#1 of 5 2010 · Action, Drama
$10.9M worldwide · 60% of the chart's total
Jonah Hex (2010) is the highest-grossing thriller movie released in week 25 of 2010 (Jun 13–19), with $10.9M worldwide, ahead of The Killer Inside Me (2010) at $4.1M and Unthinkable (2010) at $1.7M. 5 thriller films released that week report a worldwide gross, $18M in all, 64% of it from the US & Canada. That is down 91% on Week 24, 2010, whose releases took $191M. By language, English leads with $16.7M across 4 thriller releases.
#1 of 5 2010 · Action, Drama
$10.9M worldwide · 60% of the chart's total
Jonah Hex (2010) leads with $10.9M, 60% of the total. The top 5 together took $18M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2010 (Jun 13–19).
Jun 18, 2010 US and Canada: $10.5M Rest of the world: $356.2K Worldwide: $10.9M
Jun 18, 2010 US and Canada: $217.3K Rest of the world: $3.8M Worldwide: $4.1M
Jun 14, 2010 US and Canada: – Rest of the world: – Worldwide: $1.7M
Jun 18, 2010 US and Canada: $708.7K Rest of the world: $647.7K Worldwide: $1.4M
Jun 13, 2010 US and Canada: – Rest of the world: – Worldwide: $53.8K Of the top 5, Jonah Hex (2010) earned the biggest share at home (97% in the US & Canada), while The Killer Inside Me (2010) made 95% of its gross abroad. Across all 5 films, $11.5M (64%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 25 releases took $18M. The biggest of these 9 weeks is week 27 (Jun 27–Jul 3) with $706.7M, led by The Twilight Saga: Eclipse (2010).
Of these 10 years, Week 25, 2005 earned the most: $378.2M from 4 films, led by Batman Begins (2005). Week 25, 2010 took $18M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 2001 Jun 17–23 3 films | 3 | $208M | – | The Fast and the Furious (2001) $207.5M |
| Week 25, 2002 Jun 16–22 2 films · +72% | 2 | $358.5M | +72% | Minority Report (2002) $358.4M |
| Week 25, 2003 Jun 15–21 2 films · −31% | 2 | $246.1M | −31% | Hulk (2003) $245.3M |
| Week 25, 2004 Jun 13–19 1 film · −100% | 1 | $491K | −100% | I'll Sleep When I'm Dead (2004) $491K |
| Week 25, 2005 Jun 12–18 4 films · +76938% | 4 | $378.2M | +76938% | Batman Begins (2005) $375.4M |
| Week 25, 2006 Jun 18–24 1 film · −94% | 1 | $21.4M | −94% | Waist Deep (2006) $21.4M |
| Week 25, 2007 Jun 17–23 4 films · +638% | 4 | $157.5M | +638% | 1408 (2007) $133M |
| Week 25, 2008 Jun 15–21 4 films · −82% | 4 | $28M | −82% | Public Enemy Returns (2008) $27.2M |
| Week 25, 2009 Jun 14–20 1 film · −92% | 1 | $2.2M | −92% | Dead Snow (2009) $2.2M |
| Week 25, 2010 Jun 13–19 5 films · +732% | 5 | $18M | +732% | Jonah Hex (2010) $10.9M |
51 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Jonah Hex (2010) leads with $10.9M worldwide, $10.5M of it in the US & Canada. Next come The Killer Inside Me (2010) at $4.1M and Unthinkable (2010) at $1.7M.
5 thriller films released in week 25 of 2010 (Jun 13–19) report a worldwide gross, $18M in all, or $3.6M per film on average. Week 24, 2010 releases took $191M.
None. The biggest, Jonah Hex (2010), earned $10.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2010 (Jun 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.