#1 of 8 #1 drama movie of Week 25, 2004
2004 · Drama, Comedy
$219.1M worldwide · 84% of the chart's total
$77.9M US & Canada · 36% $141.2M elsewhere · 64%
Drama box office · Week 25 · Jun 13–19, 2004
Drama Box Office, Week 25 of 2004: Drama Releases of Jun 13–19
The Terminal (2004) is the highest-grossing drama movie released in week 25 of 2004 (Jun 13–19), with $219.1M worldwide, ahead of What the #$*! Do We (K)now!? (2004) at $21.1M and Facing Windows (2004) at $15.5M. 8 drama films released that week report a worldwide gross, $262.1M in all, 35% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 98.1 times the total of Week 24, 2004, whose releases took $2.7M. By language, English leads with $240.7M across 4 drama releases.
- week 25 releases with a gross
- 8
- combined worldwide
- $262.1M
- film crossed $100M
- 1
- vs Week 24, 2004
- ×98.1
#1 of 8 Top 5
What Were the Biggest Drama Hits of Week 25 of 2004?
The Terminal (2004) leads with $219.1M, 84% of the total. The top 5 together took $262M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 25 of 2004, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2004 (Jun 13–19).
- 1 Jun 18, 2004 US and Canada: $77.9M Rest of the world: $141.2M Worldwide: $219.1M
- 2 What the #$*! Do We (K)now!? (2004)Jun 18, 2004 US and Canada: $10.9M Rest of the world: $10.1M Worldwide: $21.1M
Jun 18, 2004 · English · Drama, Comedy, Documentary $21.1M worldwide - 3 Jun 18, 2004 US and Canada: $543.4K Rest of the world: $15M Worldwide: $15.5M
- 4 Jun 18, 2004 US and Canada: $753.6K Rest of the world: $5.1M Worldwide: $5.9M
- 5 Jun 18, 2004 US and Canada: $360.8K Rest of the world: $130.2K Worldwide: $491K
- 6
Jun 18, 2004 US and Canada: $39.3K Rest of the world: $34.1K Worldwide: $73.4K - 7
Jun 16, 2004 US and Canada: $21.9K Rest of the world: Worldwide: $21.9K - 8
Jun 18, 2004 US and Canada: – Rest of the world: – Worldwide: $6.9K
US & Canada vs the world
Where Did the Money Come From in Week 25 of 2004?
Of the top 8, Three Dancing Slaves (2004) earned the biggest share at home (100% in the US & Canada), while Facing Windows (2004) made 97% of its gross abroad. Across all 8 films, $90.5M (35%) came from the US & Canada. 1 film of the top 8 reports no US & Canada figure.
- 1 The Terminal (2004) $219.1M $77.9M US & Canada · 36% $141.2M elsewhere · 64%
- 2 What the #$*! Do We (K)now!? (2004) $21.1M $10.9M US & Canada · 52% $10.1M elsewhere · 48%
- 3 Facing Windows (2004) $15.5M $543.4K US & Canada · 3% $15M elsewhere · 97%
- 4 Lakshya (2004) $5.9M $753.6K US & Canada · 13% $5.1M elsewhere · 87%
- 5 I'll Sleep When I'm Dead (2004) $491K $360.8K US & Canada · 73% $130.2K elsewhere · 27%
- 6 Father and Son (2004) $73.4K $39.3K US & Canada · 54% $34.1K elsewhere · 46%
- 7 Three Dancing Slaves (2004) $21.9K $21.9K US & Canada · 100% elsewhere · 0%
- 8 Grand Theft Parsons (2004) $6.9K No US & Canada figure reported
Weeks around it
How Does Week 25 Compare With the Weeks Around It?
Week 25 releases took $262.1M. The biggest of these 9 weeks is week 19 (May 2–8) with $331.8M, led by Van Helsing (2004).
- Week 19 Wk 19 May 2–8 Van Helsing (2004) $331.8M Van Helsing (2004)
- Week 20 Wk 20 May 9–15 Carandiru (2004) $44.7M Carandiru (2004)
- Week 21 Wk 21 May 16–22 Love Me If You Dare (2004) $12.1M Love Me If You Dare (2004)
- Week 22 Wk 22 May 23–29 Raising Helen (2004) $65.3M Raising Helen (2004)
- Week 23 Wk 23 May 30–Jun 5 Windstruck (2004) $30.1M Windstruck (2004)
- Week 24 Wk 24 Jun 6–12 In My Father’s Den (2004) $2.7M In My Father’s Den (2004)
- Week 25 Wk 25 Jun 13–19 The Terminal (2004) $262.1M The Terminal (2004)
- Week 26 Wk 26 Jun 20–26 The Notebook (2004) $187.7M The Notebook (2004)
- Week 27 Wk 27 Jun 27–Jul 3 De-Lovely (2004) $47.7M De-Lovely (2004)
Earlier years
How Does Week 25 of 2004 Compare With Earlier Years?
