#1 of 6 2005 · Drama, Mystery
$94M worldwide · 43% of the chart's total
The Skeleton Key (2005) is the highest-grossing thriller movie released in week 33 of 2005 (Aug 7–13), with $94M worldwide, ahead of Four Brothers (2005) at $92.4M and Pulse (2005) at $29.9M. 6 thriller films released that week report a worldwide gross, $219.1M in all, 65% of it from the US & Canada. By language, English leads with $189.2M across 4 thriller releases.
#1 of 6 2005 · Drama, Mystery
$94M worldwide · 43% of the chart's total
The Skeleton Key (2005) leads with $94M, 43% of the total. The top 5 together took $219.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 33 of 2005 (Aug 7–13).
Aug 12, 2005 US and Canada: $47.9M Rest of the world: $46.1M Worldwide: $94M
Aug 12, 2005 US and Canada: $74.5M Rest of the world: $17.9M Worldwide: $92.4M
Aug 12, 2005 US and Canada: $20.3M Rest of the world: $9.6M Worldwide: $29.9M
Aug 12, 2005 US and Canada: $375.4K Rest of the world: $2.4M Worldwide: $2.8M
Aug 12, 2005 US and Canada: – Rest of the world: – Worldwide: $25.2K
Aug 10, 2005 US and Canada: – Rest of the world: – Worldwide: $21.9K Of the top 6, Four Brothers (2005) earned the biggest share at home (81% in the US & Canada), while Asylum (2005) made 87% of its gross abroad. Across all 6 films, $143M (65%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 33 releases took $219.1M. The biggest of these 9 weeks is week 27 (Jun 26–Jul 2) with $615.7M, led by War of the Worlds (2005).
Of these 10 years, Week 33, 2004 earned the most: $354.9M from 7 films, led by AVP: Alien vs. Predator (2004). Week 33, 2005 took $219.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 33, 1996 Aug 11–17 2 films | 2 | $20M | – | The Fan (1996) $18.6M |
| Week 33, 1997 Aug 10–16 3 films · +258% | 3 | $71.6M | +258% | Cop Land (1997) $44.9M |
| Week 33, 1998 Aug 9–15 2 films · −88% | 2 | $8.4M | −88% | Return to Paradise (1998) $8.3M |
| Week 33, 1999 Aug 8–14 2 films · +22% | 2 | $10.2M | +22% | Brokedown Palace (1999) $10.1M |
| Week 33, 2000 Aug 6–12 1 film · +297% | 1 | $40.4M | +297% | Bless the Child (2000) $40.4M |
| Week 33, 2001 Aug 12–18 2 films · −97% | 2 | $1.1M | −97% | The Fourth Angel (2001) $849K |
| Week 33, 2002 Aug 11–17 1 film · +33% | 1 | $1.4M | +33% | Jaani Dushman: Ek Anokhi Kahani (2002) $1.4M |
| Week 33, 2003 Aug 10–16 3 films · +8093% | 3 | $117.3M | +8093% | Freddy vs. Jason (2003) $116.6M |
| Week 33, 2004 Aug 8–14 7 films · +203% | 7 | $354.9M | +203% | AVP: Alien vs. Predator (2004) $177.4M |
| Week 33, 2005 Aug 7–13 6 films · −38% | 6 | $219.1M | −38% | The Skeleton Key (2005) $94M |
49 weeks of 2005 with reported grosses; the biggest is week 27 (Jun 26–Jul 2) with $615.7M, led by War of the Worlds (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Skeleton Key (2005) leads with $94M worldwide, $47.9M of it in the US & Canada. Next come Four Brothers (2005) at $92.4M and Pulse (2005) at $29.9M.
6 thriller films released in week 33 of 2005 (Aug 7–13) report a worldwide gross, $219.1M in all, or $36.5M per film on average.
None. The biggest, The Skeleton Key (2005), earned $94M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 33 of 2005 (Aug 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.