#1 of 7 2002 · Sci-Fi, Drama
$30M worldwide · 38% of the chart's total
Solaris (2002) is the highest-grossing drama movie released in week 48 of 2002 (Nov 24–30), with $30M worldwide, ahead of Eight Crazy Nights (2002) at $23.8M and Rabbit-Proof Fence (2002) at $16.2M. 7 drama films released that week report a worldwide gross, $78.8M in all, 61% of it from the US & Canada. That is down 39% on Week 47, 2002, whose releases took $128.5M. By language, English leads with $46.2M across 2 drama releases.
#1 of 7 2002 · Sci-Fi, Drama
$30M worldwide · 38% of the chart's total
Solaris (2002) leads with $30M, 38% of the total. The top 5 together took $78.8M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 48 of 2002 (Nov 24–30).
Nov 27, 2002 US and Canada: $15M Rest of the world: $15M Worldwide: $30M
Nov 27, 2002 US and Canada: $23.6M Rest of the world: $246.5K Worldwide: $23.8M
Nov 29, 2002 US and Canada: $6.2M Rest of the world: $10M Worldwide: $16.2M
Nov 29, 2002 US and Canada: $3M Rest of the world: $5.6M Worldwide: $8.7M
Nov 27, 2002 US and Canada: – Rest of the world: – Worldwide: $40.7K
Nov 27, 2002 US and Canada: – Rest of the world: – Worldwide: $18.4K
Nov 29, 2002 US and Canada: $2.6K Rest of the world: Worldwide: $2.6K Of the top 7, Dead or Alive: Final (2002) earned the biggest share at home (100% in the US & Canada), while Russian Ark (2002) made 65% of its gross abroad. Across all 7 films, $47.8M (61%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 48 releases took $78.8M. The biggest of these 9 weeks is week 50 (Dec 8–14) with $331.4M, led by Maid in Manhattan (2002).
Of these 10 years, Week 48, 1993 earned the most: $576.4M from 2 films, led by Mrs. Doubtfire (1993). Week 48, 2002 took $78.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 48, 1993 Nov 21–27 2 films | 2 | $576.4M | – | Mrs. Doubtfire (1993) $441.3M |
| Week 48, 1994 Nov 20–26 3 films · −99% | 3 | $5.9M | −99% | Three Colors: Red (1994) $3.6M |
| Week 48, 1995 Nov 26–Dec 2 3 films · −86% | 3 | $804.7K | −86% | Things to Do in Denver When You're Dead (1995) $529.8K |
| Week 48, 1996 Nov 24–30 4 films · +3981% | 4 | $32.8M | +3981% | Sling Blade (1996) $24.4M |
| Week 48, 1997 Nov 23–29 3 films · −97% | 3 | $970.6K | −97% | Bent (1997) $496.1K |
| Week 48, 1998 Nov 22–28 4 films · +8109% | 4 | $79.7M | +8109% | Babe: Pig in the City (1998) $69.1M |
| Week 48, 1999 Nov 21–27 4 films · −91% | 4 | $6.9M | −91% | Flawless (1999) $4.5M |
| Week 48, 2000 Nov 19–25 2 films · +3782% | 2 | $266.1M | +3782% | Unbreakable (2000) $248.1M |
| Week 48, 2001 Nov 25–Dec 1 6 films · −65% | 6 | $94.1M | −65% | Behind Enemy Lines (2001) $91.8M |
| Week 48, 2002 Nov 24–30 7 films · −16% | 7 | $78.8M | −16% | Solaris (2002) $30M |
53 weeks of 2002 with reported grosses; the biggest is week 52 (Dec 22–28) with $588.8M, led by Catch Me If You Can (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Solaris (2002) leads with $30M worldwide, $15M of it in the US & Canada. Next come Eight Crazy Nights (2002) at $23.8M and Rabbit-Proof Fence (2002) at $16.2M.
7 drama films released in week 48 of 2002 (Nov 24–30) report a worldwide gross, $78.8M in all, or $11.3M per film on average. Week 47, 2002 releases took $128.5M.
None. The biggest, Solaris (2002), earned $30M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 48 of 2002 (Nov 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.