#1 of 4 #1 thriller movie of Week 41, 2000
2000 · Action, Drama
$19.4M worldwide · 99% of the chart's total
$15M US & Canada · 77% $4.4M elsewhere · 23%
Thriller box office · Week 41 · Oct 1–7, 2000
Thriller Box Office, Week 41 of 2000: Thriller Releases of Oct 1–7
Get Carter (2000) is the highest-grossing thriller movie released in week 41 of 2000 (Oct 1–7), with $19.4M worldwide, ahead of Sorted (2000) at $86.7K and Digimon: Digital Monsters (2000) at $71.2K. 4 thriller films released that week report a worldwide gross, $19.6M in all, 77% of it from the US & Canada.
- week 41 releases with a gross
- 4
- combined worldwide
- $19.6M
- Get Carter (2000), the #1
- $19.4M
- earned in the US & Canada
- 77%
#1 of 4 Top 4
What Were the Biggest Thriller Hits of Week 41 of 2000?
Get Carter (2000) leads with $19.4M, 99% of the total. The top 4 together took $19.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 41 of 2000, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2000 (Oct 1–7).
- 1 Oct 6, 2000 US and Canada: $15M Rest of the world: $4.4M Worldwide: $19.4M
- 2 Oct 6, 2000 US and Canada: – Rest of the world: – Worldwide: $86.7K
- 3 Oct 6, 2000 US and Canada: – Rest of the world: – Worldwide: $71.2K
- 4 Oct 6, 2000 US and Canada: $40.7K Rest of the world: Worldwide: $40.7K
Weeks around it
How Does Week 41 Compare With the Weeks Around It?
Week 41 releases took $19.6M. The biggest of these 9 weeks is week 37 (Sep 3–9) with $108.4M, led by The Watcher (2000).
- Week 35 Wk 35 Aug 20–26 The Art of War (2000) $40.4M The Art of War (2000)
- Week 36 Wk 36 Aug 27–Sep 2 Comedy of Innocence (2000) $33.7K Comedy of Innocence (2000)
- Week 37 Wk 37 Sep 3–9 The Watcher (2000) $108.4M The Watcher (2000)
- Week 38 Wk 38 Sep 10–16 Bait (2000) $17.2M Bait (2000)
- Week 39 Wk 39 Sep 17–23 Urban Legends: Final Cut (2000) $39.9M Urban Legends: Final Cut (2000)
- Week 40 Wk 40 Sep 24–30 Common Wealth (2000) $337K Common Wealth (2000)
- Week 41 Wk 41 Oct 1–7 Get Carter (2000) $19.6M Get Carter (2000)
- Week 42 Wk 42 Oct 8–14 Lost Souls (2000) $53.8M Lost Souls (2000)
- Week 43 Wk 43 Oct 15–21 The Yards (2000) $944.4K The Yards (2000)
Earlier years
How Does Week 41 of 2000 Compare With Earlier Years?
Of these 10 years, Week 41, 1994 earned the most: $170.5M from 2 films, led by The Specialist (1994). Week 41, 2000 took $19.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 1991 Oct 6–12 4 films | 4 | $17.6M | – | Shattered (1991) $11.5M |
| Week 41, 1992 Oct 4–10 1 film · +787% | 1 | $156.6M | +787% | Under Siege (1992) $156.6M |
| Week 41, 1993 Oct 3–9 No films | 0 | – | – | – |
| Week 41, 1994 Oct 2–8 2 films | 2 | $170.5M | – | The Specialist (1994) $170.4M |
| Week 41, 1995 Oct 8–14 2 films · −90% | 2 | $17.8M | −90% | Jade (1995) $9.9M |
| Week 41, 1996 Oct 6–12 4 films · +808% | 4 | $161.8M | +808% | The Long Kiss Goodnight (1996) $89.5M |
| Week 41, 1997 Oct 5–11 1 film · −96% | 1 | $5.9M | −96% | Gang Related (1997) $5.9M |
| Week 41, 1998 Oct 4–10 No films | 0 | – | – | – |
| Week 41, 1999 Oct 3–9 1 film | 1 | $3.3M | – | The Limey (1999) $3.3M |
| Week 41, 2000 Oct 1–7 4 films · +490% | 4 | $19.6M | +490% | Get Carter (2000) $19.4M |
Archive
Thriller Box Office in 2000, Week by Week
43 weeks of 2000 with reported grosses; the biggest is week 22 (May 21–27) with $546.8M, led by Mission: Impossible II (2000).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $14.9M
- Week 4 $40.7K
- Week 5 $17.6M
- Week 6 $162.1M
- Week 7 $145.2M
- Week 8 $82M
- Week 9 $32.2M
- Week 10 $9.5M
- Week 11 $169.5M
- Week 12 $112.9M
- Week 13 $91.3M
- Week 14 $50.8M
- Week 15 $77.3M
- Week 16 $34.3M
- Week 17 $12.6M
- Week 18 $68.1M
- Week 19 No grosses
- Week 20 No grosses
- Week 21 $349.8M
- Week 22 $546.8M
- Week 23 No grosses
- Week 24 $237.2M
- Week 25 $107.6M
- Week 26 No grosses
- Week 27 $330.3M
- Week 28 No grosses
- Week 29 $296.4M
- Week 30 $296.7M
- Week 31 No grosses
- Week 32 $319.1M
- Week 33 $40.4M
- Week 34 $117.1M
- Week 35 $40.4M
- Week 36 $33.7K
- Week 37 $108.4M
- Week 38 $17.2M
- Week 39 $39.9M
- Week 40 $337K
- Week 41 $19.6M
- Week 42 $53.8M
- Week 43 $944.4K
- Week 44 $47.8M
- Week 45 No grosses
- Week 46 $33.5M
- Week 47 $96.1M
- Week 48 $248.1M
- Week 49 No grosses
- Week 50 $278.4M
- Week 51 $1.3M
- Week 52 $44.7M
- Week 53 $274.1M
- Week 54 No grosses
FAQ
Thriller Box Office Week 41 of 2000: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing thriller movie in week 41 of 2000 (Oct 1–7)?
Get Carter (2000) leads with $19.4M worldwide, $15M of it in the US & Canada. Next come Sorted (2000) at $86.7K and Digimon: Digital Monsters (2000) at $71.2K.
How much did thriller movies released in week 41 of 2000 (Oct 1–7) earn?
4 thriller films released in week 41 of 2000 (Oct 1–7) report a worldwide gross, $19.6M in all, or $4.9M per film on average.
How many thriller movies released in week 41 of 2000 (Oct 1–7) made $1 billion?
None. The biggest, Get Carter (2000), earned $19.4M.
How is the week 41, 2000 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2000 (Oct 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 41, 2000 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.