#1 of 8 Quill: The Life of a Guide Dog (2004)
2004 · Drama
$23.7M worldwide · 57% of the chart's total
Quill: The Life of a Guide Dog (2004) is the highest-grossing drama movie released in week 11 of 2004 (Mar 7–13), with $23.7M worldwide, ahead of Spartan (2004) at $8.1M and Immortal (2004) at $7.2M. 8 drama films released that week report a worldwide gross, $41.6M in all, 11% of it from the US & Canada. That is down 65% on Week 10, 2004, whose releases took $119.2M. By language, Japanese leads with $24.4M across 2 drama releases.
#1 of 8 Quill: The Life of a Guide Dog (2004)
2004 · Drama
$23.7M worldwide · 57% of the chart's total
Quill: The Life of a Guide Dog (2004) leads with $23.7M, 57% of the total. The top 5 together took $40.7M, 98% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2004 (Mar 7–13).
Mar 13, 2004 US and Canada: $15.7K Rest of the world: $23.7M Worldwide: $23.7M
Mar 12, 2004 US and Canada: $4.4M Rest of the world: $3.7M Worldwide: $8.1M
Mar 13, 2004 US and Canada: – Rest of the world: – Worldwide: $7.2M
Mar 12, 2004 US and Canada: – Rest of the world: – Worldwide: $916.9K
Mar 12, 2004 US and Canada: – Rest of the world: – Worldwide: $804.1K
Mar 13, 2004 US and Canada: – Rest of the world: – Worldwide: $654.4K
Mar 12, 2004 US and Canada: – Rest of the world: – Worldwide: $180.5K
Mar 11, 2004 US and Canada: – Rest of the world: – Worldwide: $48.8K Week 11 releases took $41.6M. The biggest of these 9 weeks is week 9 (Feb 22–28) with $762.5M, led by The Passion of the Christ (2004).
Of these 10 years, Week 11, 2001 earned the most: $204.7M from 7 films, led by Enemy at the Gates (2001). Week 11, 2004 took $41.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1995 Mar 12–18 2 films | 2 | $31M | – | Circle of Friends (1995) $23.4M |
| Week 11, 1996 Mar 10–16 1 film · −97% | 1 | $921.9K | −97% | Prisoner of the Mountains (1996) $921.9K |
| Week 11, 1997 Mar 9–15 4 films · +3007% | 4 | $28.6M | +3007% | Neon Genesis Evangelion: Death and Rebirth (1997) $15.8M |
| Week 11, 1998 Mar 8–14 3 films · +539% | 3 | $183.1M | +539% | The Man in the Iron Mask (1998) $183M |
| Week 11, 1999 Mar 7–13 3 films · −62% | 3 | $70.4M | −62% | The Deep End of the Ocean (1999) $28.1M |
| Week 11, 2000 Mar 5–11 5 films · +144% | 5 | $171.8M | +144% | Mission to Mars (2000) $111M |
| Week 11, 2001 Mar 11–17 7 films · +19% | 7 | $204.7M | +19% | Enemy at the Gates (2001) $97M |
| Week 11, 2002 Mar 10–16 5 films · −83% | 5 | $34.6M | −83% | Y Tu Mamá También (2002) $33.6M |
| Week 11, 2003 Mar 9–15 7 films · +298% | 7 | $137.8M | +298% | Bend It Like Beckham (2003) $76.6M |
| Week 11, 2004 Mar 7–13 8 films · −70% | 8 | $41.6M | −70% | Quill: The Life of a Guide Dog (2004) $23.7M |
Japanese-language drama films took $24.4M across 2 films, 59% of the total, ahead of English-language drama films ($8.9M) and French-language drama films ($7.2M).
53 weeks of 2004 with reported grosses; the biggest is week 9 (Feb 22–28) with $762.5M, led by The Passion of the Christ (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Quill: The Life of a Guide Dog (2004) leads with $23.7M worldwide, $15.7K of it in the US & Canada. Next come Spartan (2004) at $8.1M and Immortal (2004) at $7.2M.
8 drama films released in week 11 of 2004 (Mar 7–13) report a worldwide gross, $41.6M in all, or $5.2M per film on average. Week 10, 2004 releases took $119.2M.
None. The biggest, Quill: The Life of a Guide Dog (2004), earned $23.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2004 (Mar 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.