#1 of 7 2005 · Drama, Thriller
$72.6M worldwide · 66% of the chart's total
Lord of War (2005) is the highest-grossing thriller movie released in week 38 of 2005 (Sep 11–17), with $72.6M worldwide, ahead of Cry_Wolf (2005) at $32.6M and Separate Lies (2005) at $3.5M. 7 thriller films released that week report a worldwide gross, $109.9M in all, 33% of it from the US & Canada. That is down 25% on Week 37, 2005, whose releases took $145.7M. By language, English leads with $109.9M across 6 thriller releases.
#1 of 7 2005 · Drama, Thriller
$72.6M worldwide · 66% of the chart's total
Lord of War (2005) leads with $72.6M, 66% of the total. The top 5 together took $109.7M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 38 of 2005 (Sep 11–17).
Sep 16, 2005 US and Canada: $24.1M Rest of the world: $48.5M Worldwide: $72.6M
Sep 16, 2005 US and Canada: $10M Rest of the world: $22.5M Worldwide: $32.6M
Sep 16, 2005 US and Canada: $924.3K Rest of the world: $2.5M Worldwide: $3.5M
Sep 16, 2005 US and Canada: $881.8K Rest of the world: Worldwide: $881.8K
Sep 16, 2005 US and Canada: $183.1K Rest of the world: Worldwide: $183.1K
Sep 12, 2005 US and Canada: – Rest of the world: – Worldwide: $132.1K
Sep 16, 2005 US and Canada: $49K Rest of the world: Worldwide: $49K Of the top 7, Venom (2005) earned the biggest share at home (100% in the US & Canada), while Separate Lies (2005) made 73% of its gross abroad. Across all 7 films, $36.2M (33%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 38 releases took $109.9M. The biggest of these 9 weeks is week 39 (Sep 18–24) with $284.8M, led by Flightplan (2005).
Of these 10 years, Week 38, 1998 earned the most: $244.7M from 1 film, led by Rush Hour (1998). Week 38, 2005 took $109.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 38, 1996 Sep 15–21 2 films | 2 | $48.4M | – | Last Man Standing (1996) $47.3M |
| Week 38, 1997 Sep 14–20 1 film · +161% | 1 | $126.2M | +161% | L.A. Confidential (1997) $126.2M |
| Week 38, 1998 Sep 13–19 1 film · +94% | 1 | $244.7M | +94% | Rush Hour (1998) $244.7M |
| Week 38, 1999 Sep 12–18 2 films · −52% | 2 | $117.8M | −52% | Blue Streak (1999) $117.8M |
| Week 38, 2000 Sep 10–16 6 films · −85% | 6 | $17.2M | −85% | Bait (2000) $15.5M |
| Week 38, 2001 Sep 16–22 3 films · +13% | 3 | $19.4M | +13% | Vidocq (2001) $13.2M |
| Week 38, 2002 Sep 15–21 4 films · +145% | 4 | $47.4M | +145% | Ballistic: Ecks vs. Sever (2002) $20.2M |
| Week 38, 2003 Sep 14–20 4 films · +167% | 4 | $126.8M | +167% | Underworld (2003) $95.7M |
| Week 38, 2004 Sep 12–18 6 films · −45% | 6 | $69.9M | −45% | Sky Captain and the World of Tomorrow (2004) $57.9M |
| Week 38, 2005 Sep 11–17 7 films · +57% | 7 | $109.9M | +57% | Lord of War (2005) $72.6M |
49 weeks of 2005 with reported grosses; the biggest is week 27 (Jun 26–Jul 2) with $615.7M, led by War of the Worlds (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Lord of War (2005) leads with $72.6M worldwide, $24.1M of it in the US & Canada. Next come Cry_Wolf (2005) at $32.6M and Separate Lies (2005) at $3.5M.
7 thriller films released in week 38 of 2005 (Sep 11–17) report a worldwide gross, $109.9M in all, or $15.7M per film on average. Week 37, 2005 releases took $145.7M.
None. The biggest, Lord of War (2005), earned $72.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 38 of 2005 (Sep 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.