#1 of 7 The Blind Swordsman: Zatoichi (2004)
2004 · Action, Drama
$34.2M worldwide · 93% of the chart's total
The Blind Swordsman: Zatoichi (2004) is the highest-grossing drama movie released in week 30 of 2004 (Jul 18–24), with $34.2M worldwide, ahead of A Home at the End of the World (2004) at $1.6M and Mirage (2004) at $913.8K. 7 drama films released that week report a worldwide gross, $37M in all, 6% of it from the US & Canada. That is up 86% on Week 29, 2004, whose releases took $19.9M. By language, Japanese leads with $34.2M across 1 drama release.
#1 of 7 The Blind Swordsman: Zatoichi (2004)
2004 · Action, Drama
$34.2M worldwide · 93% of the chart's total
The Blind Swordsman: Zatoichi (2004) leads with $34.2M, 93% of the total. The top 5 together took $36.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2004 (Jul 18–24).
Jul 23, 2004 US and Canada: $1M Rest of the world: $614.8K Worldwide: $1.6M
Jul 19, 2004 US and Canada: $2.2K Rest of the world: $911.6K Worldwide: $913.8K
Jul 23, 2004 US and Canada: $1.4K Rest of the world: $78.9K Worldwide: $80.4K
Jul 21, 2004 US and Canada: – Rest of the world: – Worldwide: $66.5K
Jul 22, 2004 US and Canada: $19.5K Rest of the world: $31.1K Worldwide: $50.6K
Jul 20, 2004 US and Canada: – Rest of the world: – Worldwide: $427 Of the top 7, A Home at the End of the World (2004) earned the biggest share at home (63% in the US & Canada), while Mirage (2004) made 100% of its gross abroad. Across all 7 films, $2.2M (6%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 30 releases took $37M. The biggest of these 9 weeks is week 32 (Aug 1–7) with $301.8M, led by Collateral (2004).
Of these 10 years, Week 30, 1998 earned the most: $483.4M from 2 films, led by Saving Private Ryan (1998). Week 30, 2004 took $37M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 1995 Jul 23–29 2 films | 2 | $135.3M | – | The Net (1995) $110.6M |
| Week 30, 1996 Jul 21–27 2 films · +24% | 2 | $167.4M | +24% | A Time to Kill (1996) $152.3M |
| Week 30, 1997 Jul 20–26 2 films · +89% | 2 | $315.8M | +89% | Air Force One (1997) $315.2M |
| Week 30, 1998 Jul 19–25 2 films · +53% | 2 | $483.4M | +53% | Saving Private Ryan (1998) $482.4M |
| Week 30, 1999 Jul 18–24 1 film · −100% | 1 | $310.3K | −100% | Hindustan Ki Kasam (1999) $310.3K |
| Week 30, 2000 Jul 16–22 2 films · +95508% | 2 | $296.7M | +95508% | What Lies Beneath (2000) $291.4M |
| Week 30, 2001 Jul 22–28 5 films · −96% | 5 | $11.5M | −96% | Bread and Tulips (2001) $9.7M |
| Week 30, 2002 Jul 21–27 5 films · −34% | 5 | $7.6M | −34% | Lan yu (2002) $3.9M |
| Week 30, 2003 Jul 20–26 4 films · +2012% | 4 | $161.4M | +2012% | Seabiscuit (2003) $148.3M |
| Week 30, 2004 Jul 18–24 7 films · −77% | 7 | $37M | −77% | The Blind Swordsman: Zatoichi (2004) $34.2M |
53 weeks of 2004 with reported grosses; the biggest is week 9 (Feb 22–28) with $762.5M, led by The Passion of the Christ (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Blind Swordsman: Zatoichi (2004) leads with $34.2M worldwide, $1.1M of it in the US & Canada. Next come A Home at the End of the World (2004) at $1.6M and Mirage (2004) at $913.8K.
7 drama films released in week 30 of 2004 (Jul 18–24) report a worldwide gross, $37M in all, or $5.3M per film on average. Week 29, 2004 releases took $19.9M.
None. The biggest, The Blind Swordsman: Zatoichi (2004), earned $34.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2004 (Jul 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.