#1 of 6 2013 · Action, Drama
$87.3M worldwide · 81% of the chart's total
Pain & Gain (2013) is the highest-grossing thriller movie released in week 17 of 2013 (Apr 21–27), with $87.3M worldwide, ahead of Shield of Straw (2013) at $17.9M and The Reluctant Fundamentalist (2013) at $2.2M. 6 thriller films released that week report a worldwide gross, $108.3M in all, 47% of it from the US & Canada. That is 6 times the total of Week 16, 2013, whose releases took $18M. By language, English leads with $90.4M across 4 thriller releases.
#1 of 6 2013 · Action, Drama
$87.3M worldwide · 81% of the chart's total
Pain & Gain (2013) leads with $87.3M, 81% of the total. The top 5 together took $108.2M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2013 (Apr 21–27).
Apr 26, 2013 US and Canada: $49.9M Rest of the world: $37.4M Worldwide: $87.3M
Apr 25, 2013 US and Canada: – Rest of the world: – Worldwide: $17.9M
Apr 26, 2013 US and Canada: $553K Rest of the world: $1.6M Worldwide: $2.2M
Apr 26, 2013 US and Canada: $380.6K Rest of the world: $107.4K Worldwide: $488K
Apr 26, 2013 US and Canada: – Rest of the world: – Worldwide: $383.5K
Apr 26, 2013 US and Canada: $24.5K Rest of the world: Worldwide: $24.5K Of the top 6, Graceland (2013) earned the biggest share at home (100% in the US & Canada), while The Reluctant Fundamentalist (2013) made 75% of its gross abroad. Across all 6 films, $50.8M (47%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 17 releases took $108.3M. The biggest of these 9 weeks is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
Of these 10 years, Week 17, 2005 earned the most: $162.9M from 1 film, led by The Interpreter (2005). Week 17, 2013 took $108.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2004 Apr 18–24 4 films | 4 | $131.6M | – | Man on Fire (2004) $130.8M |
| Week 17, 2005 Apr 17–23 1 film · +24% | 1 | $162.9M | +24% | The Interpreter (2005) $162.9M |
| Week 17, 2006 Apr 23–29 6 films · −76% | 6 | $39.8M | −76% | Lady Vengeance (2006) $23.8M |
| Week 17, 2007 Apr 22–28 9 films · +218% | 9 | $126.3M | +218% | Next (2007) $77.6M |
| Week 17, 2008 Apr 20–26 3 films · −82% | 3 | $23M | −82% | Deception (2008) $18M |
| Week 17, 2009 Apr 19–25 5 films · +225% | 5 | $74.7M | +225% | Obsessed (2009) $73.8M |
| Week 17, 2010 Apr 18–24 2 films · −61% | 2 | $29.4M | −61% | The Losers (2010) $29.4M |
| Week 17, 2011 Apr 17–23 5 films · −87% | 5 | $3.8M | −87% | Hidden 3D (2011) $1.7M |
| Week 17, 2012 Apr 22–28 6 films · +2403% | 6 | $95.4M | +2403% | Safe (2012) $41.6M |
| Week 17, 2013 Apr 21–27 6 films · +13% | 6 | $108.3M | +13% | Pain & Gain (2013) $87.3M |
53 weeks of 2013 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Pain & Gain (2013) leads with $87.3M worldwide, $49.9M of it in the US & Canada. Next come Shield of Straw (2013) at $17.9M and The Reluctant Fundamentalist (2013) at $2.2M.
6 thriller films released in week 17 of 2013 (Apr 21–27) report a worldwide gross, $108.3M in all, or $18M per film on average. Week 16, 2013 releases took $18M.
None. The biggest, Pain & Gain (2013), earned $87.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2013 (Apr 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.