#1 of 6 2013 · Mystery, Thriller
$351.7M worldwide · 97% of the chart's total
Now You See Me (2013) is the highest-grossing thriller movie released in week 22 of 2013 (May 26–Jun 1), with $351.7M worldwide, ahead of Real (2013) at $3.8M and The East (2013) at $2.9M. 6 thriller films released that week report a worldwide gross, $363.8M in all, 33% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 56% on Week 21, 2013, whose releases took $824.4M. By language, English leads with $356.6M across 3 thriller releases.
#1 of 6 2013 · Mystery, Thriller
$351.7M worldwide · 97% of the chart's total
Now You See Me (2013) leads with $351.7M, 97% of the total. The top 5 together took $363.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2013 (May 26–Jun 1).
May 31, 2013 US and Canada: $117.7M Rest of the world: $234M Worldwide: $351.7M
Jun 1, 2013 US and Canada: – Rest of the world: – Worldwide: $3.8M
May 31, 2013 US and Canada: $2.3M Rest of the world: $590K Worldwide: $2.9M
May 26, 2013 US and Canada: – Rest of the world: – Worldwide: $2.6M
May 31, 2013 US and Canada: $100.6K Rest of the world: $2.2M Worldwide: $2.3M
May 31, 2013 US and Canada: – Rest of the world: – Worldwide: $521.1K Of the top 6, The East (2013) earned the biggest share at home (80% in the US & Canada), while Shadow Dancer (2013) made 96% of its gross abroad. Across all 6 films, $120.1M (33%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 22 releases took $363.8M. The biggest of these 9 weeks is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
Of these 10 years, Week 22, 2004 earned the most: $552.6M from 1 film, led by The Day After Tomorrow (2004). Week 22, 2013 took $363.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 2004 May 23–29 1 film | 1 | $552.6M | – | The Day After Tomorrow (2004) $552.6M |
| Week 22, 2005 May 22–28 2 films · −99% | 2 | $2.9M | −99% | Quo Vadis, Baby? (2005) $2.4M |
| Week 22, 2006 May 28–Jun 3 3 films · +898% | 3 | $28.7M | +898% | Typhoon (2006) $26.2M |
| Week 22, 2007 May 27–Jun 2 3 films · +221% | 3 | $92.2M | +221% | Mr. Brooks (2007) $48.4M |
| Week 22, 2008 May 25–31 4 films · −3% | 4 | $89.3M | −3% | The Strangers (2008) $82.4M |
| Week 22, 2009 May 24–30 3 films · +2% | 3 | $91.1M | +2% | Drag Me to Hell (2009) $90.8M |
| Week 22, 2010 May 23–29 No films | 0 | – | – | – |
| Week 22, 2011 May 22–28 1 film | 1 | $418.3K | – | Head (2011) $418.3K |
| Week 22, 2012 May 27–Jun 2 3 films · +2407% | 3 | $10.5M | +2407% | Piranha 3DD (2012) $8.5M |
| Week 22, 2013 May 26–Jun 1 6 films · +3369% | 6 | $363.8M | +3369% | Now You See Me (2013) $351.7M |
53 weeks of 2013 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Now You See Me (2013) leads with $351.7M worldwide, $117.7M of it in the US & Canada. Next come Real (2013) at $3.8M and The East (2013) at $2.9M.
6 thriller films released in week 22 of 2013 (May 26–Jun 1) report a worldwide gross, $363.8M in all, or $60.6M per film on average. Week 21, 2013 releases took $824.4M.
None. 1 film crossed $100 million, led by Now You See Me (2013) with $351.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2013 (May 26–Jun 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.