#1 of 6 2004 · Drama, Comedy
$49.7M worldwide · 76% of the chart's total
Raising Helen (2004) is the highest-grossing drama movie released in week 22 of 2004 (May 23–29), with $49.7M worldwide, ahead of Saved! (2004) at $10.3M and The Mother (2004) at $3M. 6 drama films released that week report a worldwide gross, $65.3M in all, 75% of it from the US & Canada. That is 5.4 times the total of Week 21, 2004, whose releases took $12.1M. By language, English leads with $63.4M across 5 drama releases.
#1 of 6 2004 · Drama, Comedy
$49.7M worldwide · 76% of the chart's total
Raising Helen (2004) leads with $49.7M, 76% of the total. The top 5 together took $65.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2004 (May 23–29).
May 26, 2004 US and Canada: $37.5M Rest of the world: $12.2M Worldwide: $49.7M
May 28, 2004 US and Canada: $8.9M Rest of the world: $1.3M Worldwide: $10.3M
May 28, 2004 US and Canada: $1.1M Rest of the world: $2M Worldwide: $3M
May 28, 2004 US and Canada: $796.6K Rest of the world: $1.1M Worldwide: $1.9M
May 28, 2004 US and Canada: $365.7K Rest of the world: Worldwide: $365.7K
May 28, 2004 US and Canada: $7.2K Rest of the world: Worldwide: $7.2K Of the top 6, Baadasssss! (2004) earned the biggest share at home (100% in the US & Canada), while The Mother (2004) made 65% of its gross abroad. Across all 6 films, $48.7M (75%) came from the US & Canada.
Week 22 releases took $65.3M. The biggest of these 9 weeks is week 19 (May 2–8) with $331.8M, led by Van Helsing (2004).
Of these 10 years, Week 22, 2002 earned the most: $197M from 7 films, led by The Sum of All Fears (2002). Week 22, 2004 took $65.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 1995 May 28–Jun 3 3 films | 3 | $186.2M | – | The Bridges of Madison County (1995) $182M |
| Week 22, 1996 May 26–Jun 1 No films | 0 | – | – | – |
| Week 22, 1997 May 25–31 1 film | 1 | $647 | – | Topless Women Talk About Their Lives (1997) $647 |
| Week 22, 1998 May 24–30 2 films · +13059016% | 2 | $84.5M | +13059016% | Hope Floats (1998) $81.5M |
| Week 22, 1999 May 23–29 3 films · −100% | 3 | $324.2K | −100% | The Loss of Sexual Innocence (1999) $164K |
| Week 22, 2000 May 21–27 5 films · +386% | 5 | $1.6M | +386% | Passion of Mind (2000) $769.3K |
| Week 22, 2001 May 27–Jun 2 2 films · −55% | 2 | $701.6K | −55% | Big Eden (2001) $512.5K |
| Week 22, 2002 May 26–Jun 1 7 films · +27980% | 7 | $197M | +27980% | The Sum of All Fears (2002) $193.9M |
| Week 22, 2003 May 25–31 3 films · −92% | 3 | $16.1M | −92% | Together (2003) $14.7M |
| Week 22, 2004 May 23–29 6 films · +307% | 6 | $65.3M | +307% | Raising Helen (2004) $49.7M |
53 weeks of 2004 with reported grosses; the biggest is week 9 (Feb 22–28) with $762.5M, led by The Passion of the Christ (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Raising Helen (2004) leads with $49.7M worldwide, $37.5M of it in the US & Canada. Next come Saved! (2004) at $10.3M and The Mother (2004) at $3M.
6 drama films released in week 22 of 2004 (May 23–29) report a worldwide gross, $65.3M in all, or $10.9M per film on average. Week 21, 2004 releases took $12.1M.
None. The biggest, Raising Helen (2004), earned $49.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2004 (May 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.