#1 of 9 #1 thriller movie of Week 41, 2018
Bad Times at the El Royale (2018)
2018 · Drama, Mystery
$31.9M worldwide · 76% of the chart's total
$17.8M US & Canada · 56% $14M elsewhere · 44%
Thriller box office · Week 41 · Oct 7–13, 2018
Thriller Box Office, Week 41 of 2018: Thriller Releases of Oct 7–13
Bad Times at the El Royale (2018) is the highest-grossing thriller movie released in week 41 of 2018 (Oct 7–13), with $31.9M worldwide, ahead of Miss Baek (2018) at $5.3M and I Still See You (2018) at $1.6M. 9 thriller films released that week report a worldwide gross, $42M in all, 44% of it from the US & Canada. That is down 95% on Week 40, 2018, whose releases took $924.3M. By language, Korean leads with $5.3M across 1 thriller release.
- week 41 releases with a gross
- 9
- combined worldwide
- $42M
- Bad Times at the El Royale (2018), the #1
- $31.9M
- vs Week 40, 2018
- −95%
#1 of 9 Top 5
What Were the Biggest Thriller Hits of Week 41 of 2018?
Bad Times at the El Royale (2018) leads with $31.9M, 76% of the total. The top 5 together took $41M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 41 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2018 (Oct 7–13).
- 1 Oct 12, 2018 US and Canada: $17.8M Rest of the world: $14M Worldwide: $31.9M
- 2 Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $5.3M
- 3 Oct 12, 2018 US and Canada: $1.4K Rest of the world: $1.6M Worldwide: $1.6M
- 4 Oct 12, 2018 US and Canada: – Rest of the world: – Worldwide: $1.1M
- 5 Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.1M
- 6
Oct 12, 2018 US and Canada: $229.4K Rest of the world: $232.3K Worldwide: $461.7K - 7
Oct 12, 2018 US and Canada: $401.5K Rest of the world: $2.4K Worldwide: $403.9K - 8
Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $58.9K - 9
Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $40.3K
US & Canada vs the world
Where Did the Money Come From in Week 41 of 2018?
Of the top 9, The Oath (2018) earned the biggest share at home (99% in the US & Canada), while I Still See You (2018) made 100% of its gross abroad. Across all 9 films, $18.5M (44%) came from the US & Canada. 5 films of the top 9 report no US & Canada figure.
- 1 Bad Times at the El Royale (2018) $31.9M $17.8M US & Canada · 56% $14M elsewhere · 44%
- 2 Miss Baek (2018) $5.3M No US & Canada figure reported
- 3 I Still See You (2018) $1.6M $1.4K US & Canada · <1% $1.6M elsewhere · 100%
- 4 Look Away (2018) $1.1M No US & Canada figure reported
- 5 Cut Off (2018) $1.1M No US & Canada figure reported
- 6 MFKZ (2018) $461.7K $229.4K US & Canada · 50% $232.3K elsewhere · 50%
- 7 The Oath (2018) $403.9K $401.5K US & Canada · 99% $2.4K elsewhere · <1%
- 8 Call Sign “Banderas” (2018) $58.9K No US & Canada figure reported
- 9 Mihkel (2018) $40.3K No US & Canada figure reported
Weeks around it
How Does Week 41 Compare With the Weeks Around It?
Week 41 releases took $42M. The biggest of these 9 weeks is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
- Week 35 Wk 35 Aug 26–Sep 1 Operation Finale (2018) $30.6M Operation Finale (2018)
- Week 36 Wk 36 Sep 2–8 The Nun (2018) $425.7M The Nun (2018)
- Week 37 Wk 37 Sep 9–15 The Predator (2018) $264.8M The Predator (2018)
- Week 38 Wk 38 Sep 16–22 The Negotiation (2018) $16M The Negotiation (2018)
- Week 39 Wk 39 Sep 23–29 Chekka Chivantha Vaanam (2018) $1.3M Chekka Chivantha Vaanam (2018)
- Week 40 Wk 40 Sep 30–Oct 6 Venom (2018) $924.3M Venom (2018)
- Week 41 Wk 41 Oct 7–13 Bad Times at the El Royale (2018) $42M Bad Times at the El Royale (2018)
- Week 42 Wk 42 Oct 14–20 Halloween (2018) $264.9M Halloween (2018)
- Week 43 Wk 43 Oct 21–27 Hunter Killer (2018) $50.3M Hunter Killer (2018)
Earlier years
How Does Week 41 of 2018 Compare With Earlier Years?
