#1 of 6 2013 · Action, Adventure
$218.8M worldwide · 86% of the chart's total
Captain Phillips (2013) is the highest-grossing thriller movie released in week 41 of 2013 (Oct 6–12), with $218.8M worldwide, ahead of Machete Kills (2013) at $17.5M and Hwayi: A Monster Boy (2013) at $16.4M. 6 thriller films released that week report a worldwide gross, $254.9M in all, 46% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 68% on Week 40, 2013, whose releases took $789M. By language, English leads with $238.5M across 4 thriller releases.
#1 of 6 2013 · Action, Adventure
$218.8M worldwide · 86% of the chart's total
Captain Phillips (2013) leads with $218.8M, 86% of the total. The top 5 together took $254.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2013 (Oct 6–12).
Oct 11, 2013 US and Canada: $107.1M Rest of the world: $111.7M Worldwide: $218.8M
Oct 11, 2013 US and Canada: $8M Rest of the world: $9.5M Worldwide: $17.5M
Oct 9, 2013 US and Canada: – Rest of the world: – Worldwide: $16.4M
Oct 9, 2013 US and Canada: $2.1M Rest of the world: Worldwide: $2.1M
Oct 11, 2013 US and Canada: – Rest of the world: – Worldwide: $7.5K
Oct 11, 2013 US and Canada: $6.1K Rest of the world: Worldwide: $6.1K Of the top 6, The Saratov Approach (2013) earned the biggest share at home (100% in the US & Canada), while Machete Kills (2013) made 54% of its gross abroad. Across all 6 films, $117.3M (46%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 41 releases took $254.9M. The biggest of these 9 weeks is week 40 (Sep 29–Oct 5) with $789M, led by Gravity (2013).
Of these 10 years, Week 41, 2013 earned the most: $254.9M from 6 films, led by Captain Phillips (2013).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2004 Oct 3–9 5 films | 5 | $76.8M | – | Taxi (2004) $71.3M |
| Week 41, 2005 Oct 2–8 2 films · −60% | 2 | $30.5M | −60% | Two for the Money (2005) $30.5M |
| Week 41, 2006 Oct 8–14 7 films · +359% | 7 | $140.1M | +359% | The Grudge 2 (2006) $70.7M |
| Week 41, 2007 Oct 7–13 5 films · −43% | 5 | $80.1M | −43% | We Own the Night (2007) $55M |
| Week 41, 2008 Oct 5–11 4 films · +101% | 4 | $161.1M | +101% | Body of Lies (2008) $115.9M |
| Week 41, 2009 Oct 4–10 6 films · −80% | 6 | $32.6M | −80% | Kaiji: The Ultimate Gambler (2009) $24.7M |
| Week 41, 2010 Oct 3–9 6 films · +54% | 6 | $50.1M | +54% | My Soul to Take (2010) $21.5M |
| Week 41, 2011 Oct 2–8 4 films · −96% | 4 | $2M | −96% | The Monitor (2011) $1.4M |
| Week 41, 2012 Oct 7–13 5 films · +4559% | 5 | $91.2M | +4559% | Sinister (2012) $82.5M |
| Week 41, 2013 Oct 6–12 6 films · +180% | 6 | $254.9M | +180% | Captain Phillips (2013) $218.8M |
53 weeks of 2013 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Captain Phillips (2013) leads with $218.8M worldwide, $107.1M of it in the US & Canada. Next come Machete Kills (2013) at $17.5M and Hwayi: A Monster Boy (2013) at $16.4M.
6 thriller films released in week 41 of 2013 (Oct 6–12) report a worldwide gross, $254.9M in all, or $42.5M per film on average. Week 40, 2013 releases took $789M.
None. 1 film crossed $100 million, led by Captain Phillips (2013) with $218.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2013 (Oct 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.