#1 of 10 #1 English-language movie of Week 1, 2018
Insidious: The Last Key (2018)
2018 · Drama, Mystery
$167.9M worldwide · 96% of the chart's total
$67.7M US & Canada · 40% $100.1M elsewhere · 60%
English box office · Week 1 · Jan 1–6, 2018
English Box Office, Week 1 of 2018: English Releases of Jan 1–6
Insidious: The Last Key (2018) is the highest-grossing English-language movie released in week 1 of 2018 (Jan 1–6), with $167.9M worldwide, ahead of The Green Fog (2018) at $5M and Day of the Dead: Bloodline (2018) at $277.9K. 10 English-language films released that week report a worldwide gross, $174M in all, 39% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By genre, Mystery leads with $172.9M across 2 English releases.
- week 1 releases with a gross
- 10
- combined worldwide
- $174M
- film crossed $100M
- 1
- earned in the US & Canada
- 39%
#1 of 10 Top 5
What Were the Biggest English Hits of Week 1 of 2018?
Insidious: The Last Key (2018) leads with $167.9M, 96% of the total. The top 5 together took $173.7M, almost all of what the 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 1 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2018 (Jan 1–6).
- 1 Jan 5, 2018 US and Canada: $67.7M Rest of the world: $100.1M Worldwide: $167.9M
- 2 Jan 4, 2018 US and Canada: – Rest of the world: – Worldwide: $5M
- 3 Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $277.9K
- 4 Jan 2, 2018 US and Canada: – Rest of the world: – Worldwide: $273.6K
- 5 Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $257.2K
- 6
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $203.7K - 7
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $53K - 8
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $28.4K - 9
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $725 - 10
2018 US and Canada: – Rest of the world: – Worldwide: $217
Gross bands
How Many Week 1 of 2018 Releases Crossed $100 Million?
1 of 10 films crossed $100M and took $167.9M between them, 96% of the total. 9 films, 90% of the list, earned under $10M.
96%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 10% of the list $167.9M · 96% of the gross
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 9 films, 90% of the list $6.1M · 4% of the gross
Weeks around it
How Does Week 1 Compare With the Weeks Around It?
Week 1 releases took $174M. The biggest of these 9 weeks is week 51, 2017 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
- Week 48, 2017 Wk 48 Nov 26–Dec 2 The Shape of Water (2017) $248.4M The Shape of Water (2017)
- Week 49, 2017 Wk 49 Dec 3–9 I, Tonya (2017) $67.4M I, Tonya (2017)
- Week 50, 2017 Wk 50 Dec 10–16 Star Wars: Episode VIII - The Last Jedi (2017) $1.6B Star Wars: Episode VIII - The Last Jedi (2017)
- Week 51, 2017 Wk 51 Dec 17–23 Jumanji: Welcome to the Jungle (2017) $1.7B Jumanji: Welcome to the Jungle (2017)
- Week 52, 2017 Wk 52 Dec 24–30 Molly's Game (2017) $173M Molly's Game (2017)
- Week 53, 2017 Wk 53 Dec 31 Retina (2017) $41.3K Retina (2017)
- Week 1 Wk 1 Jan 1–6 Insidious: The Last Key (2018) $174M Insidious: The Last Key (2018)
- Week 2 Wk 2 Jan 7–13 Paddington 2 (2018) $432.8M Paddington 2 (2018)
- Week 3 Wk 3 Jan 14–20 Den of Thieves (2018) $165.8M Den of Thieves (2018)
Earlier years
How Does Week 1 of 2018 Compare With Earlier Years?