Of these 10 years, Week 41, 2017 earned the most: $272.3M from 5 films, led by The Foreigner (2017). Week 41, 2018 took $42M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2009 Oct 4–10 6 films | 6 | $32.6M | – | Kaiji: The Ultimate Gambler (2009) $24.7M |
| Week 41, 2010 Oct 3–9 6 films · +54% | 6 | $50.1M | +54% | My Soul to Take (2010) $21.5M |
| Week 41, 2011 Oct 2–8 4 films · −96% | 4 | $2M | −96% | The Monitor (2011) $1.4M |
| Week 41, 2012 Oct 7–13 5 films · +4559% | 5 | $91.2M | +4559% | Sinister (2012) $82.5M |
| Week 41, 2013 Oct 6–12 6 films · +180% | 6 | $254.9M | +180% | Captain Phillips (2013) $218.8M |
| Week 41, 2014 Oct 5–11 8 films · −90% | 8 | $26.1M | −90% | Addicted (2014) $17.5M |
| Week 41, 2015 Oct 4–10 11 films · −5% | 11 | $24.8M | −5% | The Advocate: A Missing Body (2015) $7.6M |
| Week 41, 2016 Oct 2–8 8 films · +728% | 8 | $205.7M | +728% | The Girl on the Train (2016) $173.2M |
| Week 41, 2017 Oct 8–14 5 films · +32% | 5 | $272.3M | +32% | The Foreigner (2017) $145.4M |
| Week 41, 2018 Oct 7–13 9 films · −85% | 9 | $42M | −85% | Bad Times at the El Royale (2018) $31.9M |
By language
Which Languages Do the Biggest Thriller Movies Speak in Week 41 of 2018?
Korean-language thriller films took $5.3M across 1 film, 13% of the total, ahead of English-language thriller films ($3.1M) and German-language thriller films ($1.1M).
Week 41 of 2018 Thriller Box Office by Language
Archive
Thriller Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
- Week 1 $168.6M
- Week 2 $146.8M
- Week 3 $81.3M
- Week 4 $313.5M
- Week 5 $46.8M
- Week 6 $430.4M
- Week 7 $10.4M
- Week 8 $709.3M
- Week 9 $201.9M
- Week 10 $46.5M
- Week 11 $493.4M
- Week 12 $17.9M
- Week 13 $691.3M
- Week 14 $377.3M
- Week 15 $116.8M
- Week 16 $9.6M
- Week 17 $63.6M
- Week 18 $33.8M
- Week 19 $55.3M
- Week 20 $4M
- Week 21 $14.8M
- Week 22 $77.1M
- Week 23 $434.5M
- Week 24 $136.7M
- Week 25 $31.2M
- Week 26 $84M
- Week 27 $201M
- Week 28 $305.8M
- Week 29 $190.9M
- Week 30 $834.2M
- Week 31 $41.4M
- Week 32 $581.7M
- Week 33 $204.2M
- Week 34 $176.2M
- Week 35 $30.6M
- Week 36 $425.7M
- Week 37 $264.8M
- Week 38 $16M
- Week 39 $1.3M
- Week 40 $924.3M
- Week 41 $42M
- Week 42 $264.9M
- Week 43 $50.3M
- Week 44 $12.4M
- Week 45 $48.5M
- Week 46 $94M
- Week 47 $87.4M
- Week 48 $71.3M
- Week 49 $11.9M
- Week 50 $275.7M
- Week 51 $9.4M
- Week 52 $18.5M
- Week 53 No grosses
FAQ
Thriller Box Office Week 41 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
What is the highest-grossing thriller movie in week 41 of 2018 (Oct 7–13)?
Bad Times at the El Royale (2018) leads with $31.9M worldwide, $17.8M of it in the US & Canada. Next come Miss Baek (2018) at $5.3M and I Still See You (2018) at $1.6M.
How much did thriller movies released in week 41 of 2018 (Oct 7–13) earn?
9 thriller films released in week 41 of 2018 (Oct 7–13) report a worldwide gross, $42M in all, or $4.7M per film on average. Week 40, 2018 releases took $924.3M.
How many thriller movies released in week 41 of 2018 (Oct 7–13) made $1 billion?
None. The biggest, Bad Times at the El Royale (2018), earned $31.9M.
How is the week 41, 2018 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2018 (Oct 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 41, 2018 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.