#1 of 5 The Last Exorcism Part II (2013)
2013 · Thriller, Horror
$25.1M worldwide · 61% of the chart's total
The Last Exorcism Part II (2013) is the highest-grossing thriller movie released in week 9 of 2013 (Feb 24–Mar 2), with $25.1M worldwide, ahead of Stoker (2013) at $12.1M and The Attacks Of 26/11 (2013) at $2.4M. 5 thriller films released that week report a worldwide gross, $41.3M in all, 44% of it from the US & Canada. That is down 64% on Week 8, 2013, whose releases took $114.2M. By language, English leads with $37.1M across 2 thriller releases.
#1 of 5 The Last Exorcism Part II (2013)
2013 · Thriller, Horror
$25.1M worldwide · 61% of the chart's total
The Last Exorcism Part II (2013) leads with $25.1M, 61% of the total. The top 5 together took $41.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2013 (Feb 24–Mar 2).
Mar 1, 2013 US and Canada: $15.2M Rest of the world: $9.9M Worldwide: $25.1M
Mar 1, 2013 US and Canada: $1.7M Rest of the world: $10.4M Worldwide: $12.1M
Mar 1, 2013 US and Canada: $248.3K Rest of the world: $2.1M Worldwide: $2.4M
Mar 1, 2013 US and Canada: $1M Rest of the world: $163.2K Worldwide: $1.2M
Feb 27, 2013 US and Canada: – Rest of the world: – Worldwide: $539.6K Of the top 5, Phantom (2013) earned the biggest share at home (86% in the US & Canada), while The Attacks Of 26/11 (2013) made 90% of its gross abroad. Across all 5 films, $18.2M (44%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 9 releases took $41.3M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $451.4M, led by A Good Day to Die Hard (2013).
Of these 10 years, Week 9, 2007 earned the most: $84.8M from 1 film, led by Zodiac (2007). Week 9, 2013 took $41.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2004 Feb 22–28 4 films | 4 | $48.7M | – | Twisted (2004) $41M |
| Week 9, 2005 Feb 20–26 2 films · −39% | 2 | $29.7M | −39% | Cursed (2005) $29.6M |
| Week 9, 2006 Feb 26–Mar 4 3 films · +121% | 3 | $65.7M | +121% | 16 Blocks (2006) $65.7M |
| Week 9, 2007 Feb 25–Mar 3 1 film · +29% | 1 | $84.8M | +29% | Zodiac (2007) $84.8M |
| Week 9, 2008 Feb 24–Mar 1 2 films · −96% | 2 | $3.1M | −96% | Playboy Cops (2008) $2.1M |
| Week 9, 2009 Feb 22–28 3 films · +386% | 3 | $15M | +386% | Street Fighter: The Legend of Chun-Li (2009) $12.8M |
| Week 9, 2010 Feb 21–27 4 films · +292% | 4 | $58.8M | +292% | The Crazies (2010) $54.8M |
| Week 9, 2011 Feb 20–26 2 films · −29% | 2 | $41.5M | −29% | Drive Angry 3D (2011) $40.9M |
| Week 9, 2012 Feb 26–Mar 3 4 films · −91% | 4 | $3.6M | −91% | Nobel’s Last Will (2012) $1.7M |
| Week 9, 2013 Feb 24–Mar 2 5 films · +1038% | 5 | $41.3M | +1038% | The Last Exorcism Part II (2013) $25.1M |
53 weeks of 2013 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Last Exorcism Part II (2013) leads with $25.1M worldwide, $15.2M of it in the US & Canada. Next come Stoker (2013) at $12.1M and The Attacks Of 26/11 (2013) at $2.4M.
5 thriller films released in week 9 of 2013 (Feb 24–Mar 2) report a worldwide gross, $41.3M in all, or $8.3M per film on average. Week 8, 2013 releases took $114.2M.
None. The biggest, The Last Exorcism Part II (2013), earned $25.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2013 (Feb 24–Mar 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.