#1 of 15 #1 English-language movie of Week 37, 2010
Resident Evil: Afterlife (2010)
2010 · Action, Sci-Fi
$300.2M worldwide · 97% of the chart's total
$60.1M US & Canada · 20% $240.1M elsewhere · 80%
English box office · Week 37 · Sep 5–11, 2010
English Box Office, Week 37 of 2010: English Releases of Sep 5–11
Resident Evil: Afterlife (2010) is the highest-grossing English-language movie released in week 37 of 2010 (Sep 5–11), with $300.2M worldwide, ahead of Bran Nue Dae (2010) at $6.8M and Hideaway (Le refuge) (2010) at $920.2K. 15 English-language films released that week report a worldwide gross, $310.7M in all, 20% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 99% on Week 36, 2010, whose releases took $156.2M. By genre, Thriller leads with $300.9M across 4 English releases.
- week 37 releases with a gross
- 15
- combined worldwide
- $310.7M
- film crossed $100M
- 1
- vs Week 36, 2010
- +99%
#1 of 15 Top 5
What Were the Biggest English Hits of Week 37 of 2010?
Resident Evil: Afterlife (2010) leads with $300.2M, 97% of the total. The top 5 together took $309.2M, almost all of what the 15 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 37 of 2010, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2010 (Sep 5–11).
- 1 Sep 10, 2010 US and Canada: $60.1M Rest of the world: $240.1M Worldwide: $300.2M
- 2 Sep 10, 2010 US and Canada: $113.6K Rest of the world: $6.7M Worldwide: $6.8M
- 3 Sep 10, 2010 US and Canada: $34.5K Rest of the world: $885.7K Worldwide: $920.2K
- 4 Sep 10, 2010 US and Canada: $636.7K Rest of the world: Worldwide: $636.7K
- 5 Sep 10, 2010 US and Canada: $409K Rest of the world: $217.4K Worldwide: $626.4K
- 6
Sep 6, 2010 US and Canada: – Rest of the world: – Worldwide: $490.3K - 7
Sep 10, 2010 US and Canada: $200.4K Rest of the world: Worldwide: $200.4K - 8
Sep 10, 2010 US and Canada: $106.5K Rest of the world: $84.5K Worldwide: $191K - 9
Sep 10, 2010 US and Canada: $167.5K Rest of the world: Worldwide: $167.5K - 10
Sep 10, 2010 US and Canada: $40.3K Rest of the world: $121.3K Worldwide: $161.6K - 11
Sep 10, 2010 US and Canada: $40.3K Rest of the world: $121.3K Worldwide: $161.6K - 12
Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him?) (2010) Sep 10, 2010 · Music, Documentary $31K worldwideSep 10, 2010 US and Canada: $31K Rest of the world: Worldwide: $31K - 13
Sep 5, 2010 US and Canada: $29.9K Rest of the world: Worldwide: $29.9K - 14
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $16.9K - 15
Sep 11, 2010 US and Canada: $10K Rest of the world: Worldwide: $10K
US & Canada vs the world
Where Did the Money Come From in Week 37 of 2010?
Of the top 10, The Virginity Hit (2010) earned the biggest share at home (100% in the US & Canada), while Bran Nue Dae (2010) made 98% of its gross abroad. Across all 15 films, $61.9M (20%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
- 1 Resident Evil: Afterlife (2010) $300.2M $60.1M US & Canada · 20% $240.1M elsewhere · 80%
- 2 Bran Nue Dae (2010) $6.8M $113.6K US & Canada · 2% $6.7M elsewhere · 98%
- 3 Hideaway (Le refuge) (2010) $920.2K $34.5K US & Canada · 4% $885.7K elsewhere · 96%
- 4 The Virginity Hit (2010) $636.7K $636.7K US & Canada · 100% elsewhere · 0%
- 5 I'm Still Here (2010) $626.4K $409K US & Canada · 65% $217.4K elsewhere · 35%
- 6 Essential Killing (2010) $490.3K No US & Canada figure reported
- 7 Legendary (2010) $200.4K $200.4K US & Canada · 100% elsewhere · 0%
- 8 The Romantics (2010) $191K $106.5K US & Canada · 56% $84.5K elsewhere · 44%
- 9 Genius Within: The Inner Life of Glenn Gould (2010) $167.5K $167.5K US & Canada · 100% elsewhere · 0%
- 10 Race to Nowhere (2010) $161.6K $40.3K US & Canada · 25% $121.3K elsewhere · 75%
Gross bands
How Many Week 37 of 2010 Releases Crossed $100 Million?
