#1 of 4 2013 · Thriller, Horror
$161.9M worldwide · 100% of the chart's total
Insidious: Chapter 2 (2013) is the highest-grossing thriller movie released in week 37 of 2013 (Sep 8–14), with $161.9M worldwide, ahead of Final: The Rapture (2013) at $124.6K and Plush (2013) at $28.9K. 4 thriller films released that week report a worldwide gross, $162.1M in all, 52% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 60% on Week 36, 2013, whose releases took $101.5M.
#1 of 4 2013 · Thriller, Horror
$161.9M worldwide · 100% of the chart's total
Insidious: Chapter 2 (2013) leads with $161.9M, 100% of the total. The top 4 together took $162.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2013 (Sep 8–14).
Sep 13, 2013 US and Canada: $83.6M Rest of the world: $78.3M Worldwide: $161.9M
Sep 13, 2013 US and Canada: $124.6K Rest of the world: Worldwide: $124.6K
Sep 13, 2013 US and Canada: $3.1K Rest of the world: $25.8K Worldwide: $28.9K
Sep 10, 2013 US and Canada: – Rest of the world: – Worldwide: $22.8K Of the top 4, Final: The Rapture (2013) earned the biggest share at home (100% in the US & Canada), while Plush (2013) made 89% of its gross abroad. Across all 4 films, $83.7M (52%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 37 releases took $162.1M. The biggest of these 9 weeks is week 32 (Aug 4–10) with $294.4M, led by Elysium (2013).
Of these 10 years, Week 37, 2010 earned the most: $301.6M from 6 films, led by Resident Evil: Afterlife (2010). Week 37, 2013 took $162.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2004 Sep 5–11 6 films | 6 | $188.9M | – | Resident Evil: Apocalypse (2004) $129.3M |
| Week 37, 2005 Sep 4–10 3 films · −23% | 3 | $145.7M | −23% | The Exorcism of Emily Rose (2005) $145.2M |
| Week 37, 2006 Sep 10–16 3 films · −64% | 3 | $51.7M | −64% | The Black Dahlia (2006) $49.3M |
| Week 37, 2007 Sep 9–15 9 films · +358% | 9 | $236.8M | +358% | Dragon Wars: D-War (2007) $75.1M |
| Week 37, 2008 Sep 7–13 3 films · −53% | 3 | $110.6M | −53% | Righteous Kill (2008) $79.5M |
| Week 37, 2009 Sep 6–12 7 films · −29% | 7 | $78.2M | −29% | Sorority Row (2009) $27.2M |
| Week 37, 2010 Sep 5–11 6 films · +286% | 6 | $301.6M | +286% | Resident Evil: Afterlife (2010) $300.2M |
| Week 37, 2011 Sep 4–10 3 films · −53% | 3 | $141.3M | −53% | Contagion (2011) $136.5M |
| Week 37, 2012 Sep 9–15 5 films · +108% | 5 | $293.4M | +108% | Resident Evil: Retribution (2012) $240.2M |
| Week 37, 2013 Sep 8–14 4 films · −45% | 4 | $162.1M | −45% | Insidious: Chapter 2 (2013) $161.9M |
53 weeks of 2013 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $1.2B, led by Iron Man 3 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Insidious: Chapter 2 (2013) leads with $161.9M worldwide, $83.6M of it in the US & Canada. Next come Final: The Rapture (2013) at $124.6K and Plush (2013) at $28.9K.
4 thriller films released in week 37 of 2013 (Sep 8–14) report a worldwide gross, $162.1M in all, or $40.5M per film on average. Week 36, 2013 releases took $101.5M.
None. 1 film crossed $100 million, led by Insidious: Chapter 2 (2013) with $161.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2013 (Sep 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.