#1 of 7 2009 · Action, Mystery
$60.3M worldwide · 50% of the chart's total
The International (2009) is the highest-grossing thriller movie released in week 6 of 2009 (Feb 1–7), with $60.3M worldwide, ahead of Push (2009) at $48.9M and In the Electric Mist (2009) at $8M. 7 thriller films released that week report a worldwide gross, $121.3M in all, 47% of it from the US & Canada. That is down 55% on Week 5, 2009, whose releases took $269.2M. By language, English leads with $117.1M across 5 thriller releases.
#1 of 7 2009 · Action, Mystery
$60.3M worldwide · 50% of the chart's total
The International (2009) leads with $60.3M, 50% of the total. The top 5 together took $121.3M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2009 (Feb 1–7).
Feb 6, 2009 US and Canada: $25.5M Rest of the world: $34.8M Worldwide: $60.3M
Feb 6, 2009 US and Canada: $31.8M Rest of the world: $17M Worldwide: $48.9M
Feb 7, 2009 US and Canada: – Rest of the world: – Worldwide: $8M
Feb 5, 2009 US and Canada: – Rest of the world: – Worldwide: $3.9M
Feb 6, 2009 US and Canada: – Rest of the world: – Worldwide: $233.5K
Feb 7, 2009 US and Canada: – Rest of the world: – Worldwide: $32.6K
Feb 6, 2009 US and Canada: $95 Rest of the world: Worldwide: $95 Of the top 7, The Objective (2009) earned the biggest share at home (100% in the US & Canada), while The International (2009) made 58% of its gross abroad. Across all 7 films, $57.3M (47%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 6 releases took $121.3M. The biggest of these 9 weeks is week 5 (Jan 25–31) with $269.2M, led by Taken (2009).
Of these 10 years, Week 6, 2001 earned the most: $351.7M from 1 film, led by Hannibal (2001). Week 6, 2009 took $121.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2000 Jan 30–Feb 5 2 films | 2 | $162.1M | – | Scream 3 (2000) $161.8M |
| Week 6, 2001 Feb 4–10 1 film · +117% | 1 | $351.7M | +117% | Hannibal (2001) $351.7M |
| Week 6, 2002 Feb 3–9 2 films · −77% | 2 | $82M | −77% | Collateral Damage (2002) $78.4M |
| Week 6, 2003 Feb 2–8 1 film · −100% | 1 | $20.3K | −100% | Midsummer (2003) $20.3K |
| Week 6, 2004 Feb 1–7 1 film · +1607% | 1 | $347.3K | +1607% | Charlie (2004) $347.3K |
| Week 6, 2005 Jan 30–Feb 5 3 films · +19576% | 3 | $68.3M | +19576% | Boogeyman (2005) $67.2M |
| Week 6, 2006 Feb 5–11 3 films · +198% | 3 | $203.9M | +198% | Final Destination 3 (2006) $118.9M |
| Week 6, 2007 Feb 4–10 2 films · −59% | 2 | $83.7M | −59% | Hannibal Rising (2007) $82.2M |
| Week 6, 2008 Feb 3–9 7 films · +131% | 7 | $193.5M | +131% | Fool's Gold (2008) $111.2M |
| Week 6, 2009 Feb 1–7 7 films · −37% | 7 | $121.3M | −37% | The International (2009) $60.3M |
53 weeks of 2009 with reported grosses; the biggest is week 26 (Jun 21–27) with $892M, led by Transformers: Revenge of the Fallen (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The International (2009) leads with $60.3M worldwide, $25.5M of it in the US & Canada. Next come Push (2009) at $48.9M and In the Electric Mist (2009) at $8M.
7 thriller films released in week 6 of 2009 (Feb 1–7) report a worldwide gross, $121.3M in all, or $17.3M per film on average. Week 5, 2009 releases took $269.2M.
None. The biggest, The International (2009), earned $60.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2009 (Feb 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.