#1 of 5 2018 · Drama, Thriller
$372M worldwide · 86% of the chart's total
Fifty Shades Freed (2018) is the highest-grossing thriller movie released in week 6 of 2018 (Feb 4–10), with $372M worldwide, ahead of The 15:17 to Paris (2018) at $57.2M and Still/Born (2018) at $1.2M. 5 thriller films released that week report a worldwide gross, $430.4M in all, 32% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 9.2 times the total of Week 5, 2018, whose releases took $46.8M. By language, English leads with $430.4M across 4 thriller releases.
#1 of 5 2018 · Drama, Thriller
$372M worldwide · 86% of the chart's total
Fifty Shades Freed (2018) leads with $372M, 86% of the total. The top 5 together took $430.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2018 (Feb 4–10).
Feb 9, 2018 US and Canada: $100.4M Rest of the world: $271.6M Worldwide: $372M
Feb 9, 2018 US and Canada: $36.3M Rest of the world: $20.9M Worldwide: $57.2M
Feb 9, 2018 US and Canada: – Rest of the world: – Worldwide: $1.2M
Feb 9, 2018 US and Canada: $59.3K Rest of the world: Worldwide: $59.3K
Feb 9, 2018 US and Canada: – Rest of the world: – Worldwide: $16K Of the top 5, Bomb City (2018) earned the biggest share at home (100% in the US & Canada), while Fifty Shades Freed (2018) made 73% of its gross abroad. Across all 5 films, $136.7M (32%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 6 releases took $430.4M. The biggest of these 9 weeks is week 8 (Feb 18–24) with $709.3M, led by Operation Red Sea (2018).
Of these 10 years, Week 6, 2018 earned the most: $430.4M from 5 films, led by Fifty Shades Freed (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2009 Feb 1–7 7 films | 7 | $121.3M | – | The International (2009) $60.3M |
| Week 6, 2010 Jan 31–Feb 6 5 films · −18% | 5 | $99.4M | −18% | From Paris with Love (2010) $52.8M |
| Week 6, 2011 Jan 30–Feb 5 3 films · +52% | 3 | $151.1M | +52% | Sanctum (2011) $108.6M |
| Week 6, 2012 Feb 5–11 4 films · +40% | 4 | $211.7M | +40% | Safe House (2012) $208.1M |
| Week 6, 2013 Feb 3–9 4 films · −69% | 4 | $66.7M | −69% | Side Effects (2013) $63.4M |
| Week 6, 2014 Feb 2–8 6 films · −86% | 6 | $9.6M | −86% | Jack Strong (2014) $7M |
| Week 6, 2015 Feb 1–7 2 films · −75% | 2 | $2.4M | −75% | The Voices (2015) $2.1M |
| Week 6, 2016 Jan 31–Feb 6 7 films · +1487% | 7 | $38.6M | +1487% | Regression (2016) $17.7M |
| Week 6, 2017 Feb 5–11 5 films · +401% | 5 | $193.3M | +401% | John Wick: Chapter 2 (2017) $174.3M |
| Week 6, 2018 Feb 4–10 5 films · +123% | 5 | $430.4M | +123% | Fifty Shades Freed (2018) $372M |
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Fifty Shades Freed (2018) leads with $372M worldwide, $100.4M of it in the US & Canada. Next come The 15:17 to Paris (2018) at $57.2M and Still/Born (2018) at $1.2M.
5 thriller films released in week 6 of 2018 (Feb 4–10) report a worldwide gross, $430.4M in all, or $86.1M per film on average. Week 5, 2018 releases took $46.8M.
None. 1 film crossed $100 million, led by Fifty Shades Freed (2018) with $372M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2018 (Feb 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.