#1 of 8 Insidious: The Last Key (2018)
2018 · Drama, Mystery
$167.9M worldwide · 100% of the chart's total
Insidious: The Last Key (2018) is the highest-grossing thriller movie released in week 1 of 2018 (Jan 1–6), with $167.9M worldwide, ahead of Hippopotamus (2018) at $273.6K and Stratton (2018) at $257.2K. 8 thriller films released that week report a worldwide gross, $168.6M in all, 40% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $168.5M across 7 thriller releases.
#1 of 8 Insidious: The Last Key (2018)
2018 · Drama, Mystery
$167.9M worldwide · 100% of the chart's total
Insidious: The Last Key (2018) leads with $167.9M, 100% of the total. The top 5 together took $168.5M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2018 (Jan 1–6).
Jan 5, 2018 US and Canada: $67.7M Rest of the world: $100.1M Worldwide: $167.9M
Jan 2, 2018 US and Canada: – Rest of the world: – Worldwide: $273.6K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $257.2K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $73.5K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $53K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $28.4K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $725
2018 US and Canada: – Rest of the world: – Worldwide: $217 Week 1 releases took $168.6M. The biggest of these 9 weeks is week 51, 2017 (Dec 17–23) with $282.2M, led by The Post (2017).
Of these 10 years, Week 1, 2018 earned the most: $168.6M from 8 films, led by Insidious: The Last Key (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2009 Jan 1–3 1 film | 1 | $45.9K | – | Devil’s Town (2009) $45.9K |
| Week 1, 2010 Jan 1–2 1 film · −72% | 1 | $12.9K | −72% | Rewind (2010) $12.9K |
| Week 1, 2011 Jan 1 No films | 0 | – | – | – |
| Week 1, 2012 Jan 1–7 5 films | 5 | $104.2M | – | The Devil Inside (2012) $101.8M |
| Week 1, 2013 Jan 1–5 3 films · −100% | 3 | $234.5K | −100% | Crawlspace (2013) $151.1K |
| Week 1, 2014 Jan 1–4 2 films · +38874% | 2 | $91.4M | +38874% | Paranormal Activity: The Marked Ones (2014) $90.9M |
| Week 1, 2015 Jan 1–3 2 films · −41% | 2 | $53.8M | −41% | The Woman in Black 2: Angel of Death (2015) $48.9M |
| Week 1, 2016 Jan 1–2 2 films · −27% | 2 | $39.3M | −27% | Sherlock: The Abominable Bride (2016) $39.1M |
| Week 1, 2017 Jan 1–7 3 films · −100% | 3 | $56.8K | −100% | Arsenal (2017) $41K |
| Week 1, 2018 Jan 1–6 8 films · +296672% | 8 | $168.6M | +296672% | Insidious: The Last Key (2018) $167.9M |
English-language thriller films took $168.5M across 7 films, 100% of the total, ahead of Malayalam-language thriller films ($73.5K).
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Insidious: The Last Key (2018) leads with $167.9M worldwide, $67.7M of it in the US & Canada. Next come Hippopotamus (2018) at $273.6K and Stratton (2018) at $257.2K.
8 thriller films released in week 1 of 2018 (Jan 1–6) report a worldwide gross, $168.6M in all, or $21.1M per film on average.
None. 1 film crossed $100 million, led by Insidious: The Last Key (2018) with $167.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2018 (Jan 1–6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.