#1 of 6 2010 · Drama, Thriller
$154M worldwide · 67% of the chart's total
The Town (2010) is the highest-grossing thriller movie released in week 38 of 2010 (Sep 12–18), with $154M worldwide, ahead of Devil (2010) at $62.7M and Never Let Me Go (2010) at $9.9M. 6 thriller films released that week report a worldwide gross, $230.4M in all, 57% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 24% on Week 37, 2010, whose releases took $301.6M. By language, English leads with $76.1M across 3 thriller releases.
#1 of 6 2010 · Drama, Thriller
$154M worldwide · 67% of the chart's total
The Town (2010) leads with $154M, 67% of the total. The top 5 together took $230.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 38 of 2010 (Sep 12–18).
Sep 17, 2010 US and Canada: $92.2M Rest of the world: $61.8M Worldwide: $154M
Sep 17, 2010 US and Canada: $33.6M Rest of the world: $29.1M Worldwide: $62.7M
Sep 15, 2010 US and Canada: $2.4M Rest of the world: $7.5M Worldwide: $9.9M
Sep 17, 2010 US and Canada: $3.2M Rest of the world: $296.4K Worldwide: $3.5M
Sep 16, 2010 US and Canada: – Rest of the world: – Worldwide: $148.2K
Of the top 6, Catfish (2010) earned the biggest share at home (92% in the US & Canada), while Never Let Me Go (2010) made 75% of its gross abroad. Across all 6 films, $131.5M (57%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 38 releases took $230.4M. The biggest of these 9 weeks is week 37 (Sep 5–11) with $301.6M, led by Resident Evil: Afterlife (2010).
Of these 10 years, Week 38, 2010 earned the most: $230.4M from 6 films, led by The Town (2010).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 38, 2001 Sep 16–22 3 films | 3 | $19.4M | – | Vidocq (2001) $13.2M |
| Week 38, 2002 Sep 15–21 4 films · +145% | 4 | $47.4M | +145% | Ballistic: Ecks vs. Sever (2002) $20.2M |
| Week 38, 2003 Sep 14–20 4 films · +167% | 4 | $126.8M | +167% | Underworld (2003) $95.7M |
| Week 38, 2004 Sep 12–18 6 films · −45% | 6 | $69.9M | −45% | Sky Captain and the World of Tomorrow (2004) $57.9M |
| Week 38, 2005 Sep 11–17 7 films · +57% | 7 | $109.9M | +57% | Lord of War (2005) $72.6M |
| Week 38, 2006 Sep 17–23 4 films · −87% | 4 | $14.1M | −87% | All the King's Men (2006) $9.5M |
| Week 38, 2007 Sep 16–22 4 films · +958% | 4 | $149M | +958% | Resident Evil: Extinction (2007) $147.7M |
| Week 38, 2008 Sep 14–20 3 films · −60% | 3 | $59.9M | −60% | Lakeview Terrace (2008) $44.7M |
| Week 38, 2009 Sep 13–19 3 films · +22% | 3 | $73.3M | +22% | The Informant! (2009) $41.8M |
| Week 38, 2010 Sep 12–18 6 films · +214% | 6 | $230.4M | +214% | The Town (2010) $154M |
51 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Town (2010) leads with $154M worldwide, $92.2M of it in the US & Canada. Next come Devil (2010) at $62.7M and Never Let Me Go (2010) at $9.9M.
6 thriller films released in week 38 of 2010 (Sep 12–18) report a worldwide gross, $230.4M in all, or $38.4M per film on average. Week 37, 2010 releases took $301.6M.
None. 1 film crossed $100 million, led by The Town (2010) with $154M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 38 of 2010 (Sep 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.