Skip to content
What's After the Movie?
Thriller box office · Week 48 · Nov 25–Dec 1, 2018

Thriller Box Office, Week 48 of 2018: Thriller Releases of Nov 25–Dec 1

The Possession of Hannah Grace (2018) is the highest-grossing thriller movie released in week 48 of 2018 (Nov 25–Dec 1), with $43M worldwide, ahead of Default (2018) at $27.7M and The Soul Conductor (2018) at $470.6K. 5 thriller films released that week report a worldwide gross, $71.3M in all, 21% of it from the US & Canada. That is down 18% on Week 47, 2018, whose releases took $87.4M. By language, English leads with $43M across 2 thriller releases.

week 48 releases with a gross
5
combined worldwide
$71.3M
The Possession of Hannah Grace (2018), the #1
$43M
vs Week 47, 2018
−18%
The Possession of Hannah Grace (2018) movie poster #1 of 5
#1 thriller movie of Week 48, 2018

The Possession of Hannah Grace (2018)

2018 · Mystery, Thriller

$43M worldwide · 60% of the chart's total

$14.8M US & Canada · 34% $28.2M elsewhere · 66%
Top 5

What Were the Biggest Thriller Hits of Week 48 of 2018?

The Possession of Hannah Grace (2018) leads with $43M, 60% of the total. The top 5 together took $71.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Possession of Hannah Grace (2018) movie poster Number 1
    $43M The Possession of Hannah Grace (2018)
    $14.8M US & Canada · 34% $28.2M elsewhere · 66%
  2. Default (2018) movie poster Number 2
    $27.7M Default (2018)
    $203.8K US & Canada · <1% $27.5M elsewhere · 99%
  3. The Soul Conductor (2018) movie poster Number 3
    $470.6K The Soul Conductor (2018)
    No US & Canada figure reported
  4. The Plagues of Breslau (2018) movie poster Number 4
    $132.1K The Plagues of Breslau (2018)
    No US & Canada figure reported
  5. Sanctuary Population One (2018) movie poster Number 5
    $3.3K Sanctuary Population One (2018)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 48 of 2018, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 48 of 2018 (Nov 25–Dec 1).

  1. 1 The Possession of Hannah Grace (2018) movie poster
    The Possession of Hannah Grace (2018) Nov 30, 2018 · English · Mystery, Thriller, Horror $43M worldwide
    Nov 30, 2018 US and Canada: $14.8M Rest of the world: $28.2M Worldwide: $43M
  2. 2 Default (2018) movie poster
    Default (2018) Nov 30, 2018 · Korean · Drama, History, Thriller $27.7M worldwide
    Nov 30, 2018 US and Canada: $203.8K Rest of the world: $27.5M Worldwide: $27.7M
  3. 3 The Soul Conductor (2018) movie poster
    The Soul Conductor (2018) Nov 29, 2018 · Russian · Thriller, Horror $470.6K worldwide
    Nov 29, 2018 US and Canada: – Rest of the world: – Worldwide: $470.6K
  4. 4 The Plagues of Breslau (2018) movie poster
    The Plagues of Breslau (2018) Nov 29, 2018 · Polish · Action, Crime, Thriller $132.1K worldwide
    Nov 29, 2018 US and Canada: – Rest of the world: – Worldwide: $132.1K
  5. 5 Sanctuary Population One (2018) movie poster
    Sanctuary Population One (2018) Dec 1, 2018 · English · Sci-Fi, Drama, Action $3.3K worldwide
    Dec 1, 2018 US and Canada: – Rest of the world: – Worldwide: $3.3K
Earlier years

How Does Week 48 of 2018 Compare With Earlier Years?

Of these 10 years, Week 48, 2014 earned the most: $252.6M from 4 films, led by The Imitation Game (2014). Week 48, 2018 took $71.3M.

Week Films Worldwide Change Biggest film
Week 48, 2009 Nov 22–28 3 films 3 $90.5M – Ninja Assassin (2009) $61.6M
Week 48, 2010 Nov 21–27 1 film · −61% 1 $35.6M −61% Faster (2010) $35.6M
Week 48, 2011 Nov 20–26 3 films · −14% 3 $30.7M −14% A Dangerous Method (2011) $30.5M
Week 48, 2012 Nov 25–Dec 1 7 films · +83% 7 $56.2M +83% Killing Them Softly (2012) $37.9M
Week 48, 2013 Nov 24–30 5 films · +75% 5 $98.6M +75% Homefront (2013) $48.4M
Week 48, 2014 Nov 23–29 4 films · +156% 4 $252.6M +156% The Imitation Game (2014) $233.6M
Week 48, 2015 Nov 22–28 4 films · −95% 4 $11.8M −95% The Vanished Murderer (2015) $11M
Week 48, 2016 Nov 20–26 5 films · +987% 5 $128.7M +987% Allied (2016) $119.5M
Week 48, 2017 Nov 26–Dec 2 11 films · −59% 11 $52.9M −59% The Swindlers (2017) $29.7M
Week 48, 2018 Nov 25–Dec 1 5 films · +35% 5 $71.3M +35% The Possession of Hannah Grace (2018) $43M
FAQ

Thriller Box Office Week 48 of 2018: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.

What is the highest-grossing thriller movie in week 48 of 2018 (Nov 25–Dec 1)?

The Possession of Hannah Grace (2018) leads with $43M worldwide, $14.8M of it in the US & Canada. Next come Default (2018) at $27.7M and The Soul Conductor (2018) at $470.6K.

How much did thriller movies released in week 48 of 2018 (Nov 25–Dec 1) earn?

5 thriller films released in week 48 of 2018 (Nov 25–Dec 1) report a worldwide gross, $71.3M in all, or $14.3M per film on average. Week 47, 2018 releases took $87.4M.

How many thriller movies released in week 48 of 2018 (Nov 25–Dec 1) made $1 billion?

None. The biggest, The Possession of Hannah Grace (2018), earned $43M.

How much of the Week 48, 2018 Thriller box office came from the US and Canada?

$15M of the $71.3M total, or 21%, was earned in the US & Canada (the domestic market); the rest came from other countries. 3 films of the 5 report no domestic figure.

How is the week 48, 2018 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 48 of 2018 (Nov 25–Dec 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 48, 2018 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.