#1 of 5 2006 · Drama, Comedy
$205.7M worldwide · 98% of the chart's total
The Break-Up (2006) is the highest-grossing English-language movie released in week 22 of 2006 (May 28–Jun 3), with $205.7M worldwide, ahead of Peaceful Warrior (2006) at $4.3M and The War Tapes (2006) at $254.2K. 5 English-language films released that week report a worldwide gross, $210.5M in all, 59% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 59% on Week 21, 2006, whose releases took $510.8M. By genre, Drama leads with $210.2M across 4 English releases.
#1 of 5 2006 · Drama, Comedy
$205.7M worldwide · 98% of the chart's total
The Break-Up (2006) leads with $205.7M, 98% of the total. The top 5 together took $210.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2006 (May 28–Jun 3).
Jun 2, 2006 US and Canada: $118.7M Rest of the world: $87M Worldwide: $205.7M
Jun 2, 2006 US and Canada: $4M Rest of the world: $366.5K Worldwide: $4.3M
Jun 2, 2006 US and Canada: $254.2K Rest of the world: Worldwide: $254.2K
Jun 2, 2006 US and Canada: $194.5K Rest of the world: $731 Worldwide: $195.3K
Jun 2, 2006 US and Canada: $11K Rest of the world: Worldwide: $11K Of the top 5, The War Tapes (2006) earned the biggest share at home (100% in the US & Canada), while The Break-Up (2006) made 42% of its gross abroad. Across all 5 films, $123.1M (59%) came from the US & Canada.
Week 22 releases took $210.5M. The biggest of these 9 weeks is week 20 (May 14–20) with $1.1B, led by The Da Vinci Code (2006).
Of these 10 years, Week 22, 2003 earned the most: $1.2B from 6 films, led by Finding Nemo (2003). Week 22, 2006 took $210.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 1997 May 25–31 2 films | 2 | $14.6M | – | Trial and Error (1997) $14.6M |
| Week 22, 1998 May 24–30 4 films · +591% | 4 | $100.9M | +591% | Hope Floats (1998) $81.5M |
| Week 22, 1999 May 23–29 4 films · +279% | 4 | $382.8M | +279% | Notting Hill (1999) $364M |
| Week 22, 2000 May 21–27 5 films · +69% | 5 | $647M | +69% | Mission: Impossible II (2000) $546.4M |
| Week 22, 2001 May 27–Jun 2 2 films · −94% | 2 | $39M | −94% | What's the Worst That Could Happen? (2001) $38.5M |
| Week 22, 2002 May 26–Jun 1 6 films · +505% | 6 | $235.7M | +505% | The Sum of All Fears (2002) $193.9M |
| Week 22, 2003 May 25–31 6 films · +395% | 6 | $1.2B | +395% | Finding Nemo (2003) $941.6M |
| Week 22, 2004 May 23–29 9 films · −46% | 9 | $631.2M | −46% | The Day After Tomorrow (2004) $552.6M |
| Week 22, 2005 May 22–28 6 films · +16% | 6 | $734.8M | +16% | Madagascar (2005) $542.1M |
| Week 22, 2006 May 28–Jun 3 5 films · −71% | 5 | $210.5M | −71% | The Break-Up (2006) $205.7M |
52 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $1.1B, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Break-Up (2006) leads with $205.7M worldwide, $118.7M of it in the US & Canada. Next come Peaceful Warrior (2006) at $4.3M and The War Tapes (2006) at $254.2K.
5 English-language films released in week 22 of 2006 (May 28–Jun 3) report a worldwide gross, $210.5M in all, or $42.1M per film on average. Week 21, 2006 releases took $510.8M.
None. 1 film crossed $100 million, led by The Break-Up (2006) with $205.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2006 (May 28–Jun 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.