#1 of 8 2002 · Drama, Comedy
$8.8M worldwide · 72% of the chart's total
Son of the Bride (2002) is the highest-grossing drama movie released in week 12 of 2002 (Mar 17–23), with $8.8M worldwide, ahead of Women or Children First (2002) at $1.6M and El florido pensil (2002) at $800.6K. 8 drama films released that week report a worldwide gross, $12.2M in all, 5% of it from the US & Canada. That is down 65% on Week 11, 2002, whose releases took $34.6M. By language, Spanish leads with $10.4M across 5 drama releases.
#1 of 8 2002 · Drama, Comedy
$8.8M worldwide · 72% of the chart's total
Son of the Bride (2002) leads with $8.8M, 72% of the total. The top 5 together took $12.1M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2002 (Mar 17–23).
Mar 22, 2002 US and Canada: $624.8K Rest of the world: $8.1M Worldwide: $8.8M
Mar 20, 2002 US and Canada: – Rest of the world: – Worldwide: $1.6M
Mar 22, 2002 US and Canada: – Rest of the world: – Worldwide: $800.6K
Mar 22, 2002 US and Canada: – Rest of the world: – Worldwide: $733.7K
Mar 21, 2002 US and Canada: – Rest of the world: – Worldwide: $165.2K
Mar 21, 2002 US and Canada: – Rest of the world: – Worldwide: $104.2K
Mar 22, 2002 US and Canada: – Rest of the world: – Worldwide: $19.6K
Mar 22, 2002 US and Canada: – Rest of the world: – Worldwide: $5.4K Week 12 releases took $12.2M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $199.9M, led by John Q (2002).
Of these 10 years, Week 12, 2000 earned the most: $272.4M from 3 films, led by Erin Brockovich (2000). Week 12, 2002 took $12.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1993 Mar 14–20 3 films | 3 | $30.6M | – | Point of No Return (1993) $30M |
| Week 12, 1994 Mar 13–19 1 film · +58% | 1 | $48.4M | +58% | The Paper (1994) $48.4M |
| Week 12, 1995 Mar 19–25 3 films · −41% | 3 | $28.6M | −41% | Dolores Claiborne (1995) $24.4M |
| Week 12, 1996 Mar 17–23 3 films · −60% | 3 | $11.5M | −60% | Girl 6 (1996) $4.9M |
| Week 12, 1997 Mar 16–22 3 films · +236% | 3 | $38.5M | +236% | Selena (1997) $35.8M |
| Week 12, 1998 Mar 15–21 5 films · +38% | 5 | $52.9M | +38% | Primary Colors (1998) $52.1M |
| Week 12, 1999 Mar 14–20 1 film · −69% | 1 | $16.6M | −69% | True Crime (1999) $16.6M |
| Week 12, 2000 Mar 12–18 3 films · +1536% | 3 | $272.4M | +1536% | Erin Brockovich (2000) $257.9M |
| Week 12, 2001 Mar 18–24 3 films · −90% | 3 | $28.1M | −90% | The Brothers (2001) $28M |
| Week 12, 2002 Mar 17–23 8 films · −56% | 8 | $12.2M | −56% | Son of the Bride (2002) $8.8M |
Spanish-language drama films took $10.4M across 5 films, 85% of the total, ahead of French-language drama films ($1.6M) and Czech-language drama films ($165.2K).
53 weeks of 2002 with reported grosses; the biggest is week 52 (Dec 22–28) with $588.8M, led by Catch Me If You Can (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Son of the Bride (2002) leads with $8.8M worldwide, $624.8K of it in the US & Canada. Next come Women or Children First (2002) at $1.6M and El florido pensil (2002) at $800.6K.
8 drama films released in week 12 of 2002 (Mar 17–23) report a worldwide gross, $12.2M in all, or $1.5M per film on average. Week 11, 2002 releases took $34.6M.
None. The biggest, Son of the Bride (2002), earned $8.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2002 (Mar 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.