#1 of 19 #1 English-language movie of Week 25, 2018
Jurassic World: Fallen Kingdom (2018)
2018 · Action, Adventure
$1.3B worldwide · 100% of the chart's total
$417.7M US & Canada · 32% $892.7M elsewhere · 68%
English box office · Week 25 · Jun 17–23, 2018
English Box Office, Week 25 of 2018: English Releases of Jun 17–23
Jurassic World: Fallen Kingdom (2018) is the highest-grossing English-language movie released in week 25 of 2018 (Jun 17–23), with $1.3B worldwide, ahead of Malicious (2018) at $1.2M and The Catcher Was a Spy (2018) at $954K. 19 English-language films released that week report a worldwide gross, $1.3B in all, 32% of it from the US & Canada. 1 film crossed $1 billion. That is level with Week 24, 2018, whose releases took $1.3B. By genre, Action leads with $1.3B across 3 English releases.
- week 25 releases with a gross
- 19
- combined worldwide
- $1.3B
- film crossed $100M
- 1
- vs Week 24, 2018
- ±0%
#1 of 19 Top 5
What Were the Biggest English Hits of Week 25 of 2018?
Jurassic World: Fallen Kingdom (2018) leads with $1.3B, 100% of the total. The top 5 together took $1.3B, almost all of what the 19 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 25 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2018 (Jun 17–23).
- 1 Jun 22, 2018 US and Canada: $417.7M Rest of the world: $892.7M Worldwide: $1.3B
- 2 Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $1.2M
- 3 Jun 22, 2018 US and Canada: $725.2K Rest of the world: $228.7K Worldwide: $954K
- 4 Jun 22, 2018 US and Canada: $703.4K Rest of the world: $52.5K Worldwide: $756K
- 5 Jun 22, 2018 US and Canada: $305.1K Rest of the world: $18.1K Worldwide: $323.2K
- 6
Jun 19, 2018 US and Canada: – Rest of the world: – Worldwide: $165.6K - 7
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $126.9K - 8
Jun 21, 2018 US and Canada: – Rest of the world: – Worldwide: $115K - 9
Jun 21, 2018 US and Canada: – Rest of the world: – Worldwide: $99.3K - 10
Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $64.1K - 11
Jun 21, 2018 US and Canada: – Rest of the world: – Worldwide: $32.2K - 12
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $29.1K - 13
Jun 22, 2018 US and Canada: $20.2K Rest of the world: Worldwide: $20.2K - 14
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $10.8K - 15
Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $9.2K - 16
Jun 22, 2018 US and Canada: $8.2K Rest of the world: Worldwide: $8.2K - 17
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8K - 18
Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $445 - 19
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $403
US & Canada vs the world
Where Did the Money Come From in Week 25 of 2018?
Of the top 10, Damsel (2018) earned the biggest share at home (94% in the US & Canada), while Jurassic World: Fallen Kingdom (2018) made 68% of its gross abroad. Across all 19 films, $419.5M (32%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
- 1 Jurassic World: Fallen Kingdom (2018) $1.3B $417.7M US & Canada · 32% $892.7M elsewhere · 68%
- 2 Malicious (2018) $1.2M No US & Canada figure reported
- 3 The Catcher Was a Spy (2018) $954K $725.2K US & Canada · 76% $228.7K elsewhere · 24%
- 4 Boundaries (2018) $756K $703.4K US & Canada · 93% $52.5K elsewhere · 7%
- 5 Damsel (2018) $323.2K $305.1K US & Canada · 94% $18.1K elsewhere · 6%
- 6 Office Uprising (2018) $165.6K No US & Canada figure reported
- 7 The King (2018) $126.9K No US & Canada figure reported
- 8 Brothers’ Nest (2018) $115K No US & Canada figure reported
- 9 Eaten by Lions (2018) $99.3K No US & Canada figure reported
- 10 In the Middle of the River (2018) $64.1K No US & Canada figure reported
Gross bands
How Many Week 25 of 2018 Releases Crossed $100 Million?
1 of 19 films crossed $100M and took $1.3B between them, 100% of the total. 18 films, 95% of the list, earned under $10M.
100%
- $1B or more 1 film, 5% of the list $1.3B · 100% of the gross
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 18 films, 95% of the list $3.9M · <1% of the gross
Weeks around it
How Does Week 25 Compare With the Weeks Around It?
Week 25 releases took $1.3B. The biggest of these 9 weeks is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
- Week 19 Wk 19 May 6–12 Life of the Party (2018) $125.7M Life of the Party (2018)
- Week 20 Wk 20 May 13–19 Deadpool 2 (2018) $937M Deadpool 2 (2018)
- Week 21 Wk 21 May 20–26 Solo: A Star Wars Story (2018) $399.1M Solo: A Star Wars Story (2018)
- Week 22 Wk 22 May 27–Jun 2 Adrift (2018) $89.5M Adrift (2018)
- Week 23 Wk 23 Jun 3–9 Ocean's 8 (2018) $444.6M Ocean's 8 (2018)
- Week 24 Wk 24 Jun 10–16 Incredibles 2 (2018) $1.3B Incredibles 2 (2018)
- Week 25 Wk 25 Jun 17–23 Jurassic World: Fallen Kingdom (2018) $1.3B Jurassic World: Fallen Kingdom (2018)
- Week 26 Wk 26 Jun 24–30 Sicario: Day of the Soldado (2018) $154.1M Sicario: Day of the Soldado (2018)
- Week 27 Wk 27 Jul 1–7 Ant-Man and the Wasp (2018) $848.3M Ant-Man and the Wasp (2018)
Earlier years
How Does Week 25 of 2018 Compare With Earlier Years?
