#1 of 6 2005 · Drama, Thriller
$68.4M worldwide · 90% of the chart's total
Dark Water (2005) is the highest-grossing drama movie released in week 28 of 2005 (Jul 3–9), with $68.4M worldwide, ahead of Fly, Daddy, Fly (2005) at $5.8M and The Beautiful Country (2005) at $878.3K. 6 drama films released that week report a worldwide gross, $76.3M in all, 34% of it from the US & Canada. That is down 88% on Week 27, 2005, whose releases took $619.1M. By language, Japanese leads with $5.8M across 1 drama release.
#1 of 6 2005 · Drama, Thriller
$68.4M worldwide · 90% of the chart's total
Dark Water (2005) leads with $68.4M, 90% of the total. The top 5 together took $76.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 28 of 2005 (Jul 3–9).
Jul 8, 2005 US and Canada: $25.5M Rest of the world: $42.9M Worldwide: $68.4M
Jul 9, 2005 US and Canada: – Rest of the world: – Worldwide: $5.8M
Jul 8, 2005 US and Canada: $442.8K Rest of the world: $435.5K Worldwide: $878.3K
Jul 8, 2005 US and Canada: $300.3K Rest of the world: $483.5K Worldwide: $783.8K
Jul 8, 2005 US and Canada: – Rest of the world: – Worldwide: $445K
Jul 8, 2005 US and Canada: $624 Rest of the world: Worldwide: $624 Of the top 6, Steve + Sky (2005) earned the biggest share at home (100% in the US & Canada), while Dark Water (2005) made 63% of its gross abroad. Across all 6 films, $26.2M (34%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 28 releases took $76.3M. The biggest of these 9 weeks is week 27 (Jun 26–Jul 2) with $619.1M, led by War of the Worlds (2005).
Of these 10 years, Week 28, 2004 earned the most: $212.5M from 7 films, led by King Arthur (2004). Week 28, 2005 took $76.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 28, 1996 Jul 7–13 No films | 0 | – | – | – |
| Week 28, 1997 Jul 6–12 3 films | 3 | $171.2M | – | Contact (1997) $171.1M |
| Week 28, 1998 Jul 5–11 3 films · −80% | 3 | $33.5M | −80% | Madeline (1998) $30M |
| Week 28, 1999 Jul 4–10 1 film · −100% | 1 | $75.6K | −100% | Late August, Early September (1999) $75.6K |
| Week 28, 2000 Jul 2–8 3 films · +6216% | 3 | $4.8M | +6216% | But I'm a Cheerleader (2000) $2.6M |
| Week 28, 2001 Jul 8–14 4 films · +2412% | 4 | $120M | +2412% | The Score (2001) $113.6M |
| Week 28, 2002 Jul 7–13 8 films · +68% | 8 | $201.4M | +68% | Road to Perdition (2002) $181M |
| Week 28, 2003 Jul 6–12 7 films · −89% | 7 | $22.2M | −89% | I Capture the Castle (2003) $6.6M |
| Week 28, 2004 Jul 4–10 7 films · +856% | 7 | $212.5M | +856% | King Arthur (2004) $203.6M |
| Week 28, 2005 Jul 3–9 6 films · −64% | 6 | $76.3M | −64% | Dark Water (2005) $68.4M |
53 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $662.7M, led by King Kong (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Dark Water (2005) leads with $68.4M worldwide, $25.5M of it in the US & Canada. Next come Fly, Daddy, Fly (2005) at $5.8M and The Beautiful Country (2005) at $878.3K.
6 drama films released in week 28 of 2005 (Jul 3–9) report a worldwide gross, $76.3M in all, or $12.7M per film on average. Week 27, 2005 releases took $619.1M.
None. The biggest, Dark Water (2005), earned $68.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 28 of 2005 (Jul 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.