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Drama box office · Week 30 · Jul 20–26, 2003

Drama Box Office, Week 30 of 2003: Drama Releases of Jul 20–26

Seabiscuit (2003) is the highest-grossing drama movie released in week 30 of 2003 (Jul 20–26), with $148.3M worldwide, ahead of Mondays in the Sun (2003) at $9.8M and Camp (2003) at $2.7M. 4 drama films released that week report a worldwide gross, $161.4M in all, 76% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 18% on Week 29, 2003, whose releases took $196.3M.

week 30 releases with a gross
4
combined worldwide
$161.4M
film crossed $100M
1
vs Week 29, 2003
−18%
Seabiscuit (2003) movie poster #1 of 4
#1 drama movie of Week 30, 2003

Seabiscuit (2003)

2003 · Drama, History

$148.3M worldwide · 92% of the chart's total

$120.3M US & Canada · 81% $28.1M elsewhere · 19%
Top 4

What Were the Biggest Drama Hits of Week 30 of 2003?

Seabiscuit (2003) leads with $148.3M, 92% of the total. The top 4 together took $161.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Seabiscuit (2003) movie poster Number 1
    $148.3M Seabiscuit (2003)
    $120.3M US & Canada · 81% $28.1M elsewhere · 19%
  2. Mondays in the Sun (2003) movie poster Number 2
    $9.8M Mondays in the Sun (2003)
    $153.3K US & Canada · 2% $9.7M elsewhere · 98%
  3. Camp (2003) movie poster Number 3
    $2.7M Camp (2003)
    $1.6M US & Canada · 60% $1.1M elsewhere · 40%
  4. Masked and Anonymous (2003) movie poster Number 4
    $546.1K Masked and Anonymous (2003)
    $533.6K US & Canada · 98% $12.5K elsewhere · 2%

US & Canada (domestic) Rest of the world

The chart

Every Drama Release of Week 30 of 2003, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2003 (Jul 20–26).

  1. 1 Seabiscuit (2003) movie poster
    Seabiscuit (2003) Jul 25, 2003 · English · Drama, History, Sport $148.3M worldwide
    Jul 25, 2003 US and Canada: $120.3M Rest of the world: $28.1M Worldwide: $148.3M
  2. 2 Mondays in the Sun (2003) movie poster
    Mondays in the Sun (2003) Jul 25, 2003 · Spanish · Drama $9.8M worldwide
    Jul 25, 2003 US and Canada: $153.3K Rest of the world: $9.7M Worldwide: $9.8M
  3. 3 Camp (2003) movie poster
    Camp (2003) Jul 25, 2003 · Japanese · Drama, Comedy, Musical $2.7M worldwide
    Jul 25, 2003 US and Canada: $1.6M Rest of the world: $1.1M Worldwide: $2.7M
  4. 4 Masked and Anonymous (2003) movie poster
    Masked and Anonymous (2003) Jul 24, 2003 · English · Drama, Comedy, Music $546.1K worldwide
    Jul 24, 2003 US and Canada: $533.6K Rest of the world: $12.5K Worldwide: $546.1K
US & Canada vs the world

Where Did the Money Come From in Week 30 of 2003?

Of the top 4, Masked and Anonymous (2003) earned the biggest share at home (98% in the US & Canada), while Mondays in the Sun (2003) made 98% of its gross abroad. Across all 4 films, $122.6M (76%) came from the US & Canada.

  1. 1 Seabiscuit (2003) $148.3M
    $120.3M US & Canada · 81% $28.1M elsewhere · 19%
  2. 2 Mondays in the Sun (2003) $9.8M
    $153.3K US & Canada · 2% $9.7M elsewhere · 98%
  3. 3 Camp (2003) $2.7M
    $1.6M US & Canada · 60% $1.1M elsewhere · 40%
  4. 4 Masked and Anonymous (2003) $546.1K
    $533.6K US & Canada · 98% $12.5K elsewhere · 2%
Earlier years

How Does Week 30 of 2003 Compare With Earlier Years?

Of these 10 years, Week 30, 1998 earned the most: $483.4M from 2 films, led by Saving Private Ryan (1998). Week 30, 2003 took $161.4M.

Week Films Worldwide Change Biggest film
Week 30, 1994 Jul 17–23 1 film 1 $117.6M – The Client (1994) $117.6M
Week 30, 1995 Jul 23–29 2 films · +15% 2 $135.3M +15% The Net (1995) $110.6M
Week 30, 1996 Jul 21–27 2 films · +24% 2 $167.4M +24% A Time to Kill (1996) $152.3M
Week 30, 1997 Jul 20–26 2 films · +89% 2 $315.8M +89% Air Force One (1997) $315.2M
Week 30, 1998 Jul 19–25 2 films · +53% 2 $483.4M +53% Saving Private Ryan (1998) $482.4M
Week 30, 1999 Jul 18–24 1 film · −100% 1 $310.3K −100% Hindustan Ki Kasam (1999) $310.3K
Week 30, 2000 Jul 16–22 2 films · +95508% 2 $296.7M +95508% What Lies Beneath (2000) $291.4M
Week 30, 2001 Jul 22–28 5 films · −96% 5 $11.5M −96% Bread and Tulips (2001) $9.7M
Week 30, 2002 Jul 21–27 5 films · −34% 5 $7.6M −34% Lan yu (2002) $3.9M
Week 30, 2003 Jul 20–26 4 films · +2012% 4 $161.4M +2012% Seabiscuit (2003) $148.3M
FAQ

Drama Box Office Week 30 of 2003: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing drama movie in week 30 of 2003 (Jul 20–26)?

Seabiscuit (2003) leads with $148.3M worldwide, $120.3M of it in the US & Canada. Next come Mondays in the Sun (2003) at $9.8M and Camp (2003) at $2.7M.

How much did drama movies released in week 30 of 2003 (Jul 20–26) earn?

4 drama films released in week 30 of 2003 (Jul 20–26) report a worldwide gross, $161.4M in all, or $40.4M per film on average. Week 29, 2003 releases took $196.3M.

How many drama movies released in week 30 of 2003 (Jul 20–26) made $1 billion?

None. 1 film crossed $100 million, led by Seabiscuit (2003) with $148.3M.

How much of the Week 30, 2003 Drama box office came from the US and Canada?

$122.6M of the $161.4M total, or 76%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 30, 2003 drama box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2003 (Jul 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 30, 2003 drama box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.