#1 of 4 2006 · Drama, Romance
$326.7M worldwide · 100% of the chart's total
The Devil Wears Prada (2006) is the highest-grossing drama movie released in week 26 of 2006 (Jun 25–Jul 1), with $326.7M worldwide, ahead of Armenia (2006) at $1.4M and The Motel (2006) at $51.5K. 4 drama films released that week report a worldwide gross, $328.2M in all, 38% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 23% on Week 25, 2006, whose releases took $266.7M.
#1 of 4 2006 · Drama, Romance
$326.7M worldwide · 100% of the chart's total
The Devil Wears Prada (2006) leads with $326.7M, 100% of the total. The top 4 together took $328.2M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2006 (Jun 25–Jul 1).
Jun 30, 2006 US and Canada: $124.7M Rest of the world: $202M Worldwide: $326.7M
Jun 28, 2006 US and Canada: – Rest of the world: – Worldwide: $1.4M
Jun 28, 2006 US and Canada: $51.5K Rest of the world: Worldwide: $51.5K
Jun 28, 2006 US and Canada: $5.2K Rest of the world: Worldwide: $5.2K Of the top 4, The Motel (2006) earned the biggest share at home (100% in the US & Canada), while The Devil Wears Prada (2006) made 62% of its gross abroad. Across all 4 films, $124.8M (38%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 26 releases took $328.2M. The biggest of these 9 weeks is week 26 (Jun 25–Jul 1) with $328.2M, led by The Devil Wears Prada (2006).
Of these 10 years, Week 26, 2001 earned the most: $351.7M from 11 films, led by A.I. Artificial Intelligence (2001). Week 26, 2006 took $328.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 1997 Jun 22–28 1 film | 1 | $245.7M | – | Face/Off (1997) $245.7M |
| Week 26, 1998 Jun 21–27 4 films · −93% | 4 | $16.2M | −93% | Croupier (1998) $7.1M |
| Week 26, 1999 Jun 20–26 1 film · +1346% | 1 | $234.8M | +1346% | Big Daddy (1999) $234.8M |
| Week 26, 2000 Jun 18–24 1 film · −100% | 1 | $71K | −100% | Boricua's Bond (2000) $71K |
| Week 26, 2001 Jun 24–30 11 films · +494922% | 11 | $351.7M | +494922% | A.I. Artificial Intelligence (2001) $235.9M |
| Week 26, 2002 Jun 23–29 4 films · −96% | 4 | $15.6M | −96% | Champion (2002) $10.6M |
| Week 26, 2003 Jun 22–28 5 films · −49% | 5 | $8M | −49% | Main Prem Ki Diwani Hoon (2003) $6.3M |
| Week 26, 2004 Jun 20–26 7 films · +2234% | 7 | $187.7M | +2234% | The Notebook (2004) $118.6M |
| Week 26, 2005 Jun 19–25 7 films · −92% | 7 | $14.8M | −92% | Memories of Murder (2005) $9.6M |
| Week 26, 2006 Jun 25–Jul 1 4 films · +2113% | 4 | $328.2M | +2113% | The Devil Wears Prada (2006) $326.7M |
52 weeks of 2006 with reported grosses; the biggest is week 50 (Dec 10–16) with $533.4M, led by The Pursuit of Happyness (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
The Devil Wears Prada (2006) leads with $326.7M worldwide, $124.7M of it in the US & Canada. Next come Armenia (2006) at $1.4M and The Motel (2006) at $51.5K.
4 drama films released in week 26 of 2006 (Jun 25–Jul 1) report a worldwide gross, $328.2M in all, or $82.1M per film on average. Week 25, 2006 releases took $266.7M.
None. 1 film crossed $100 million, led by The Devil Wears Prada (2006) with $326.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2006 (Jun 25–Jul 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.