#1 of 3 #1 thriller movie of Week 10, 2013
2013 · Drama, Mystery
$182.2M worldwide · 91% of the chart's total
No US & Canada figure reported
Thriller box office · Week 10 · Mar 3–9, 2013
Thriller Box Office, Week 10 of 2013: Thriller Releases of Mar 3–9
The Monk (2013) is the highest-grossing thriller movie released in week 10 of 2013 (Mar 3–9), with $182.2M worldwide, ahead of Dead Man Down (2013) at $18.1M and The Silence (2013) at $157.9K. 3 thriller films released that week report a worldwide gross, $200.4M in all, 5% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 4.9 times the total of Week 9, 2013, whose releases took $41.3M.
- week 10 releases with a gross
- 3
- combined worldwide
- $200.4M
- film crossed $100M
- 1
- vs Week 9, 2013
- ×4.9
#1 of 3 Top 3
What Were the Biggest Thriller Hits of Week 10 of 2013?
The Monk (2013) leads with $182.2M, 91% of the total. The top 3 together took $200.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 10 of 2013, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 10 of 2013 (Mar 3–9).
- 1 Mar 8, 2013 US and Canada: – Rest of the world: – Worldwide: $182.2M
- 2 Mar 8, 2013 US and Canada: $10.9M Rest of the world: $7.2M Worldwide: $18.1M
- 3 Mar 8, 2013 US and Canada: $109.1K Rest of the world: $48.8K Worldwide: $157.9K
Weeks around it
How Does Week 10 Compare With the Weeks Around It?
Week 10 releases took $200.4M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $451.4M, led by A Good Day to Die Hard (2013).
- Week 4 Wk 4 Jan 20–26 Parker (2013) $90.2M Parker (2013)
- Week 5 Wk 5 Jan 27–Feb 2 Bullet to the Head (2013) $29.2M Bullet to the Head (2013)
- Week 6 Wk 6 Feb 3–9 Side Effects (2013) $66.7M Side Effects (2013)
- Week 7 Wk 7 Feb 10–16 A Good Day to Die Hard (2013) $451.4M A Good Day to Die Hard (2013)
- Week 8 Wk 8 Feb 17–23 Snitch (2013) $114.2M Snitch (2013)
- Week 9 Wk 9 Feb 24–Mar 2 The Last Exorcism Part II (2013) $41.3M The Last Exorcism Part II (2013)
- Week 10 Wk 10 Mar 3–9 The Monk (2013) $200.4M The Monk (2013)
- Week 11 Wk 11 Mar 10–16 The Call (2013) $151M The Call (2013)
- Week 12 Wk 12 Mar 17–23 Olympus Has Fallen (2013) $202M Olympus Has Fallen (2013)
Earlier years
How Does Week 10 of 2013 Compare With Earlier Years?
Of these 10 years, Week 10, 2005 earned the most: $229M from 5 films, led by The Pacifier (2005). Week 10, 2013 took $200.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 10, 2004 Feb 29–Mar 6 1 film | 1 | $6.2M | – | Secret Agents (2004) $6.2M |
| Week 10, 2005 Feb 27–Mar 5 5 films · +3613% | 5 | $229M | +3613% | The Pacifier (2005) $198.6M |
| Week 10, 2006 Mar 5–11 5 films · −68% | 5 | $72.5M | −68% | The Hills Have Eyes (2006) $70M |
| Week 10, 2007 Mar 4–10 3 films · +36% | 3 | $98.4M | +36% | The Host (2007) $89.4M |
| Week 10, 2008 Mar 2–8 6 films · −29% | 6 | $69.6M | −29% | The Bank Job (2008) $64.8M |
| Week 10, 2009 Mar 1–7 6 films · +181% | 6 | $195.9M | +181% | Watchmen (2009) $185.4M |
| Week 10, 2010 Feb 28–Mar 6 3 films · −65% | 3 | $69.3M | −65% | Brooklyn's Finest (2010) $44M |
| Week 10, 2011 Feb 27–Mar 5 4 films · +105% | 4 | $141.8M | +105% | The Adjustment Bureau (2011) $127.9M |
| Week 10, 2012 Mar 4–10 9 films · −97% | 9 | $4.4M | −97% | Blind Man (2012) $2M |
| Week 10, 2013 Mar 3–9 3 films · +4439% | 3 | $200.4M | +4439% | The Monk (2013) $182.2M |
Archive
Thriller Box Office in 2013, Week by Week
53 weeks of 2013 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
- Week 1 $234.5K
- Week 2 $105.6M
- Week 3 $44.2M
- Week 4 $90.2M
- Week 5 $29.2M
- Week 6 $66.7M
- Week 7 $451.4M
- Week 8 $114.2M
- Week 9 $41.3M
- Week 10 $200.4M
- Week 11 $151M
- Week 12 $202M
- Week 13 $443M
- Week 14 $154.9M
- Week 15 $87.3M
- Week 16 $18M
- Week 17 $108.3M
- Week 18 $1.2B
- Week 19 $1.5M
- Week 20 $482.3M
- Week 21 $824.4M
- Week 22 $363.8M
- Week 23 $89.3M
- Week 24 $2M
- Week 25 $545.8M
- Week 26 $234.2M
- Week 27 $37.8M
- Week 28 $1.9M
- Week 29 $513.4M
- Week 30 $60.9M
- Week 31 $132.4M
- Week 32 $294.4M
- Week 33 $113.6M
- Week 34 $12.6M
- Week 35 $6.3M
- Week 36 $101.5M
- Week 37 $162.1M
- Week 38 $124M
- Week 39 $4.1M
- Week 40 $789M
- Week 41 $254.9M
- Week 42 $150.9M
- Week 43 $73.5M
- Week 44 $4.7M
- Week 45 $10.5M
- Week 46 $1.3M
- Week 47 $872.3M
- Week 48 $98.6M
- Week 49 $103.2M
- Week 50 $252M
- Week 51 $101.2M
- Week 52 $154.8M
- Week 53 $544.9K
FAQ
Thriller Box Office Week 10 of 2013: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing thriller movie in week 10 of 2013 (Mar 3–9)?
The Monk (2013) leads with $182.2M worldwide. Next come Dead Man Down (2013) at $18.1M and The Silence (2013) at $157.9K.
How much did thriller movies released in week 10 of 2013 (Mar 3–9) earn?
3 thriller films released in week 10 of 2013 (Mar 3–9) report a worldwide gross, $200.4M in all, or $66.8M per film on average. Week 9, 2013 releases took $41.3M.
How many thriller movies released in week 10 of 2013 (Mar 3–9) made $1 billion?
None. 1 film crossed $100 million, led by The Monk (2013) with $182.2M.
How is the week 10, 2013 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 10 of 2013 (Mar 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 10, 2013 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.