most: $184.5M from 3 films, led by Daredevil (2003). Week 7, 2004 took $2.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 1995 Feb 12–18 1 film | 1 | $36.9M | – | Just Cause (1995) $36.9M |
| Week 7, 1996 Feb 11–17 1 film · −45% | 1 | $20.3M | −45% | City Hall (1996) $20.3M |
| Week 7, 1997 Feb 9–15 1 film · +146% | 1 | $50.1M | +146% | Absolute Power (1997) $50.1M |
| Week 7, 1998 Feb 8–14 1 film · −26% | 1 | $37M | −26% | Sphere (1998) $37M |
| Week 7, 1999 Feb 7–13 1 film · −100% | 1 | $164.8K | −100% | Shiri (1999) $164.8K |
| Week 7, 2000 Feb 6–12 2 films · +88019% | 2 | $145.2M | +88019% | The Beach (2000) $144.1M |
| Week 7, 2001 Feb 11–17 1 film · −100% | 1 | $28.9K | −100% | Murari (2001) $28.9K |
| Week 7, 2002 Feb 10–16 5 films · +358327% | 5 | $103.7M | +358327% | John Q (2002) $102.2M |
| Week 7, 2003 Feb 9–15 3 films · +78% | 3 | $184.5M | +78% | Daredevil (2003) $179.2M |
| Week 7, 2004 Feb 8–14 3 films · −99% | 3 | $2.5M | −99% | Highwaymen (2004) $2.4M |
Archive
Thriller Box Office in 2004, Week by Week
49 weeks of 2004 with reported grosses; the biggest is week 27 (Jun 27–Jul 3) with $847.4M, led by Spider-Man 2 (2004).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $47M
- Week 4 $279.7K
- Week 5 $7.8M
- Week 6 $347.3K
- Week 7 $2.5M
- Week 8 $40.2M
- Week 9 $48.7M
- Week 10 $6.2M
- Week 11 $101M
- Week 12 $173.7M
- Week 13 $99.4M
- Week 14 $58.5M
- Week 15 $35.3M
- Week 16 $215.2M
- Week 17 $131.6M
- Week 18 $31.1M
- Week 19 $309.5M
- Week 20 $2.6M
- Week 21 $1.1M
- Week 22 $552.6M
- Week 23 $390.4K
- Week 24 $221.3M
- Week 25 $491K
- Week 26 No grosses
- Week 27 $847.4M
- Week 28 $1.3M
- Week 29 $365.7M
- Week 30 $295.4M
- Week 31 $354.3M
- Week 32 $276.4M
- Week 33 $354.9M
- Week 34 $80.5M
- Week 35 $82.4M
- Week 36 $38.6M
- Week 37 $188.9M
- Week 38 $69.9M
- Week 39 $134.4M
- Week 40 $101.4M
- Week 41 $76.8M
- Week 42 $3.6M
- Week 43 $195.7M
- Week 44 $131.7M
- Week 45 $9.9M
- Week 46 $28.9M
- Week 47 $388.1M
- Week 48 $1.2M
- Week 49 No grosses
- Week 50 $499.8M
- Week 51 $35M
- Week 52 $33.9M
- Week 53 $4.4M
FAQ
Thriller Box Office Week 7 of 2004: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing thriller movie in week 7 of 2004 (Feb 8–14)?
Highwaymen (2004) leads with $2.4M worldwide, $371.4K of it in the US & Canada. Next come The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004) at $11.5K and Love Object (2004) at $6K.
How much did thriller movies released in week 7 of 2004 (Feb 8–14) earn?
3 thriller films released in week 7 of 2004 (Feb 8–14) report a worldwide gross, $2.5M in all, or $820K per film on average.
How many thriller movies released in week 7 of 2004 (Feb 8–14) made $1 billion?
None. The biggest, Highwaymen (2004), earned $2.4M.
How is the week 7, 2004 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 2004 (Feb 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 7, 2004 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.