Directed by

Park Chan-wook
Made by

CJ ENM Co.
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Read the complete plot summary and ending explained for No Other Choice (2025). From turning points to emotional moments, uncover what really happened and why it matters.
Man-su is an award-winning veteran employee of papermaking company Solar Paper. Well paid, he has purchased his childhood home, living happily in luxury with his homemaker wife Mi-ri, his teenage stepson Si-one, their young daughter Ri-one, an antisocial neurodivergent cello prodigy, and their two dogs. However, Americans buy out Solar Paper and fire many employees, including a devastated Man-su. After informing his family, he vows to resume papermaking within three months.
Thirteen months later, Man-su does low-paying retail work due to unsuccessful papermaking job applications. His family has minimised spending, including giving their dogs to Mi-ri’s parents, to Ri-one’s distress. Ri-one’s teacher recommends Ri-one for expensive advanced cello classes. Unable to pay the mortgage, the family risks losing Man-su’s beloved home to buyers such as the parents of Si-one’s best friend Geon-ho. Mi-ri starts working as a dental assistant to suave male dentist Jin-ho. Man-su suffers a toothache that he ignores.
When trying to join the company Moon Paper, Man-su is humiliated by manager Seon-chul. Wanting Seon-chul’s job, Man-su nearly kills Seon-chul using a potted plant, but abandons the attempt when spotted by the company’s owner. Man-su buys the plant, using it to release a fake advertisement to identify his papermaking job competitors. Receiving job applications, Man-su identifies two men whose credentials exceed his own: Beom-mo and Si-jo. Man-su retrieves his father’s Vietnam War gun, deciding to kill Seon-chul, Beom-mo and Si-jo.
Man-su begins spying on unemployed drunkard Beom-mo and begins the murder attempts, but suffers a snakebite and is saved by Beom-mo’s dissatisfied wife A-ra. Man-su and Beom-mo separately discover A-ra’s infidelity. Man-su confronts Beom-mo at gunpoint, with Beom-mo mistaking Man-su as A-ra’s lover. Man-su, Beom-mo and A-ra struggle over Man-su’s gun. A-ra shoots Beom-mo dead, and Man-su barely escapes her. Man-su rushes to a costumed dance party, where he watches Mi-ri dance with Jin-ho as Man-su was late. Angered, Man-su returns to Beom-mo’s residence, where A-ra and her lover have buried Beom-mo and the gun. Man-su retrieves the gun. Man-su and Mi-ri accuse each other of infidelity before reconciling.
Man-su visits Si-jo, who sells shoes and speaks of his young daughter. Man-su meets Si-jo on a highway and reluctantly shoots him dead, hiding his corpse in Man-su’s car. Meanwhile, Si-one and Geon-ho steal iPhones to resell from Geon-ho’s father’s store, but police arrest them. Man-su and Mi-ri blackmail Geon-ho’s father, who had used the store for his own infidelity, to having Geon-ho take responsibility and letting Si-one go. Detectives visit Man-su to warn him of Beom-mo and Si-jo’s disappearances, which police linked to their common circumstances. Si-one witnesses Man-su trying to dismember Si-jo’s corpse. Failing to do so, Man-su buries the corpse in his garden, alongside Si-one’s stolen iPhones.
Man-su visits Seon-chul’s home to befriend him. While plying Seon-chul with alcohol, Man-su is forced to break his own sobriety, leading Man-su to forcefully extract his cavity-filled tooth. Si-one tells Mi-ri about what he saw. She digs up Si-jo’s corpse but lies about it to Si-one to protect him. Mi-ri calls Man-su and shares her concerns, but Man-su refuses to change his path. Man-su suffocates Seon-chul and makes it seem that a drunk Seon-chul choked to death on his own vomit.
Moon Paper then decides to hire Man-su to replace Seon-chul. Man-su’s employment secures his home, and the family reunites with their dogs, reducing Ri-one’s antisocial behaviour. The detectives visit Man-su, revealing that A-ra has implicated Beom-mo as a gunowner and potentially Si-jo’s murderer, thus lifting suspicion off Man-su. At work, Man-su celebrates alone in the modern paper mill run by machines instead of workers.

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Discover the spoiler-free summary of No Other Choice (2025). Get a concise overview without any spoilers.
In a city where the steady hum of factories once symbolized security, the sudden takeover of a once‑proud papermaking firm leaves countless workers adrift. Among them is Man‑su, an award‑winning veteran whose life had been built on the rhythm of paper rolls, a modest home, and a close‑knit family. The abrupt loss of his position forces him to confront a reality where prestige fades, bills pile up, and the future of his household hangs by a thread.
Mi‑ri, his wife, balances the pressure of keeping the family afloat while clinging to the dignity of her former life. Their teenage stepson Si‑one and young daughter Ri‑one, a prodigious cellist with a fierce independent streak, each feel the strain of a world that no longer rewards hard work in the way it once did. The household’s everyday comforts—pets, a spacious home, the simple pleasure of routine—begin to slip away, heightening the sense of an ordinary family teetering on the edge of crisis.
Faced with mounting desperation, Man‑su turns his meticulous, disciplined mind toward an unthinkable solution: to secure the job he craves by removing the very competition that stands between him and the next opportunity. The notion is both a commentary on the cutthroat nature of modern corporate culture and a personal moral quandary that threatens to unravel his identity. The film’s tone walks a tightrope between stark social realism and darkly comic suspense, inviting viewers to watch a seemingly respectable man wrestle with the temptation to cross lines he once thought unbreakable.
Against a backdrop of industrial decline, familial loyalty, and the relentless chase for stability, the story asks how far one will go when the promise of a single job becomes the linchpin of everything that matters. The tension rises not from overt violence but from the quiet, unsettling awareness that the path to redemption may be paved with choices no one expects to make.
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