#1 of 5 2002 · Drama, Thriller
$56.7M worldwide · 98% of the chart's total
Murder by Numbers (2002) is the highest-grossing drama movie released in week 16 of 2002 (Apr 14–20), with $56.7M worldwide, ahead of The Repentant (2002) at $655.5K and Saathiya (2002) at $541.4K. 5 drama films released that week report a worldwide gross, $58.1M in all, 56% of it from the US & Canada. That is down 55% on Week 15, 2002, whose releases took $130M. By language, English leads with $56.9M across 3 drama releases.
#1 of 5 2002 · Drama, Thriller
$56.7M worldwide · 98% of the chart's total
Murder by Numbers (2002) leads with $56.7M, 98% of the total. The top 5 together took $58.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2002 (Apr 14–20).
Apr 19, 2002 US and Canada: $31.9M Rest of the world: $24.8M Worldwide: $56.7M
Apr 17, 2002 US and Canada: – Rest of the world: – Worldwide: $655.5K
Apr 20, 2002 US and Canada: $317.6K Rest of the world: $223.8K Worldwide: $541.4K
Apr 19, 2002 US and Canada: $103.9K Rest of the world: Worldwide: $103.9K
Apr 19, 2002 US and Canada: $60.9K Rest of the world: Worldwide: $60.9K Of the top 5, World Traveler (2002) earned the biggest share at home (100% in the US & Canada), while Murder by Numbers (2002) made 44% of its gross abroad. Across all 5 films, $32.4M (56%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 16 releases took $58.1M. The biggest of these 9 weeks is week 15 (Apr 7–13) with $130M, led by Changing Lanes (2002).
Of these 10 years, Week 16, 2000 earned the most: $168.1M from 7 films, led by 28 Days (2000). Week 16, 2002 took $58.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 1993 Apr 11–17 3 films | 3 | $11.7M | – | Boiling Point (1993) $10.1M |
| Week 16, 1994 Apr 10–16 3 films · −28% | 3 | $8.4M | −28% | Surviving the Game (1994) $7.7M |
| Week 16, 1995 Apr 16–22 4 films · +213% | 4 | $26.2M | +213% | Kiss of Death (1995) $14.9M |
| Week 16, 1996 Apr 14–20 5 films · +215% | 5 | $82.4M | +215% | The Quest (1996) $57.4M |
| Week 16, 1997 Apr 13–19 5 films · −66% | 5 | $27.7M | −66% | Murder at 1600 (1997) $25.8M |
| Week 16, 1998 Apr 12–18 7 films · +178% | 7 | $77M | +178% | The Object of My Affection (1998) $46.9M |
| Week 16, 1999 Apr 11–17 5 films · −4% | 5 | $73.9M | −4% | Life (1999) $73.5M |
| Week 16, 2000 Apr 9–15 7 films · +128% | 7 | $168.1M | +128% | 28 Days (2000) $62.2M |
| Week 16, 2001 Apr 15–21 4 films · −93% | 4 | $11.2M | −93% | The Hole (2001) $7.8M |
| Week 16, 2002 Apr 14–20 5 films · +418% | 5 | $58.1M | +418% | Murder by Numbers (2002) $56.7M |
53 weeks of 2002 with reported grosses; the biggest is week 52 (Dec 22–28) with $588.8M, led by Catch Me If You Can (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Murder by Numbers (2002) leads with $56.7M worldwide, $31.9M of it in the US & Canada. Next come The Repentant (2002) at $655.5K and Saathiya (2002) at $541.4K.
5 drama films released in week 16 of 2002 (Apr 14–20) report a worldwide gross, $58.1M in all, or $11.6M per film on average. Week 15, 2002 releases took $130M.
None. The biggest, Murder by Numbers (2002), earned $56.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2002 (Apr 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.