#1 of 4 #1 drama movie of Week 14, 2005
2005 · Drama, Comedy
$18.7M worldwide · 41% of the chart's total
$1.7M US & Canada · 9% $17M elsewhere · 91%
Drama box office · Week 14 · Mar 27–Apr 2, 2005
Drama Box Office, Week 14 of 2005: Drama Releases of Mar 27–Apr 2
Look at Me (2005) is the highest-grossing drama movie released in week 14 of 2005 (Mar 27–Apr 2), with $18.7M worldwide, ahead of A Bittersweet Life (2005) at $10.1M and Crying Fist (2005) at $10M. 4 drama films released that week report a worldwide gross, $45.1M in all, 4% of it from the US & Canada.
- week 14 releases with a gross
- 4
- combined worldwide
- $45.1M
- Look at Me (2005), the #1
- $18.7M
- earned in the US & Canada
- 4%
#1 of 4 Top 4
What Were the Biggest Drama Hits of Week 14 of 2005?
Look at Me (2005) leads with $18.7M, 41% of the total. The top 4 together took $45.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 14 of 2005, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2005 (Mar 27–Apr 2).
- 1 Apr 1, 2005 US and Canada: $1.7M Rest of the world: $17M Worldwide: $18.7M
- 2 Apr 1, 2005 US and Canada: – Rest of the world: – Worldwide: $10.1M
- 3 Mar 31, 2005 US and Canada: – Rest of the world: – Worldwide: $10M
- 4 Apr 1, 2005 US and Canada: – Rest of the world: – Worldwide: $6.3M
Weeks around it
How Does Week 14 Compare With the Weeks Around It?
Week 14 releases took $45.1M. The biggest of these 9 weeks is week 12 (Mar 13–19) with $219.3M, led by The Ring Two (2005).
- Week 8 Wk 8 Feb 13–19 Downfall (2005) $143.4M Downfall (2005)
- Week 9 Wk 9 Feb 20–26 Diary of a Mad Black Woman (2005) $77.8M Diary of a Mad Black Woman (2005)
- Week 10 Wk 10 Feb 27–Mar 5 The Pacifier (2005) $210.4M The Pacifier (2005)
- Week 11 Wk 11 Mar 6–12 Hostage (2005) $154.7M Hostage (2005)
- Week 12 Wk 12 Mar 13–19 The Ring Two (2005) $219.3M The Ring Two (2005)
- Week 13 Wk 13 Mar 20–26 The Ballad of Jack and Rose (2005) $916.1K The Ballad of Jack and Rose (2005)
- Week 14 Wk 14 Mar 27–Apr 2 Look at Me (2005) $45.1M Look at Me (2005)
- Week 15 Wk 15 Apr 3–9 Fever Pitch (2005) $56.9M Fever Pitch (2005)
- Week 16 Wk 16 Apr 10–16 The Amityville Horror (2005) $116.5M The Amityville Horror (2005)
Earlier years
How Does Week 14 of 2005 Compare With Earlier Years?
Of these 10 years, Week 14, 1998 earned the most: $117M from 5 films, led by Mercury Rising (1998). Week 14, 2005 took $45.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 1996 Mar 31–Apr 6 3 films | 3 | $104.7M | – | Primal Fear (1996) $102.6M |
| Week 14, 1997 Mar 30–Apr 5 5 films · −66% | 5 | $35.5M | −66% | That Old Feeling (1997) $16.6M |
| Week 14, 1998 Mar 29–Apr 4 5 films · +230% | 5 | $117M | +230% | Mercury Rising (1998) $93.1M |
| Week 14, 1999 Mar 28–Apr 3 3 films · −90% | 3 | $11.9M | −90% | Cookie's Fortune (1999) $10.9M |
| Week 14, 2000 Mar 26–Apr 1 5 films · +751% | 5 | $101.6M | +751% | The Skulls (2000) $50.8M |
| Week 14, 2001 Apr 1–7 6 films · −15% | 6 | $85.8M | −15% | Blow (2001) $83.3M |
| Week 14, 2002 Mar 31–Apr 6 4 films · −21% | 4 | $67.7M | −21% | High Crimes (2002) $63.8M |
| Week 14, 2003 Mar 30–Apr 5 5 films · −9% | 5 | $61.5M | −9% | A Man Apart (2003) $44.4M |
| Week 14, 2004 Mar 28–Apr 3 8 films · +64% | 8 | $100.8M | +64% | Walking Tall (2004) $57.2M |
| Week 14, 2005 Mar 27–Apr 2 4 films · −55% | 4 | $45.1M | −55% | Look at Me (2005) $18.7M |
Archive
Drama Box Office in 2005, Week by Week
53 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $662.7M, led by King Kong (2005).
- Week 1 $602.3K
- Week 2 $95.6M
- Week 3 $315.7M
- Week 4 $146M
- Week 5 $132.4M
- Week 6 $72.5M
- Week 7 $29.2M
- Week 8 $143.4M
- Week 9 $77.8M
- Week 10 $210.4M
- Week 11 $154.7M
- Week 12 $219.3M
- Week 13 $916.1K
- Week 14 $45.1M
- Week 15 $56.9M
- Week 16 $116.5M
- Week 17 $212.4M
- Week 18 $39M
- Week 19 $101.2M
- Week 20 $114.4M
- Week 21 $30.3M
- Week 22 $206.3M
- Week 23 $126M
- Week 24 $25.9M
- Week 25 $387.6M
- Week 26 $14.8M
- Week 27 $619.1M
- Week 28 $76.3M
- Week 29 $6.3M
- Week 30 $51.3M
- Week 31 $24.1M
- Week 32 $108.8M
- Week 33 $208.1M
- Week 34 $9M
- Week 35 $274K
- Week 36 $127.8M
- Week 37 $209M
- Week 38 $158.1M
- Week 39 $392.6M
- Week 40 $104.2M
- Week 41 $225.6M
- Week 42 $163.8M
- Week 43 $71.9M
- Week 44 $103.8M
- Week 45 $112.8M
- Week 46 $305.9M
- Week 47 $231.6M
- Week 48 $156.5M
- Week 49 $21.8M
- Week 50 $407.2M
- Week 51 $662.7M
- Week 52 $169.1M
- Week 53 $281.4M
FAQ
Drama Box Office Week 14 of 2005: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing drama movie in week 14 of 2005 (Mar 27–Apr 2)?
Look at Me (2005) leads with $18.7M worldwide, $1.7M of it in the US & Canada. Next come A Bittersweet Life (2005) at $10.1M and Crying Fist (2005) at $10M.
How much did drama movies released in week 14 of 2005 (Mar 27–Apr 2) earn?
4 drama films released in week 14 of 2005 (Mar 27–Apr 2) report a worldwide gross, $45.1M in all, or $11.3M per film on average.
How many drama movies released in week 14 of 2005 (Mar 27–Apr 2) made $1 billion?
None. The biggest, Look at Me (2005), earned $18.7M.
How is the week 14, 2005 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2005 (Mar 27–Apr 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 14, 2005 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.