#1 of 5 Tinker Tailor Soldier Spy (2011)
2011 · Thriller
$81.5M worldwide · 89% of the chart's total
Tinker Tailor Soldier Spy (2011) is the highest-grossing thriller movie released in week 50 of 2011 (Dec 4–10), with $81.5M worldwide, ahead of We Need to Talk About Kevin (2011) at $9.8M and The Wages of Fear (1953) at $358.8K. 5 thriller films released that week report a worldwide gross, $92M in all, 28% of it from the US & Canada. By language, English leads with $91.6M across 4 thriller releases.
#1 of 5 Tinker Tailor Soldier Spy (2011)
2011 · Thriller
$81.5M worldwide · 89% of the chart's total
Tinker Tailor Soldier Spy (2011) leads with $81.5M, 89% of the total. The top 5 together took $92M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2011 (Dec 4–10).
Dec 9, 2011 US and Canada: $24.1M Rest of the world: $57.4M Worldwide: $81.5M
Dec 9, 2011 US and Canada: $1.7M Rest of the world: $8.1M Worldwide: $9.8M
Dec 9, 2011 US and Canada: – Rest of the world: – Worldwide: $358.8K
Dec 8, 2011 US and Canada: – Rest of the world: – Worldwide: $291.7K
Dec 9, 2011 US and Canada: $6.4K Rest of the world: $9.9K Worldwide: $16.2K Of the top 5, I Melt with You (2011) earned the biggest share at home (39% in the US & Canada), while We Need to Talk About Kevin (2011) made 82% of its gross abroad. Across all 5 films, $25.9M (28%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 50 releases took $92M. The biggest of these 9 weeks is week 47 (Nov 13–19) with $712.2M, led by The Twilight Saga: Breaking Dawn - Part 1 (2011).
Of these 10 years, Week 50, 2007 earned the most: $589.1M from 5 films, led by I Am Legend (2007). Week 50, 2011 took $92M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 2002 Dec 8–14 2 films | 2 | $69.2M | – | Star Trek: Nemesis (2002) $67.3M |
| Week 50, 2003 Dec 7–13 2 films · −98% | 2 | $1.2M | −98% | The Statement (2003) $1.1M |
| Week 50, 2004 Dec 5–11 6 films · +42710% | 6 | $499.8M | +42710% | Ocean's Twelve (2004) $362.7M |
| Week 50, 2005 Dec 4–10 4 films · −99% | 4 | $2.8M | −99% | Being Cyrus (2005) $1.3M |
| Week 50, 2006 Dec 10–16 5 films · +864% | 5 | $27.3M | +864% | Breaking and Entering (2006) $9M |
| Week 50, 2007 Dec 9–15 5 films · +2060% | 5 | $589.1M | +2060% | I Am Legend (2007) $585.4M |
| Week 50, 2008 Dec 7–13 5 films · −60% | 5 | $237.1M | −60% | The Day the Earth Stood Still (2008) $233.1M |
| Week 50, 2009 Dec 6–12 2 films · −60% | 2 | $93.9M | −60% | The Lovely Bones (2009) $93.6M |
| Week 50, 2010 Dec 5–11 2 films · +197% | 2 | $278.8M | +197% | The Tourist (2010) $278.8M |
| Week 50, 2011 Dec 4–10 5 films · −67% | 5 | $92M | −67% | Tinker Tailor Soldier Spy (2011) $81.5M |
48 weeks of 2011 with reported grosses; the biggest is week 47 (Nov 13–19) with $712.2M, led by The Twilight Saga: Breaking Dawn - Part 1 (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Tinker Tailor Soldier Spy (2011) leads with $81.5M worldwide, $24.1M of it in the US & Canada. Next come We Need to Talk About Kevin (2011) at $9.8M and The Wages of Fear (1953) at $358.8K.
5 thriller films released in week 50 of 2011 (Dec 4–10) report a worldwide gross, $92M in all, or $18.4M per film on average.
None. The biggest, Tinker Tailor Soldier Spy (2011), earned $81.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2011 (Dec 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.