#1 of 6 2006 · Action, Drama
$65.7M worldwide · 65% of the chart's total
16 Blocks (2006) is the highest-grossing English-language movie released in week 9 of 2006 (Feb 26–Mar 4), with $65.7M worldwide, ahead of Aquamarine (2006) at $23M and Dave Chappelle's Block Party (2006) at $12.1M. 6 English-language films released that week report a worldwide gross, $101.7M in all, 66% of it from the US & Canada. That is down 2% on Week 8, 2006, whose releases took $103.9M. By genre, Drama leads with $66.5M across 3 English releases.
#1 of 6 2006 · Action, Drama
$65.7M worldwide · 65% of the chart's total
16 Blocks (2006) leads with $65.7M, 65% of the total. The top 5 together took $101.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2006 (Feb 26–Mar 4).
Mar 3, 2006 US and Canada: $36.9M Rest of the world: $28.8M Worldwide: $65.7M
Mar 3, 2006 US and Canada: $18.6M Rest of the world: $4.4M Worldwide: $23M
Mar 3, 2006 US and Canada: $11.7M Rest of the world: $333.3K Worldwide: $12.1M
Mar 3, 2006 US and Canada: – Rest of the world: – Worldwide: $849.7K
Mar 1, 2006 US and Canada: $166.8K Rest of the world: Worldwide: $166.8K
Mar 1, 2006 US and Canada: $7.1K Rest of the world: Worldwide: $7.1K Of the top 6, Our Brand Is Crisis (2006) earned the biggest share at home (100% in the US & Canada), while 16 Blocks (2006) made 44% of its gross abroad. Across all 6 films, $67.4M (66%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 9 releases took $101.7M. The biggest of these 9 weeks is week 6 (Feb 5–11) with $438.4M, led by The Pink Panther (2006).
Of these 10 years, Week 9, 2002 earned the most: $210.7M from 3 films, led by We Were Soldiers (2002). Week 9, 2006 took $101.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 1997 Feb 23–Mar 1 4 films | 4 | $147.6M | – | Donnie Brasco (1997) $124.9M |
| Week 9, 1998 Feb 22–28 6 films · −87% | 6 | $19.4M | −87% | Krippendorf’s Tribe (1998) $7.6M |
| Week 9, 1999 Feb 21–27 3 films · +544% | 3 | $125M | +544% | 8MM (1999) $96.6M |
| Week 9, 2000 Feb 20–26 3 films · −47% | 3 | $65.7M | −47% | Wonder Boys (2000) $33.4M |
| Week 9, 2001 Feb 25–Mar 3 4 films · −30% | 4 | $45.9M | −30% | See Spot Run (2001) $43.1M |
| Week 9, 2002 Feb 24–Mar 2 3 films · +359% | 3 | $210.7M | +359% | We Were Soldiers (2002) $115.4M |
| Week 9, 2003 Feb 23–Mar 1 2 films · −73% | 2 | $57.1M | −73% | Cradle 2 the Grave (2003) $56.5M |
| Week 9, 2004 Feb 22–28 7 films · +34% | 7 | $76.6M | +34% | Twisted (2004) $41M |
| Week 9, 2005 Feb 20–26 4 films · −6% | 4 | $72.2M | −6% | Diary of a Mad Black Woman (2005) $50.7M |
| Week 9, 2006 Feb 26–Mar 4 6 films · +41% | 6 | $101.7M | +41% | 16 Blocks (2006) $65.7M |
52 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $1.1B, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
16 Blocks (2006) leads with $65.7M worldwide, $36.9M of it in the US & Canada. Next come Aquamarine (2006) at $23M and Dave Chappelle's Block Party (2006) at $12.1M.
6 English-language films released in week 9 of 2006 (Feb 26–Mar 4) report a worldwide gross, $101.7M in all, or $17M per film on average. Week 8, 2006 releases took $103.9M.
None. The biggest, 16 Blocks (2006), earned $65.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2006 (Feb 26–Mar 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.