#1 of 7 2002 · Action, Drama
$193.9M worldwide · 98% of the chart's total
The Sum of All Fears (2002) is the highest-grossing drama movie released in week 22 of 2002 (May 26–Jun 1), with $193.9M worldwide, ahead of Elling (2002) at $2M and Rancour (2002) at $772.2K. 7 drama films released that week report a worldwide gross, $197M in all, 61% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 3% on Week 21, 2002, whose releases took $192M. By language, English leads with $193.9M across 2 drama releases.
#1 of 7 2002 · Action, Drama
$193.9M worldwide · 98% of the chart's total
The Sum of All Fears (2002) leads with $193.9M, 98% of the total. The top 5 together took $197M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2002 (May 26–Jun 1).
May 31, 2002 US and Canada: $118.9M Rest of the world: $75M Worldwide: $193.9M
May 29, 2002 US and Canada: $314.7K Rest of the world: $1.7M Worldwide: $2M
May 31, 2002 US and Canada: – Rest of the world: – Worldwide: $772.2K
May 26, 2002 US and Canada: – Rest of the world: – Worldwide: $117.4K
May 31, 2002 US and Canada: – Rest of the world: – Worldwide: $100.8K
May 26, 2002 US and Canada: – Rest of the world: – Worldwide: $32.4K
May 29, 2002 US and Canada: $14.6K Rest of the world: Worldwide: $14.6K Of the top 7, The Next Big Thing (2002) earned the biggest share at home (100% in the US & Canada), while Elling (2002) made 85% of its gross abroad. Across all 7 films, $119.2M (61%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 22 releases took $197M. The biggest of these 9 weeks is week 22 (May 26–Jun 1) with $197M, led by The Sum of All Fears (2002).
Of these 10 years, Week 22, 2002 earned the most: $197M from 7 films, led by The Sum of All Fears (2002).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 1993 May 23–29 5 films | 5 | $52M | – | Menace II Society (1993) $27.9M |
| Week 22, 1994 May 22–28 2 films · −97% | 2 | $1.7M | −97% | Even Cowgirls Get the Blues (1994) $1.7M |
| Week 22, 1995 May 28–Jun 3 3 films · +10794% | 3 | $186.2M | +10794% | The Bridges of Madison County (1995) $182M |
| Week 22, 1996 May 26–Jun 1 No films | 0 | – | – | – |
| Week 22, 1997 May 25–31 1 film | 1 | $647 | – | Topless Women Talk About Their Lives (1997) $647 |
| Week 22, 1998 May 24–30 2 films · +13059016% | 2 | $84.5M | +13059016% | Hope Floats (1998) $81.5M |
| Week 22, 1999 May 23–29 3 films · −100% | 3 | $324.2K | −100% | The Loss of Sexual Innocence (1999) $164K |
| Week 22, 2000 May 21–27 5 films · +386% | 5 | $1.6M | +386% | Passion of Mind (2000) $769.3K |
| Week 22, 2001 May 27–Jun 2 2 films · −55% | 2 | $701.6K | −55% | Big Eden (2001) $512.5K |
| Week 22, 2002 May 26–Jun 1 7 films · +27980% | 7 | $197M | +27980% | The Sum of All Fears (2002) $193.9M |
53 weeks of 2002 with reported grosses; the biggest is week 52 (Dec 22–28) with $588.8M, led by Catch Me If You Can (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Sum of All Fears (2002) leads with $193.9M worldwide, $118.9M of it in the US & Canada. Next come Elling (2002) at $2M and Rancour (2002) at $772.2K.
7 drama films released in week 22 of 2002 (May 26–Jun 1) report a worldwide gross, $197M in all, or $28.1M per film on average. Week 21, 2002 releases took $192M.
None. 1 film crossed $100 million, led by The Sum of All Fears (2002) with $193.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2002 (May 26–Jun 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.