#1 of 5 2002 · Drama, Sport
$80.7M worldwide · 91% of the chart's total
The Rookie (2002) is the highest-grossing drama movie released in week 13 of 2002 (Mar 24–30), with $80.7M worldwide, ahead of The Piano Teacher (2002) at $6.8M and Time Out (2002) at $1.2M. 5 drama films released that week report a worldwide gross, $88.9M in all, 87% of it from the US & Canada. That is 7.3 times the total of Week 12, 2002, whose releases took $12.2M. By language, English leads with $80.8M across 2 drama releases.
#1 of 5 2002 · Drama, Sport
$80.7M worldwide · 91% of the chart's total
The Rookie (2002) leads with $80.7M, 91% of the total. The top 5 together took $88.9M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2002 (Mar 24–30).
Mar 29, 2002 US and Canada: $75.6M Rest of the world: $5.1M Worldwide: $80.7M
Mar 29, 2002 US and Canada: $1M Rest of the world: $5.8M Worldwide: $6.8M
Mar 29, 2002 US and Canada: $448.5K Rest of the world: $765.4K Worldwide: $1.2M
Mar 27, 2002 US and Canada: – Rest of the world: – Worldwide: $210.6K
Mar 29, 2002 US and Canada: $62.7K Rest of the world: Worldwide: $62.7K Of the top 5, No Such Thing (2002) earned the biggest share at home (100% in the US & Canada), while The Piano Teacher (2002) made 85% of its gross abroad. Across all 5 films, $77.1M (87%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 13 releases took $88.9M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $199.9M, led by John Q (2002).
Of these 10 years, Week 13, 1997 earned the most: $140.8M from 1 film, led by The Devil's Own (1997). Week 13, 2002 took $88.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 1993 Mar 21–27 1 film | 1 | $24.1M | – | The Adventures of Huck Finn (1993) $24.1M |
| Week 13, 1994 Mar 20–26 2 films · +156% | 2 | $61.8M | +156% | D2: The Mighty Ducks (1994) $45.6M |
| Week 13, 1995 Mar 26–Apr 1 2 films · −96% | 2 | $2.5M | −96% | Jefferson in Paris (1995) $2.5M |
| Week 13, 1996 Mar 24–30 1 film · +299% | 1 | $10.1M | +299% | A Family Thing (1996) $10.1M |
| Week 13, 1997 Mar 23–29 1 film · +1291% | 1 | $140.8M | +1291% | The Devil's Own (1997) $140.8M |
| Week 13, 1998 Mar 22–28 4 films · −92% | 4 | $12M | −92% | The Newton Boys (1998) $10.5M |
| Week 13, 1999 Mar 21–27 1 film · −60% | 1 | $4.8M | −60% | A Walk on the Moon (1999) $4.8M |
| Week 13, 2000 Mar 19–25 6 films · +2318% | 6 | $114.9M | +2318% | Romeo Must Die (2000) $91M |
| Week 13, 2001 Mar 25–31 4 films · −57% | 4 | $49.5M | −57% | The Tailor of Panama (2001) $28M |
| Week 13, 2002 Mar 24–30 5 films · +80% | 5 | $88.9M | +80% | The Rookie (2002) $80.7M |
53 weeks of 2002 with reported grosses; the biggest is week 52 (Dec 22–28) with $588.8M, led by Catch Me If You Can (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Rookie (2002) leads with $80.7M worldwide, $75.6M of it in the US & Canada. Next come The Piano Teacher (2002) at $6.8M and Time Out (2002) at $1.2M.
5 drama films released in week 13 of 2002 (Mar 24–30) report a worldwide gross, $88.9M in all, or $17.8M per film on average. Week 12, 2002 releases took $12.2M.
None. The biggest, The Rookie (2002), earned $80.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2002 (Mar 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.