#1 of 6 2000 · Action, Drama
$91M worldwide · 79% of the chart's total
Romeo Must Die (2000) is the highest-grossing drama movie released in week 13 of 2000 (Mar 19–25), with $91M worldwide, ahead of Here on Earth (2000) at $10.9M and Whatever It Takes (2000) at $9.9M. 6 drama films released that week report a worldwide gross, $114.9M in all, 67% of it from the US & Canada. That is down 58% on Week 12, 2000, whose releases took $272.4M. By language, English leads with $102.2M across 4 drama releases.
#1 of 6 2000 · Action, Drama
$91M worldwide · 79% of the chart's total
Romeo Must Die (2000) leads with $91M, 79% of the total. The top 5 together took $114.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2000 (Mar 19–25).
Mar 22, 2000 US and Canada: $56M Rest of the world: $35.1M Worldwide: $91M
Mar 24, 2000 US and Canada: $10.5M Rest of the world: $351K Worldwide: $10.9M
Mar 24, 2000 US and Canada: $8.7M Rest of the world: $1.2M Worldwide: $9.9M
Mar 24, 2000 US and Canada: $1.8M Rest of the world: $960.3K Worldwide: $2.8M
Mar 24, 2000 US and Canada: $270.7K Rest of the world: Worldwide: $270.7K
Mar 24, 2000 US and Canada: $12.6K Rest of the world: Worldwide: $12.6K Of the top 6, Waking the Dead (2000) earned the biggest share at home (100% in the US & Canada), while Romeo Must Die (2000) made 39% of its gross abroad. Across all 6 films, $77.3M (67%) came from the US & Canada.
Week 13 releases took $114.9M. The biggest of these 9 weeks is week 12 (Mar 12–18) with $272.4M, led by Erin Brockovich (2000).
Of these 10 years, Week 13, 1997 earned the most: $140.8M from 1 film, led by The Devil's Own (1997). Week 13, 2000 took $114.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 1991 Mar 24–30 2 films | 2 | $8.9M | – | The Five Heartbeats (1991) $8.8M |
| Week 13, 1992 Mar 22–28 5 films · +1240% | 5 | $119.8M | +1240% | White Men Can’t Jump (1992) $90.8M |
| Week 13, 1993 Mar 21–27 1 film · −80% | 1 | $24.1M | −80% | The Adventures of Huck Finn (1993) $24.1M |
| Week 13, 1994 Mar 20–26 2 films · +156% | 2 | $61.8M | +156% | D2: The Mighty Ducks (1994) $45.6M |
| Week 13, 1995 Mar 26–Apr 1 2 films · −96% | 2 | $2.5M | −96% | Jefferson in Paris (1995) $2.5M |
| Week 13, 1996 Mar 24–30 1 film · +299% | 1 | $10.1M | +299% | A Family Thing (1996) $10.1M |
| Week 13, 1997 Mar 23–29 1 film · +1291% | 1 | $140.8M | +1291% | The Devil's Own (1997) $140.8M |
| Week 13, 1998 Mar 22–28 4 films · −92% | 4 | $12M | −92% | The Newton Boys (1998) $10.5M |
| Week 13, 1999 Mar 21–27 1 film · −60% | 1 | $4.8M | −60% | A Walk on the Moon (1999) $4.8M |
| Week 13, 2000 Mar 19–25 6 films · +2318% | 6 | $114.9M | +2318% | Romeo Must Die (2000) $91M |
53 weeks of 2000 with reported grosses; the biggest is week 52 (Dec 17–23) with $657.4M, led by Cast Away (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Romeo Must Die (2000) leads with $91M worldwide, $56M of it in the US & Canada. Next come Here on Earth (2000) at $10.9M and Whatever It Takes (2000) at $9.9M.
6 drama films released in week 13 of 2000 (Mar 19–25) report a worldwide gross, $114.9M in all, or $19.1M per film on average. Week 12, 2000 releases took $272.4M.
None. The biggest, Romeo Must Die (2000), earned $91M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2000 (Mar 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.