#1 of 7 2003 · Drama, Sport
$76.6M worldwide · 56% of the chart's total
Bend It Like Beckham (2003) is the highest-grossing drama movie released in week 11 of 2003 (Mar 9–15), with $76.6M worldwide, ahead of The Hunted (2003) at $46.1M and Willard (2003) at $8.6M. 7 drama films released that week report a worldwide gross, $137.8M in all, 54% of it from the US & Canada. That is 11.1 times the total of Week 10, 2003, whose releases took $12.5M. By language, English leads with $131.9M across 4 drama releases.
#1 of 7 2003 · Drama, Sport
$76.6M worldwide · 56% of the chart's total
Bend It Like Beckham (2003) leads with $76.6M, 56% of the total. The top 5 together took $137.5M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2003 (Mar 9–15).
Mar 12, 2003 US and Canada: $32.5M Rest of the world: $44M Worldwide: $76.6M
Mar 14, 2003 US and Canada: $34.2M Rest of the world: $11.8M Worldwide: $46.1M
Mar 14, 2003 US and Canada: $6.9M Rest of the world: $1.7M Worldwide: $8.6M
Mar 15, 2003 US and Canada: – Rest of the world: – Worldwide: $5.6M
Mar 14, 2003 US and Canada: $411.1K Rest of the world: $280.9K Worldwide: $692.1K
Mar 11, 2003 US and Canada: – Rest of the world: – Worldwide: $220.7K
Mar 14, 2003 US and Canada: – Rest of the world: – Worldwide: $128.8K Of the top 7, Willard (2003) earned the biggest share at home (80% in the US & Canada), while Bend It Like Beckham (2003) made 58% of its gross abroad. Across all 7 films, $74.1M (54%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 11 releases took $137.8M. The biggest of these 9 weeks is week 11 (Mar 9–15) with $137.8M, led by Bend It Like Beckham (2003).
Of these 10 years, Week 11, 1994 earned the most: $267.7M from 4 films, led by Four Weddings and a Funeral (1994). Week 11, 2003 took $137.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1994 Mar 6–12 4 films | 4 | $267.7M | – | Four Weddings and a Funeral (1994) $245.7M |
| Week 11, 1995 Mar 12–18 2 films · −88% | 2 | $31M | −88% | Circle of Friends (1995) $23.4M |
| Week 11, 1996 Mar 10–16 1 film · −97% | 1 | $921.9K | −97% | Prisoner of the Mountains (1996) $921.9K |
| Week 11, 1997 Mar 9–15 4 films · +3007% | 4 | $28.6M | +3007% | Neon Genesis Evangelion: Death and Rebirth (1997) $15.8M |
| Week 11, 1998 Mar 8–14 3 films · +539% | 3 | $183.1M | +539% | The Man in the Iron Mask (1998) $183M |
| Week 11, 1999 Mar 7–13 3 films · −62% | 3 | $70.4M | −62% | The Deep End of the Ocean (1999) $28.1M |
| Week 11, 2000 Mar 5–11 5 films · +144% | 5 | $171.8M | +144% | Mission to Mars (2000) $111M |
| Week 11, 2001 Mar 11–17 7 films · +19% | 7 | $204.7M | +19% | Enemy at the Gates (2001) $97M |
| Week 11, 2002 Mar 10–16 5 films · −83% | 5 | $34.6M | −83% | Y Tu Mamá También (2002) $33.6M |
| Week 11, 2003 Mar 9–15 7 films · +298% | 7 | $137.8M | +298% | Bend It Like Beckham (2003) $76.6M |
53 weeks of 2003 with reported grosses; the biggest is week 49 (Nov 30–Dec 6) with $529.3M, led by The Last Samurai (2003).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Bend It Like Beckham (2003) leads with $76.6M worldwide, $32.5M of it in the US & Canada. Next come The Hunted (2003) at $46.1M and Willard (2003) at $8.6M.
7 drama films released in week 11 of 2003 (Mar 9–15) report a worldwide gross, $137.8M in all, or $19.7M per film on average. Week 10, 2003 releases took $12.5M.
None. The biggest, Bend It Like Beckham (2003), earned $76.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2003 (Mar 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.