Of these 10 years, Week 25, 1999 earned the most: $597.9M from 3 films, led by Tarzan (1999). Week 25, 2004 took $262.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 1995 Jun 18–24 2 films | 2 | $346.6M | – | Pocahontas (1995) $346.1M |
| Week 25, 1996 Jun 16–22 4 films · +68% | 4 | $582.2M | +68% | The Hunchback of Notre Dame (1996) $325.3M |
| Week 25, 1997 Jun 15–21 2 films · −100% | 2 | $97.6K | −100% | Fall (1997) $51.3K |
| Week 25, 1998 Jun 14–20 4 films · +3294% | 4 | $3.3M | +3294% | Henry Fool (1998) $1.3M |
| Week 25, 1999 Jun 13–19 3 films · +17945% | 3 | $597.9M | +17945% | Tarzan (1999) $448.2M |
| Week 25, 2000 Jun 11–17 5 films · −94% | 5 | $35.2M | −94% | Boys and Girls (2000) $25.9M |
| Week 25, 2001 Jun 17–23 2 films · −97% | 2 | $1.1M | −97% | The Princess and the Warrior (2001) $1M |
| Week 25, 2002 Jun 16–22 5 films · +4589% | 5 | $50.6M | +4589% | The Spanish Apartment (2002) $33.3M |
| Week 25, 2003 Jun 15–21 4 films · −96% | 4 | $2.2M | −96% | Vivir intentando (2003) $1.7M |
| Week 25, 2004 Jun 13–19 8 films · +11952% | 8 | $262.1M | +11952% | The Terminal (2004) $219.1M |
By language
Which Languages Do the Biggest Drama Movies Speak in Week 25 of 2004?
English-language drama films took $240.7M across 4 films, 92% of the total, ahead of Italian-language drama films ($15.5M) and Hindi-language drama films ($5.9M).
Archive
Drama Box Office in 2004, Week by Week
53 weeks of 2004 with reported grosses; the biggest is week 9 (Feb 22–28) with $762.5M, led by The Passion of the Christ (2004).
- Week 1 $361.6K
- Week 2 $14.9M
- Week 3 $3.2M
- Week 4 $33.3M
- Week 5 $55M
- Week 6 $104.4M
- Week 7 $5.7M
- Week 8 $17.4M
- Week 9 $762.5M
- Week 10 $119.2M
- Week 11 $41.6M
- Week 12 $192M
- Week 13 $58.6M
- Week 14 $100.8M
- Week 15 $65.7M
- Week 16 $62M
- Week 17 $157.1M
- Week 18 $179.3M
- Week 19 $331.8M
- Week 20 $44.7M
- Week 21 $12.1M
- Week 22 $65.3M
- Week 23 $30.1M
- Week 24 $2.7M
- Week 25 $262.1M
- Week 26 $187.7M
- Week 27 $47.7M
- Week 28 $212.5M
- Week 29 $19.9M
- Week 30 $37M
- Week 31 $233.4M
- Week 32 $301.8M
- Week 33 $3.6M
- Week 34 $26.6M
- Week 35 $4.4M
- Week 36 $169.7M
- Week 37 $69.6M
- Week 38 $106.1M
- Week 39 $88.6M
- Week 40 $138.7M
- Week 41 $72.6M
- Week 42 $203.1M
- Week 43 $110.6M
- Week 44 $204.3M
- Week 45 $61.7M
- Week 46 $211.7M
- Week 47 $43M
- Week 48 $92M
- Week 49 $210.2M
- Week 50 $42.4M
- Week 51 $598.8M
- Week 52 $46.3M
- Week 53 $91.2M
FAQ
Drama Box Office Week 25 of 2004: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
What is the highest-grossing drama movie in week 25 of 2004 (Jun 13–19)?
The Terminal (2004) leads with $219.1M worldwide, $77.9M of it in the US & Canada. Next come What the #$*! Do We (K)now!? (2004) at $21.1M and Facing Windows (2004) at $15.5M.
How much did drama movies released in week 25 of 2004 (Jun 13–19) earn?
8 drama films released in week 25 of 2004 (Jun 13–19) report a worldwide gross, $262.1M in all, or $32.8M per film on average. Week 24, 2004 releases took $2.7M.
How many drama movies released in week 25 of 2004 (Jun 13–19) made $1 billion?
None. 1 film crossed $100 million, led by The Terminal (2004) with $219.1M.
How is the week 25, 2004 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2004 (Jun 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 25, 2004 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.