1 of 15 films crossed $100M and took $300.2M between them, 97% of the total. 14 films, 93% of the list, earned under $10M.
97%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 7% of the list $300.2M · 97% of the gross
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 14 films, 93% of the list $10.5M · 3% of the gross
Weeks around it
How Does Week 37 Compare With the Weeks Around It?
Week 37 releases took $310.7M. The biggest of these 9 weeks is week 33 (Aug 8–14) with $533.4M, led by The Expendables (2010).
- Week 31 Wk 31 Jul 25–31 Cats & Dogs: The Revenge of Kitty Galore (2010) $269.8M Cats & Dogs: The Revenge of Kitty Galore (2010)
- Week 32 Wk 32 Aug 1–7 The Other Guys (2010) $343.5M The Other Guys (2010)
- Week 33 Wk 33 Aug 8–14 The Expendables (2010) $533.4M The Expendables (2010)
- Week 34 Wk 34 Aug 15–21 Nanny McPhee Returns (2010) $357.1M Nanny McPhee Returns (2010)
- Week 35 Wk 35 Aug 22–28 Takers (2010) $190.5M Takers (2010)
- Week 36 Wk 36 Aug 29–Sep 4 The American (2010) $156.2M The American (2010)
- Week 37 Wk 37 Sep 5–11 Resident Evil: Afterlife (2010) $310.7M Resident Evil: Afterlife (2010)
- Week 38 Wk 38 Sep 12–18 Easy A (2010) $207.9M Easy A (2010)
- Week 39 Wk 39 Sep 19–25 Legend of the Guardians: The Owls of Ga'Hoole (2010) $371.3M Legend of the Guardians: The Owls of Ga'Hoole (2010)
Earlier years
How Does Week 37 of 2010 Compare With Earlier Years?
Of these 10 years, Week 37, 2003 earned the most: $324.3M from 12 films, led by Lost in Translation (2003). Week 37, 2010 took $310.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2001 Sep 9–15 6 films | 6 | $74.6M | – | Hard Ball (2001) $44.1M |
| Week 37, 2002 Sep 8–14 10 films · +34% | 10 | $100.3M | +34% | Barbershop (2002) $77.1M |
| Week 37, 2003 Sep 7–13 12 films · +223% | 12 | $324.3M | +223% | Lost in Translation (2003) $118.7M |
| Week 37, 2004 Sep 5–11 6 films · −42% | 6 | $187.5M | −42% | Resident Evil: Apocalypse (2004) $129.3M |
| Week 37, 2005 Sep 4–10 14 films · −2% | 14 | $182.8M | −2% | The Exorcism of Emily Rose (2005) $145.2M |
| Week 37, 2006 Sep 10–16 18 films · −11% | 18 | $163.1M | −11% | The Black Dahlia (2006) $49.3M |
| Week 37, 2007 Sep 9–15 27 films · +71% | 27 | $278.9M | +71% | Dragon Wars: D-War (2007) $75.1M |
| Week 37, 2008 Sep 7–13 11 films · +4% | 11 | $290.7M | +4% | Burn After Reading (2008) $163.7M |
| Week 37, 2009 Sep 6–12 16 films · −55% | 16 | $130.9M | −55% | I Can Do Bad All by Myself (2009) $51.7M |
| Week 37, 2010 Sep 5–11 15 films · +137% | 15 | $310.7M | +137% | Resident Evil: Afterlife (2010) $300.2M |
By genre
Which English Genres Earned the Most in Week 37 of 2010?
