#1 of 5 2011 · Drama, Mystery
$135.7M worldwide · 88% of the chart's total
Unknown (2011) is the highest-grossing thriller movie released in week 8 of 2011 (Feb 13–19), with $135.7M worldwide, ahead of Children… (2011) at $12.2M and 7 Khoon Maaf (2011) at $3.9M. 5 thriller films released that week report a worldwide gross, $153.7M in all, 42% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 16.9 times the total of Week 7, 2011, whose releases took $9.1M. By language, English leads with $137.6M across 3 thriller releases.
#1 of 5 2011 · Drama, Mystery
$135.7M worldwide · 88% of the chart's total
Unknown (2011) leads with $135.7M, 88% of the total. The top 5 together took $153.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2011 (Feb 13–19).
Feb 18, 2011 US and Canada: $63.7M Rest of the world: $72M Worldwide: $135.7M
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $12.2M
Feb 17, 2011 US and Canada: $270.2K Rest of the world: $3.7M Worldwide: $3.9M
Feb 18, 2011 US and Canada: $22.7K Rest of the world: $1.6M Worldwide: $1.7M
Feb 15, 2011 US and Canada: – Rest of the world: – Worldwide: $189.8K Of the top 5, Unknown (2011) earned the biggest share at home (47% in the US & Canada), while Vanishing on 7th Street (2011) made 99% of its gross abroad. Across all 5 films, $64M (42%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 8 releases took $153.7M. The biggest of these 9 weeks is week 3 (Jan 9–15) with $228.4M, led by The Green Hornet (2011).
Of these 10 years, Week 8, 2010 earned the most: $361.6M from 5 films, led by Shutter Island (2010). Week 8, 2011 took $153.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2002 Feb 17–23 1 film | 1 | $52.3M | – | Dragonfly (2002) $52.3M |
| Week 8, 2003 Feb 16–22 2 films · −2% | 2 | $51.1M | −2% | The Life of David Gale (2003) $39M |
| Week 8, 2004 Feb 15–21 1 film · −21% | 1 | $40.2M | −21% | Crimson Rivers II: Angels of the Apocalypse (2004) $40.2M |
| Week 8, 2005 Feb 13–19 2 films · +475% | 2 | $231.1M | +475% | Constantine (2005) $230.9M |
| Week 8, 2006 Feb 19–25 7 films · −93% | 7 | $16.7M | −93% | Running Scared (2006) $9.4M |
| Week 8, 2007 Feb 18–24 4 films · +402% | 4 | $84M | +402% | The Number 23 (2007) $77.7M |
| Week 8, 2008 Feb 17–23 5 films · +85% | 5 | $155M | +85% | Vantage Point (2008) $152M |
| Week 8, 2009 Feb 15–21 5 films · −89% | 5 | $17.4M | −89% | Private Eye (2009) $10.1M |
| Week 8, 2010 Feb 14–20 5 films · +1976% | 5 | $361.6M | +1976% | Shutter Island (2010) $295M |
| Week 8, 2011 Feb 13–19 5 films · −57% | 5 | $153.7M | −57% | Unknown (2011) $135.7M |
48 weeks of 2011 with reported grosses; the biggest is week 47 (Nov 13–19) with $712.2M, led by The Twilight Saga: Breaking Dawn - Part 1 (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Unknown (2011) leads with $135.7M worldwide, $63.7M of it in the US & Canada. Next come Children… (2011) at $12.2M and 7 Khoon Maaf (2011) at $3.9M.
5 thriller films released in week 8 of 2011 (Feb 13–19) report a worldwide gross, $153.7M in all, or $30.7M per film on average. Week 7, 2011 releases took $9.1M.
None. 1 film crossed $100 million, led by Unknown (2011) with $135.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2011 (Feb 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.