Of these 10 years, Week 1, 2018 earned the most: $174M from 10 films, led by Insidious: The Last Key (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2009 Jan 1–3 4 films | 4 | $9.7M | – | OceanWorld 3D (2009) $8.7M |
| Week 1, 2010 Jan 1–2 5 films · −98% | 5 | $194.1K | −98% | Ecstasy (2010) $97.6K |
| Week 1, 2011 Jan 1 1 film · −92% | 1 | $16.4K | −92% | KickOff (2011) $16.4K |
| Week 1, 2012 Jan 1–7 4 films · +2209% | 4 | $378.7K | +2209% | Imaginarium (2012) $190.8K |
| Week 1, 2013 Jan 1–5 7 films · +12767% | 7 | $48.7M | +12767% | Texas Chainsaw 3D (2013) $47.3M |
| Week 1, 2014 Jan 1–4 7 films · +131% | 7 | $112.7M | +131% | Paranormal Activity: The Marked Ones (2014) $90.9M |
| Week 1, 2015 Jan 1–3 3 films · −56% | 3 | $49.5M | −56% | The Woman in Black 2: Angel of Death (2015) $48.9M |
| Week 1, 2016 Jan 1–2 3 films · −21% | 3 | $39.2M | −21% | Sherlock: The Abominable Bride (2016) $39.1M |
| Week 1, 2017 Jan 1–7 9 films · +110% | 9 | $82.3M | +110% | Underworld: Blood Wars (2017) $81.1M |
| Week 1, 2018 Jan 1–6 10 films · +112% | 10 | $174M | +112% | Insidious: The Last Key (2018) $167.9M |
By genre
Which English Genres Earned the Most in Week 1 of 2018?
Mystery took $172.9M across 2 films, 99% of the total, ahead of Thriller ($168.5M) and Horror ($168.5M). A film counts once for each of its genres.
Week 1 of 2018 English Box Office by Genre
-
Mystery $172.9M2 films · #1 Insidious: The Last Key (2018) -
Thriller $168.5M7 films · #1 Insidious: The Last Key (2018) -
Horror $168.5M5 films · #1 Insidious: The Last Key (2018) -
Drama $168.4M4 films · #1 Insidious: The Last Key (2018) -
Action $257.9K2 films · #1 Stratton (2018) -
Sci-Fi $53K1 film · #1 Devil's Gate (2018)
Archive
English Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 51 (Dec 16–22) with $2.1B, led by Aquaman (2018).
- Week 1 $174M
- Week 2 $432.8M
- Week 3 $165.8M
- Week 4 $289.8M
- Week 5 $56.5M
- Week 6 $813M
- Week 7 $1.4B
- Week 8 $181.5M
- Week 9 $205.2M
- Week 10 $253.7M
- Week 11 $440M
- Week 12 $604.3M
- Week 13 $690.8M
- Week 14 $488.1M
- Week 15 $557.5M
- Week 16 $147.1M
- Week 17 $2.1B
- Week 18 $204.2M
- Week 19 $125.7M
- Week 20 $937M
- Week 21 $399.1M
- Week 22 $89.5M
- Week 23 $444.6M
- Week 24 $1.3B
- Week 25 $1.3B
- Week 26 $154.1M
- Week 27 $848.3M
- Week 28 $867.5M
- Week 29 $636M
- Week 30 $881.4M
- Week 31 $324.7M
- Week 32 $904.8M
- Week 33 $460.3M
- Week 34 $129.3M
- Week 35 $36.4M
- Week 36 $440.2M
- Week 37 $160.8M
- Week 38 $165.6M
- Week 39 $412.6M
- Week 40 $1.3B
- Week 41 $246.8M
- Week 42 $273.9M
- Week 43 $210.8M
- Week 44 $231.7M
- Week 45 $620.2M
- Week 46 $1.2B
- Week 47 $856.6M
- Week 48 $51.7M
- Week 49 $61.9M
- Week 50 $676.5M
- Week 51 $2.1B
- Week 52 $186.2M
- Week 53 No grosses
FAQ
English Box Office Week 1 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
What is the highest-grossing English-language movie in week 1 of 2018 (Jan 1–6)?
Insidious: The Last Key (2018) leads with $167.9M worldwide, $67.7M of it in the US & Canada. Next come The Green Fog (2018) at $5M and Day of the Dead: Bloodline (2018) at $277.9K.
How much did English-language movies released in week 1 of 2018 (Jan 1–6) earn?
10 English-language films released in week 1 of 2018 (Jan 1–6) report a worldwide gross, $174M in all, or $17.4M per film on average.
How many English-language movies released in week 1 of 2018 (Jan 1–6) made $1 billion?
None. 1 film crossed $100 million, led by Insidious: The Last Key (2018) with $167.9M.
How is the week 1, 2018 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2018 (Jan 1–6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 1, 2018 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.