#1 of 7 2018 · Action, Drama
$51.4M worldwide · 93% of the chart's total
Breaking In (2018) is the highest-grossing thriller movie released in week 19 of 2018 (May 6–12), with $51.4M worldwide, ahead of Raazi (2018) at $1.8M and Revenge (2018) at $938.1K. 7 thriller films released that week report a worldwide gross, $55.3M in all, 85% of it from the US & Canada. That is up 64% on Week 18, 2018, whose releases took $33.8M. By language, English leads with $52.3M across 4 thriller releases.
#1 of 7 2018 · Action, Drama
$51.4M worldwide · 93% of the chart's total
Breaking In (2018) leads with $51.4M, 93% of the total. The top 5 together took $55.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2018 (May 6–12).
May 11, 2018 US and Canada: $46.8M Rest of the world: $4.6M Worldwide: $51.4M
May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8M
May 11, 2018 US and Canada: $102.1K Rest of the world: $836K Worldwide: $938.1K
May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $844K
May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $229.2K
May 11, 2018 US and Canada: $11.2K Rest of the world: $42.7K Worldwide: $53.9K
May 11, 2018 US and Canada: $528 Rest of the world: Worldwide: $528 Of the top 7, Higher Power (2018) earned the biggest share at home (100% in the US & Canada), while Revenge (2018) made 89% of its gross abroad. Across all 7 films, $47M (85%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 19 releases took $55.3M. The biggest of these 9 weeks is week 13 (Mar 25–31) with $691.3M, led by Ready Player One (2018).
Of these 10 years, Week 19, 2016 earned the most: $1.2B from 4 films, led by Captain America: Civil War (2016). Week 19, 2018 took $55.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2009 May 3–9 2 films | 2 | $2M | – | Julia (2009) $1.3M |
| Week 19, 2010 May 2–8 4 films · +31756% | 4 | $644.8M | +31756% | Iron Man 2 (2010) $623.9M |
| Week 19, 2011 May 1–7 4 films · −100% | 4 | $1.5M | −100% | Hobo with a Shotgun (2011) $748.5K |
| Week 19, 2012 May 6–12 5 films · +16058% | 5 | $248.6M | +16058% | Dark Shadows (2012) $245.5M |
| Week 19, 2013 May 5–11 3 films · −99% | 3 | $1.5M | −99% | No One Lives (2013) $1M |
| Week 19, 2014 May 4–10 2 films · +141% | 2 | $3.7M | +141% | Devil's Knot (2014) $2M |
| Week 19, 2015 May 3–9 4 films · +160% | 4 | $9.6M | +160% | Apparition (2015) $7.3M |
| Week 19, 2016 May 1–7 4 films · +12108% | 4 | $1.2B | +12108% | Captain America: Civil War (2016) $1.2B |
| Week 19, 2017 May 7–13 4 films · −99% | 4 | $7.2M | −99% | The Wall (2017) $4.5M |
| Week 19, 2018 May 6–12 7 films · +665% | 7 | $55.3M | +665% | Breaking In (2018) $51.4M |
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Breaking In (2018) leads with $51.4M worldwide, $46.8M of it in the US & Canada. Next come Raazi (2018) at $1.8M and Revenge (2018) at $938.1K.
7 thriller films released in week 19 of 2018 (May 6–12) report a worldwide gross, $55.3M in all, or $7.9M per film on average. Week 18, 2018 releases took $33.8M.
None. The biggest, Breaking In (2018), earned $51.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2018 (May 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.