#1 of 7 2006 · Adventure, Mystery
$164.1M worldwide · 37% of the chart's total
The Pink Panther (2006) is the highest-grossing English-language movie released in week 6 of 2006 (Feb 5–11), with $164.1M worldwide, ahead of Final Destination 3 (2006) at $118.9M and Firewall (2006) at $82.8M. 7 English-language films released that week report a worldwide gross, $438.4M in all, 56% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 5.6 times the total of Week 5, 2006, whose releases took $78.8M. By genre, Mystery leads with $283M across 2 English releases.
#1 of 7 2006 · Adventure, Mystery
$164.1M worldwide · 37% of the chart's total
The Pink Panther (2006) leads with $164.1M, 37% of the total. The top 5 together took $437.8M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2006 (Feb 5–11).
Feb 10, 2006 US and Canada: $82.2M Rest of the world: $81.9M Worldwide: $164.1M
Feb 10, 2006 US and Canada: $54.1M Rest of the world: $64.8M Worldwide: $118.9M
Feb 10, 2006 US and Canada: $48.8M Rest of the world: $34M Worldwide: $82.8M
Feb 10, 2006 US and Canada: $58.4M Rest of the world: $11.5M Worldwide: $69.9M
Feb 10, 2006 US and Canada: $1.9M Rest of the world: $297.3K Worldwide: $2.2M
Feb 8, 2006 US and Canada: – Rest of the world: – Worldwide: $517.7K
Feb 10, 2006 US and Canada: $20.4K Rest of the world: Worldwide: $20.4K Of the top 7, London (2006) earned the biggest share at home (100% in the US & Canada), while Final Destination 3 (2006) made 54% of its gross abroad. Across all 7 films, $245.4M (56%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 6 releases took $438.4M. The biggest of these 9 weeks is week 6 (Feb 5–11) with $438.4M, led by The Pink Panther (2006).
Of these 10 years, Week 6, 2006 earned the most: $438.4M from 7 films, led by The Pink Panther (2006).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 1997 Feb 2–8 4 films | 4 | $190.4M | – | Dante's Peak (1997) $178.1M |
| Week 6, 1998 Feb 1–7 4 films · −78% | 4 | $42.7M | −78% | The Replacement Killers (1998) $19.2M |
| Week 6, 1999 Jan 31–Feb 6 2 films · +289% | 2 | $166M | +289% | Payback (1999) $161.6M |
| Week 6, 2000 Jan 30–Feb 5 2 films · −2% | 2 | $162M | −2% | Scream 3 (2000) $161.8M |
| Week 6, 2001 Feb 4–10 4 films · +133% | 4 | $377.8M | +133% | Hannibal (2001) $351.7M |
| Week 6, 2002 Feb 3–9 5 films · −58% | 5 | $157.7M | −58% | Collateral Damage (2002) $78.4M |
| Week 6, 2003 Feb 2–8 3 films · +80% | 3 | $283.4M | +80% | How to Lose a Guy in 10 Days (2003) $177.5M |
| Week 6, 2004 Feb 1–7 9 films · −59% | 9 | $115.6M | −59% | Barbershop 2: Back in Business (2004) $66M |
| Week 6, 2005 Jan 30–Feb 5 4 films · −1% | 4 | $114.4M | −1% | Boogeyman (2005) $67.2M |
| Week 6, 2006 Feb 5–11 7 films · +283% | 7 | $438.4M | +283% | The Pink Panther (2006) $164.1M |
52 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $1.1B, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Pink Panther (2006) leads with $164.1M worldwide, $82.2M of it in the US & Canada. Next come Final Destination 3 (2006) at $118.9M and Firewall (2006) at $82.8M.
7 English-language films released in week 6 of 2006 (Feb 5–11) report a worldwide gross, $438.4M in all, or $62.6M per film on average. Week 5, 2006 releases took $78.8M.
None. 2 films crossed $100 million, led by The Pink Panther (2006) with $164.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2006 (Feb 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.