#1 of 4 2010 · Drama, Romance
$115M worldwide · 66% of the chart's total
Dear John (2010) is the highest-grossing English-language movie released in week 6 of 2010 (Jan 31–Feb 6), with $115M worldwide, ahead of From Paris with Love (2010) at $52.8M and Frozen (2010) at $3.8M. 4 English-language films released that week report a worldwide gross, $173.7M in all, 60% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 33% on Week 5, 2010, whose releases took $131.1M.
#1 of 4 2010 · Drama, Romance
$115M worldwide · 66% of the chart's total
Dear John (2010) leads with $115M, 66% of the total. The top 4 together took $173.7M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2010 (Jan 31–Feb 6).
Feb 5, 2010 US and Canada: $80M Rest of the world: $35M Worldwide: $115M
Feb 5, 2010 US and Canada: $24.1M Rest of the world: $28.8M Worldwide: $52.8M
Feb 5, 2010 US and Canada: $246.2K Rest of the world: $3.6M Worldwide: $3.8M
Feb 2, 2010 US and Canada: – Rest of the world: – Worldwide: $2M Of the top 4, Dear John (2010) earned the biggest share at home (70% in the US & Canada), while Frozen (2010) made 94% of its gross abroad. Across all 4 films, $104.3M (60%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 6 releases took $173.7M. The biggest of these 9 weeks is week 7 (Feb 7–13) with $584M, led by Percy Jackson & the Olympians: The Lightning Thief (2010).
Of these 10 years, Week 6, 2009 earned the most: $667.7M from 15 films, led by Coraline (2009). Week 6, 2010 took $173.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2001 Feb 4–10 4 films | 4 | $377.8M | – | Hannibal (2001) $351.7M |
| Week 6, 2002 Feb 3–9 5 films · −58% | 5 | $157.7M | −58% | Collateral Damage (2002) $78.4M |
| Week 6, 2003 Feb 2–8 3 films · +80% | 3 | $283.4M | +80% | How to Lose a Guy in 10 Days (2003) $177.5M |
| Week 6, 2004 Feb 1–7 9 films · −59% | 9 | $115.6M | −59% | Barbershop 2: Back in Business (2004) $66M |
| Week 6, 2005 Jan 30–Feb 5 4 films · −1% | 4 | $114.4M | −1% | Boogeyman (2005) $67.2M |
| Week 6, 2006 Feb 5–11 7 films · +283% | 7 | $438.4M | +283% | The Pink Panther (2006) $164.1M |
| Week 6, 2007 Feb 4–10 8 films · −44% | 8 | $247.3M | −44% | Norbit (2007) $159.8M |
| Week 6, 2008 Feb 3–9 11 films · −17% | 11 | $204.7M | −17% | Fool's Gold (2008) $111.2M |
| Week 6, 2009 Feb 1–7 15 films · +226% | 15 | $667.7M | +226% | Coraline (2009) $185.9M |
| Week 6, 2010 Jan 31–Feb 6 4 films · −74% | 4 | $173.7M | −74% | Dear John (2010) $115M |
53 weeks of 2010 with reported grosses; the biggest is week 48 (Nov 21–27) with $1.1B, led by Tangled (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Dear John (2010) leads with $115M worldwide, $80M of it in the US & Canada. Next come From Paris with Love (2010) at $52.8M and Frozen (2010) at $3.8M.
4 English-language films released in week 6 of 2010 (Jan 31–Feb 6) report a worldwide gross, $173.7M in all, or $43.4M per film on average. Week 5, 2010 releases took $131.1M.
None. 1 film crossed $100 million, led by Dear John (2010) with $115M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2010 (Jan 31–Feb 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.