#1 of 5 The Dangerous Lives of Altar Boys (2002)
2002 · Drama, Comedy
$2M worldwide · 56% of the chart's total
The Dangerous Lives of Altar Boys (2002) is the highest-grossing drama movie released in week 24 of 2002 (Jun 9–15), with $2M worldwide, ahead of The Emperor's New Clothes (2002) at $1.2M and Too Young to Be a Dad (2002) at $352.5K. 5 drama films released that week report a worldwide gross, $3.6M in all, 68% of it from the US & Canada. That is down 52% on Week 23, 2002, whose releases took $7.5M. By language, English leads with $3.6M across 5 drama releases.
#1 of 5 The Dangerous Lives of Altar Boys (2002)
2002 · Drama, Comedy
$2M worldwide · 56% of the chart's total
The Dangerous Lives of Altar Boys (2002) leads with $2M, 56% of the total. The top 5 together took $3.6M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2002 (Jun 9–15).
Jun 14, 2002 US and Canada: $1.8M Rest of the world: $220.7K Worldwide: $2M
Jun 14, 2002 US and Canada: $661.9K Rest of the world: $574.3K Worldwide: $1.2M
Jun 10, 2002 US and Canada: – Rest of the world: – Worldwide: $352.5K
Jun 14, 2002 US and Canada: $2.4K Rest of the world: Worldwide: $2.4K
Jun 12, 2002 US and Canada: $2.2K Rest of the world: Worldwide: $2.2K Of the top 5, ZigZag (2002) earned the biggest share at home (100% in the US & Canada), while The Emperor's New Clothes (2002) made 46% of its gross abroad. Across all 5 films, $2.5M (68%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 24 releases took $3.6M. The biggest of these 9 weeks is week 22 (May 26–Jun 1) with $197M, led by The Sum of All Fears (2002).
Of these 10 years, Week 24, 1996 earned the most: $111.2M from 4 films, led by The Cable Guy (1996). Week 24, 2002 took $3.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 1993 Jun 6–12 1 film | 1 | $5.4M | – | Orlando (1993) $5.4M |
| Week 24, 1994 Jun 5–11 3 films · −53% | 3 | $2.5M | −53% | Three Colors: White (1994) $1.3M |
| Week 24, 1995 Jun 11–17 No films | 0 | – | – | – |
| Week 24, 1996 Jun 9–15 4 films | 4 | $111.2M | – | The Cable Guy (1996) $102.8M |
| Week 24, 1997 Jun 8–14 1 film · −100% | 1 | $183.9K | −100% | Robinson Crusoe (1997) $183.9K |
| Week 24, 1998 Jun 7–13 2 films · +1670% | 2 | $3.3M | +1670% | High Art (1998) $2M |
| Week 24, 1999 Jun 6–12 No films | 0 | – | – | – |
| Week 24, 2000 Jun 4–10 3 films | 3 | $9.5M | – | Sunshine (2000) $7.9M |
| Week 24, 2001 Jun 10–16 5 films · +60% | 5 | $15.2M | +60% | Sexy Beast (2001) $10M |
| Week 24, 2002 Jun 9–15 5 films · −76% | 5 | $3.6M | −76% | The Dangerous Lives of Altar Boys (2002) $2M |
53 weeks of 2002 with reported grosses; the biggest is week 52 (Dec 22–28) with $588.8M, led by Catch Me If You Can (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Dangerous Lives of Altar Boys (2002) leads with $2M worldwide, $1.8M of it in the US & Canada. Next come The Emperor's New Clothes (2002) at $1.2M and Too Young to Be a Dad (2002) at $352.5K.
5 drama films released in week 24 of 2002 (Jun 9–15) report a worldwide gross, $3.6M in all, or $726K per film on average. Week 23, 2002 releases took $7.5M.
None. The biggest, The Dangerous Lives of Altar Boys (2002), earned $2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2002 (Jun 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.