#1 of 5 2009 · Drama, Thriller
$73.8M worldwide · 99% of the chart's total
Obsessed (2009) is the highest-grossing thriller movie released in week 17 of 2009 (Apr 19–25), with $73.8M worldwide, ahead of Paintball (2009) at $497.7K and The Informers (2009) at $382.2K. 5 thriller films released that week report a worldwide gross, $74.7M in all, 92% of it from the US & Canada. That is down 54% on Week 16, 2009, whose releases took $162.2M. By language, English leads with $897.3K across 4 thriller releases.
#1 of 5 2009 · Drama, Thriller
$73.8M worldwide · 99% of the chart's total
Obsessed (2009) leads with $73.8M, 99% of the total. The top 5 together took $74.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2009 (Apr 19–25).
Apr 24, 2009 US and Canada: $68.3M Rest of the world: $5.6M Worldwide: $73.8M
Apr 24, 2009 US and Canada: – Rest of the world: – Worldwide: $497.7K
Apr 24, 2009 US and Canada: $300K Rest of the world: $82.2K Worldwide: $382.2K
Apr 24, 2009 US and Canada: $13.7K Rest of the world: Worldwide: $13.7K
Apr 24, 2009 US and Canada: – Rest of the world: – Worldwide: $3.7K Of the top 5, Don McKay (2009) earned the biggest share at home (100% in the US & Canada), while The Informers (2009) made 22% of its gross abroad. Across all 5 films, $68.6M (92%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 17 releases took $74.7M. The biggest of these 9 weeks is week 18 (Apr 26–May 2) with $382.9M, led by X-Men Origins: Wolverine (2009).
Of these 10 years, Week 17, 2005 earned the most: $162.9M from 1 film, led by The Interpreter (2005). Week 17, 2009 took $74.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2000 Apr 16–22 1 film | 1 | $12.6M | – | Gossip (2000) $12.6M |
| Week 17, 2001 Apr 22–28 1 film · −31% | 1 | $8.7M | −31% | The Forsaken (2001) $8.7M |
| Week 17, 2002 Apr 21–27 2 films · −76% | 2 | $2.1M | −76% | The Salton Sea (2002) $1.1M |
| Week 17, 2003 Apr 20–26 6 films · +5684% | 6 | $120.8M | +5684% | Identity (2003) $90.3M |
| Week 17, 2004 Apr 18–24 4 films · +9% | 4 | $131.6M | +9% | Man on Fire (2004) $130.8M |
| Week 17, 2005 Apr 17–23 1 film · +24% | 1 | $162.9M | +24% | The Interpreter (2005) $162.9M |
| Week 17, 2006 Apr 23–29 6 films · −76% | 6 | $39.8M | −76% | Lady Vengeance (2006) $23.8M |
| Week 17, 2007 Apr 22–28 9 films · +218% | 9 | $126.3M | +218% | Next (2007) $77.6M |
| Week 17, 2008 Apr 20–26 3 films · −82% | 3 | $23M | −82% | Deception (2008) $18M |
| Week 17, 2009 Apr 19–25 5 films · +225% | 5 | $74.7M | +225% | Obsessed (2009) $73.8M |
53 weeks of 2009 with reported grosses; the biggest is week 26 (Jun 21–27) with $892M, led by Transformers: Revenge of the Fallen (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Obsessed (2009) leads with $73.8M worldwide, $68.3M of it in the US & Canada. Next come Paintball (2009) at $497.7K and The Informers (2009) at $382.2K.
5 thriller films released in week 17 of 2009 (Apr 19–25) report a worldwide gross, $74.7M in all, or $14.9M per film on average. Week 16, 2009 releases took $162.2M.
None. The biggest, Obsessed (2009), earned $73.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2009 (Apr 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.