
Jobless and under pressure from creditors, former silver‑medalist Tae‑shik falls to street hustling, becoming a human punching bag. Meanwhile, juvenile delinquent Sang‑hwan is jailed for his crimes. Both turn to boxing as a chance to redeem their lives, training for the amateur championship, only to confront each other—and themselves—inside the ring.
Does Crying Fist have end credit scenes?
No!
Crying Fist does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Crying Fist, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jeong In-gi
Doctor (uncredited)

Na Moon-hee
Sang-hwan's Grandmother

Gi Ju-bong
Yu Sang-hwan's Father

Im Won-hee
Won-tae

Cheon Ho-jin
Sang-chul

Oh Dal-su
Yong-dae

Ryoo Seung-bum
Yoo Sang-hwan

Kim Su-hyun
Kwon Rok

Ahn Kil-kang
Correctional Supervisor

Hwang Choon-ha
Yong-jin

Choi Min-sik
Gang Tae-shik

Park Jun-myun
Fat Lady

Byun Hee-bong
Coach Park

Chung Chung-hoon
Gwang-ho

Hong Ji-min
Caretaker (uncredited)

Seo Hye-rin
Sun-ju

Kim Yeong-in
Old Man Kim (uncredited)
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Challenge your knowledge of Crying Fist with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the former boxing star who becomes a street “human punching bag”?
Gang Tae-sik
Won-tae
Yoo Sang-hwan
Im Won-hee
Show hint
Read the complete plot summary of Crying Fist, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Gang Tae-sik, Choi Min-sik is a former boxing star who now lives on the edge, presenting himself as a literal “human punching bag” on the streets to earn some money. He has fallen from grace: his factory is gone, his savings are wiped out, and his family is fractured. He drifts through a rooftop room, scraping by on brutal street brawls, while his wife pushes for a divorce and his son keeps him at a chilly emotional distance. The weight of these losses gnaws at him, and the once-bright fire of his career feels like it’s extinguished. Then a flicker of hope arrives in the form of a poster for the Rookie of the Year boxing tournament, a last-ditch chance at redemption that suddenlly taps into a stubborn, stubborn resilience he didn’t know he still possessed.
An old acquaintance, Won-tae, Im Won-hee, reappears with a tempting but self-serving offer. He promises to help, but instead swindles Tae-sik, leaving him humiliated and physically broken. The blow lands hard, and a medical crisis follows: he is diagnosed with early onset dementia caused by repeated head trauma. With nothing left but a stubborn will to reconnect with his son and to prove something to himself, Tae-sik begs Won-tae to get him into the tournament. Won-tae agrees—though his help comes with a forged registration and a plan to pose as a coach—igniting a reckless, desperate hope in Tae-sik that he can still matter in the world of boxing.
Parallel to Tae-sik’s fall and reluctant rebirth is the life of Yoo Sang-hwan, a 19-year-old delinquent who fights to survive and fills his days with petty theft. A robbery that spirals into tragedy—an elderly man’s death—lands him in juvenile detention for five years. In the prison, a weary official recognizes Sang-hwan’s raw talent and nudges him toward boxing as a path forward. He isn’t handed a gift, but the sport becomes a channel for his anger, grief, and need for purpose, especially as he copes with the deaths that haunt him: his father’s fatal construction accident and his grandmother’s collapse in the wake of that loss.
As the two lives intersect, Tae-sik’s return to the ring with forged support from Won-tae and Sang-hwan’s disciplined, fiercely earned tenacity fuse into a shared ascent. Tae-sik relies on his hard-won experience, using street-smart technique and the grit that never really left him, while Sang-hwan climbs on knockout after knockout, driven by a deeper motive to honor the memory of his father and grandmother. The two young men make their way toward the same tournament, where temporary leave from the detention center lets Sang-hwan compete alongside Tae-sik, bridging a generational gap with a stubborn, mutual hunger for redemption.
The tournament becomes a crucible, six rounds of intense, high-stakes boxing that test every limit each man has left. In a hard-fought, disciplined contest, Sang-hwan emerges the winner by decision, his victory a tangible release of the pain and anger that defined his early years. In the moments that follow, he runs to his grandmother’s grave and clutches her memory, an emotional release that underscores the personal cost of his journey. Tae-sik, in a poignant reversal, holds his own son close in the ring, a quiet moment of reconciliation that signals the possibility of rebuilding a broken bond.
The film culminates in a quiet, powerful acknowledgment of second chances. Tae-sik’s longing to repair his relationship with his son meets Sang-hwan’s need to honor his family, and their parallel paths converge into a shared sense of redemption earned through struggle, sacrifice, and perseverance. With the arena fading behind them, the two fighters stand as witnesses to what it means to fight for more than a title: they fight for connection, memory, and the chance to write a new chapter that honors those they’ve lost and the ones they still have.
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