Thriller took $300.9M across 4 films, 97% of the total, ahead of Horror ($300.3M) and Action ($300.2M). A film counts once for each of its genres.
Week 37 of 2010 English Box Office by Genre
-
Thriller $300.9M4 films · #1 Resident Evil: Afterlife (2010) -
Horror $300.3M3 films · #1 Resident Evil: Afterlife (2010) -
Action $300.2M1 film · #1 Resident Evil: Afterlife (2010) -
Sci-Fi $300.2M1 film · #1 Resident Evil: Afterlife (2010) -
Comedy $8.3M4 films · #1 Bran Nue Dae (2010) -
Drama $8.1M5 films · #1 Bran Nue Dae (2010) -
Musical $6.8M1 film · #1 Bran Nue Dae (2010) -
Documentary $986.5K4 films · #1 I'm Still Here (2010) -
Music $657.4K2 films · #1 I'm Still Here (2010) -
War $490.3K1 film · #1 Essential Killing (2010)
Archive
English Box Office in 2010, Week by Week
53 weeks of 2010 with reported grosses; the biggest is week 48 (Nov 21–27) with $1.1B, led by Tangled (2010).
- Week 1 $194.1K
- Week 2 $73M
- Week 3 $222.4M
- Week 4 $201.7M
- Week 5 $131.1M
- Week 6 $173.7M
- Week 7 $584M
- Week 8 $355.9M
- Week 9 $111.4M
- Week 10 $1.1B
- Week 11 $240.7M
- Week 12 $251.7M
- Week 13 $79.6M
- Week 14 $556.6M
- Week 15 $158.8M
- Week 16 $175.4M
- Week 17 $79.1M
- Week 18 $168.8M
- Week 19 $645.4M
- Week 20 $134.8M
- Week 21 $791.6M
- Week 22 $677M
- Week 23 $304.9M
- Week 24 $559.4M
- Week 25 $1.1B
- Week 26 $535.8M
- Week 27 $1.1B
- Week 28 $706.8M
- Week 29 $841M
- Week 30 $28.7M
- Week 31 $269.8M
- Week 32 $343.5M
- Week 33 $533.4M
- Week 34 $357.1M
- Week 35 $190.5M
- Week 36 $156.2M
- Week 37 $310.7M
- Week 38 $207.9M
- Week 39 $371.3M
- Week 40 $282.2M
- Week 41 $235.7M
- Week 42 $290.7M
- Week 43 $8.8M
- Week 44 $5.6M
- Week 45 $343M
- Week 46 $130.1M
- Week 47 $1.1B
- Week 48 $1.1B
- Week 49 $366.7M
- Week 50 $699.7M
- Week 51 $658.8M
- Week 52 $842.1M
- Week 53 $35.5M
FAQ
English Box Office Week 37 of 2010: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 15 films as the chart.
What is the highest-grossing English-language movie in week 37 of 2010 (Sep 5–11)?
Resident Evil: Afterlife (2010) leads with $300.2M worldwide, $60.1M of it in the US & Canada. Next come Bran Nue Dae (2010) at $6.8M and Hideaway (Le refuge) (2010) at $920.2K.
How much did English-language movies released in week 37 of 2010 (Sep 5–11) earn?
15 English-language films released in week 37 of 2010 (Sep 5–11) report a worldwide gross, $310.7M in all, or $20.7M per film on average. Week 36, 2010 releases took $156.2M.
How many English-language movies released in week 37 of 2010 (Sep 5–11) made $1 billion?
None. 1 film crossed $100 million, led by Resident Evil: Afterlife (2010) with $300.2M.
How is the week 37, 2010 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2010 (Sep 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 37, 2010 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.