Of these 10 years, Week 25, 2015 earned the most: $1.7B from 13 films, led by Inside Out (2015). Week 25, 2018 took $1.3B.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 2009 Jun 14–20 7 films | 7 | $428.1M | – | The Proposal (2009) $317.4M |
| Week 25, 2010 Jun 13–19 9 films · +156% | 9 | $1.1B | +156% | Toy Story 3 (2010) $1.1B |
| Week 25, 2011 Jun 12–18 11 films · −60% | 11 | $437.3M | −60% | Green Lantern (2011) $237.2M |
| Week 25, 2012 Jun 17–23 9 films · +70% | 9 | $744.2M | +70% | Brave (2012) $539M |
| Week 25, 2013 Jun 16–22 9 films · +74% | 9 | $1.3B | +74% | Monsters University (2013) $743.6M |
| Week 25, 2014 Jun 15–21 11 films · −89% | 11 | $148.7M | −89% | Think Like a Man Too (2014) $70.2M |
| Week 25, 2015 Jun 14–20 13 films · +1071% | 13 | $1.7B | +1071% | Inside Out (2015) $859.1M |
| Week 25, 2016 Jun 12–18 15 films · −28% | 15 | $1.2B | −28% | Finding Dory (2016) $1B |
| Week 25, 2017 Jun 18–24 12 films · −45% | 12 | $691.8M | −45% | Transformers: The Last Knight (2017) $605.4M |
| Week 25, 2018 Jun 17–23 19 films · +90% | 19 | $1.3B | +90% | Jurassic World: Fallen Kingdom (2018) $1.3B |
By genre
Which English Genres Earned the Most in Week 25 of 2018?
Action took $1.3B across 3 films, 100% of the total, ahead of Sci-Fi ($1.3B) and Adventure ($1.3B). A film counts once for each of its genres.
Week 25 of 2018 English Box Office by Genre
-
Action $1.3B3 films · #1 Jurassic World: Fallen Kingdom (2018) -
Sci-Fi $1.3B2 films · #1 Jurassic World: Fallen Kingdom (2018) -
Adventure $1.3B2 films · #1 Jurassic World: Fallen Kingdom (2018) -
Drama $2.2M9 films · #1 The Catcher Was a Spy (2018) -
Comedy $1.5M6 films · #1 Boundaries (2018) -
Horror $1.4M4 films · #1 Malicious (2018) -
Thriller $1.2M2 films · #1 Malicious (2018) -
Biography $964.8K2 films · #1 The Catcher Was a Spy (2018) -
War $954K1 film · #1 The Catcher Was a Spy (2018) -
Western $323.2K1 film · #1 Damsel (2018)
Archive
English Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 51 (Dec 16–22) with $2.1B, led by Aquaman (2018).
- Week 1 $174M
- Week 2 $432.8M
- Week 3 $165.8M
- Week 4 $289.8M
- Week 5 $56.5M
- Week 6 $813M
- Week 7 $1.4B
- Week 8 $181.5M
- Week 9 $205.2M
- Week 10 $253.7M
- Week 11 $440M
- Week 12 $604.3M
- Week 13 $690.8M
- Week 14 $488.1M
- Week 15 $557.5M
- Week 16 $147.1M
- Week 17 $2.1B
- Week 18 $204.2M
- Week 19 $125.7M
- Week 20 $937M
- Week 21 $399.1M
- Week 22 $89.5M
- Week 23 $444.6M
- Week 24 $1.3B
- Week 25 $1.3B
- Week 26 $154.1M
- Week 27 $848.3M
- Week 28 $867.5M
- Week 29 $636M
- Week 30 $881.4M
- Week 31 $324.7M
- Week 32 $904.8M
- Week 33 $460.3M
- Week 34 $129.3M
- Week 35 $36.4M
- Week 36 $440.2M
- Week 37 $160.8M
- Week 38 $165.6M
- Week 39 $412.6M
- Week 40 $1.3B
- Week 41 $246.8M
- Week 42 $273.9M
- Week 43 $210.8M
- Week 44 $231.7M
- Week 45 $620.2M
- Week 46 $1.2B
- Week 47 $856.6M
- Week 48 $51.7M
- Week 49 $61.9M
- Week 50 $676.5M
- Week 51 $2.1B
- Week 52 $186.2M
- Week 53 No grosses
FAQ
English Box Office Week 25 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 19 films as the chart.
What is the highest-grossing English-language movie in week 25 of 2018 (Jun 17–23)?
Jurassic World: Fallen Kingdom (2018) leads with $1.3B worldwide, $417.7M of it in the US & Canada. Next come Malicious (2018) at $1.2M and The Catcher Was a Spy (2018) at $954K.
How much did English-language movies released in week 25 of 2018 (Jun 17–23) earn?
19 English-language films released in week 25 of 2018 (Jun 17–23) report a worldwide gross, $1.3B in all, or $69.2M per film on average. Week 24, 2018 releases took $1.3B.
How many English-language movies released in week 25 of 2018 (Jun 17–23) made $1 billion?
1 film crossed $1 billion worldwide: Jurassic World: Fallen Kingdom (2018). 1 crossed $100 million.
How is the week 25, 2018 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2018 (Jun 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 25, 2018 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.