#1 of 7 2006 · Drama, Comedy
$205.7M worldwide · 86% of the chart's total
The Break-Up (2006) is the highest-grossing drama movie released in week 22 of 2006 (May 28–Jun 3), with $205.7M worldwide, ahead of Typhoon (2006) at $26.2M and Peaceful Warrior (2006) at $4.3M. 7 drama films released that week report a worldwide gross, $238.8M in all, 52% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 5.6 times the total of Week 21, 2006, whose releases took $42.5M. By language, English leads with $210.2M across 4 drama releases.
#1 of 7 2006 · Drama, Comedy
$205.7M worldwide · 86% of the chart's total
The Break-Up (2006) leads with $205.7M, 86% of the total. The top 5 together took $238.8M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2006 (May 28–Jun 3).
Jun 2, 2006 US and Canada: $118.7M Rest of the world: $87M Worldwide: $205.7M
Jun 2, 2006 US and Canada: $139.1K Rest of the world: $26M Worldwide: $26.2M
Jun 2, 2006 US and Canada: $4M Rest of the world: $366.5K Worldwide: $4.3M
Jun 1, 2006 US and Canada: – Rest of the world: – Worldwide: $2.4M
Jun 2, 2006 US and Canada: $194.5K Rest of the world: $731 Worldwide: $195.3K
May 28, 2006 US and Canada: – Rest of the world: – Worldwide: $11.3K
Jun 2, 2006 US and Canada: $11K Rest of the world: Worldwide: $11K Of the top 7, The Conrad Boys (2006) earned the biggest share at home (100% in the US & Canada), while Typhoon (2006) made 99% of its gross abroad. Across all 7 films, $123M (52%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 22 releases took $238.8M. The biggest of these 9 weeks is week 24 (Jun 11–17) with $292.9M, led by The Fast and the Furious: Tokyo Drift (2006).
Of these 10 years, Week 22, 2006 earned the most: $238.8M from 7 films, led by The Break-Up (2006).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 1997 May 25–31 1 film | 1 | $647 | – | Topless Women Talk About Their Lives (1997) $647 |
| Week 22, 1998 May 24–30 2 films · +13059016% | 2 | $84.5M | +13059016% | Hope Floats (1998) $81.5M |
| Week 22, 1999 May 23–29 3 films · −100% | 3 | $324.2K | −100% | The Loss of Sexual Innocence (1999) $164K |
| Week 22, 2000 May 21–27 5 films · +386% | 5 | $1.6M | +386% | Passion of Mind (2000) $769.3K |
| Week 22, 2001 May 27–Jun 2 2 films · −55% | 2 | $701.6K | −55% | Big Eden (2001) $512.5K |
| Week 22, 2002 May 26–Jun 1 7 films · +27980% | 7 | $197M | +27980% | The Sum of All Fears (2002) $193.9M |
| Week 22, 2003 May 25–31 3 films · −92% | 3 | $16.1M | −92% | Together (2003) $14.7M |
| Week 22, 2004 May 23–29 6 films · +307% | 6 | $65.3M | +307% | Raising Helen (2004) $49.7M |
| Week 22, 2005 May 22–28 9 films · +216% | 9 | $206.3M | +216% | The Longest Yard (2005) $191.5M |
| Week 22, 2006 May 28–Jun 3 7 films · +16% | 7 | $238.8M | +16% | The Break-Up (2006) $205.7M |
52 weeks of 2006 with reported grosses; the biggest is week 50 (Dec 10–16) with $533.4M, led by The Pursuit of Happyness (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Break-Up (2006) leads with $205.7M worldwide, $118.7M of it in the US & Canada. Next come Typhoon (2006) at $26.2M and Peaceful Warrior (2006) at $4.3M.
7 drama films released in week 22 of 2006 (May 28–Jun 3) report a worldwide gross, $238.8M in all, or $34.1M per film on average. Week 21, 2006 releases took $42.5M.
None. 1 film crossed $100 million, led by The Break-Up (2006) with $205.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2006 (May 28–Jun 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.