#1 of 7 2005 · Drama, Mystery
$9.6M worldwide · 65% of the chart's total
Memories of Murder (2005) is the highest-grossing drama movie released in week 26 of 2005 (Jun 19–25), with $9.6M worldwide, ahead of Paheli (2005) at $2.4M and El Calentito (2005) at $864.2K. 7 drama films released that week report a worldwide gross, $14.8M in all, 13% of it from the US & Canada. That is down 96% on Week 25, 2005, whose releases took $387.6M. By language, Korean leads with $9.6M across 1 drama release.
#1 of 7 2005 · Drama, Mystery
$9.6M worldwide · 65% of the chart's total
Memories of Murder (2005) leads with $9.6M, 65% of the total. The top 5 together took $14.2M, 96% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2005 (Jun 19–25).
Jun 24, 2005 US and Canada: – Rest of the world: – Worldwide: $9.6M
Jun 24, 2005 US and Canada: $1.4M Rest of the world: $1M Worldwide: $2.4M
Jun 24, 2005 US and Canada: – Rest of the world: – Worldwide: $864.2K
Jun 23, 2005 US and Canada: – Rest of the world: – Worldwide: $696.7K
Jun 24, 2005 US and Canada: $396.8K Rest of the world: $265.2K Worldwide: $661.9K
Jun 24, 2005 US and Canada: $121.4K Rest of the world: $416.5K Worldwide: $537.9K
Jun 25, 2005 US and Canada: – Rest of the world: – Worldwide: $74.4K Of the top 7, Yes (2005) earned the biggest share at home (60% in the US & Canada), while Lila Says (2005) made 77% of its gross abroad. Across all 7 films, $1.9M (13%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 26 releases took $14.8M. The biggest of these 9 weeks is week 27 (Jun 26–Jul 2) with $619.1M, led by War of the Worlds (2005).
Of these 10 years, Week 26, 2001 earned the most: $351.7M from 11 films, led by A.I. Artificial Intelligence (2001). Week 26, 2005 took $14.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 1996 Jun 23–29 3 films | 3 | $114.1M | – | Striptease (1996) $113.3M |
| Week 26, 1997 Jun 22–28 1 film · +115% | 1 | $245.7M | +115% | Face/Off (1997) $245.7M |
| Week 26, 1998 Jun 21–27 4 films · −93% | 4 | $16.2M | −93% | Croupier (1998) $7.1M |
| Week 26, 1999 Jun 20–26 1 film · +1346% | 1 | $234.8M | +1346% | Big Daddy (1999) $234.8M |
| Week 26, 2000 Jun 18–24 1 film · −100% | 1 | $71K | −100% | Boricua's Bond (2000) $71K |
| Week 26, 2001 Jun 24–30 11 films · +494922% | 11 | $351.7M | +494922% | A.I. Artificial Intelligence (2001) $235.9M |
| Week 26, 2002 Jun 23–29 4 films · −96% | 4 | $15.6M | −96% | Champion (2002) $10.6M |
| Week 26, 2003 Jun 22–28 5 films · −49% | 5 | $8M | −49% | Main Prem Ki Diwani Hoon (2003) $6.3M |
| Week 26, 2004 Jun 20–26 7 films · +2234% | 7 | $187.7M | +2234% | The Notebook (2004) $118.6M |
| Week 26, 2005 Jun 19–25 7 films · −92% | 7 | $14.8M | −92% | Memories of Murder (2005) $9.6M |
53 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $662.7M, led by King Kong (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Memories of Murder (2005) leads with $9.6M worldwide. Next come Paheli (2005) at $2.4M and El Calentito (2005) at $864.2K.
7 drama films released in week 26 of 2005 (Jun 19–25) report a worldwide gross, $14.8M in all, or $2.1M per film on average. Week 25, 2005 releases took $387.6M.
None. The biggest, Memories of Murder (2005), earned $9.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2005 (Jun 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.