#1 of 22 #1 drama movie of Week 25, 2018
Incident In a Ghostland (2018)
2018 · Drama, Mystery
$5.6M worldwide · 54% of the chart's total
No US & Canada figure reported
Drama box office · Week 25 · Jun 17–23, 2018
Drama Box Office, Week 25 of 2018: Drama Releases of Jun 17–23
Incident In a Ghostland (2018) is the highest-grossing drama movie released in week 25 of 2018 (Jun 17–23), with $5.6M worldwide, ahead of The Road Not Taken (2018) at $1.1M and The Catcher Was a Spy (2018) at $954K. 22 drama films released that week report a worldwide gross, $10.4M in all, 17% of it from the US & Canada. That is down 89% on Week 24, 2018, whose releases took $92.4M. By language, English leads with $2.2M across 9 drama releases.
- week 25 releases with a gross
- 22
- combined worldwide
- $10.4M
- Incident In a Ghostland (2018), the #1
- $5.6M
- vs Week 24, 2018
- −89%
#1 of 22 Top 5
What Were the Biggest Drama Hits of Week 25 of 2018?
Incident In a Ghostland (2018) leads with $5.6M, 54% of the total. The top 5 together took $9.1M, 88% of what all 22 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 25 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2018 (Jun 17–23).
- 1 Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $5.6M
- 2 Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $1.1M
- 3 Jun 22, 2018 US and Canada: $725.2K Rest of the world: $228.7K Worldwide: $954K
- 4 Jun 22, 2018 US and Canada: $703.4K Rest of the world: $52.5K Worldwide: $756K
- 5 Jun 20, 2018 US and Canada: – Rest of the world: – Worldwide: $733.5K
- 6
Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $339.7K - 7
Jun 22, 2018 US and Canada: $305.1K Rest of the world: $18.1K Worldwide: $323.2K - 8
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $207.9K - 9
Jun 21, 2018 US and Canada: – Rest of the world: – Worldwide: $99.3K - 10
Jun 19, 2018 US and Canada: – Rest of the world: – Worldwide: $84.9K - 11
Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $64.1K - 12
Jun 22, 2018 US and Canada: $38.4K Rest of the world: Worldwide: $38.4K - 13
Marlina the Murderer in Four Acts (2018)Jun 22, 2018 US and Canada: $17.8K Rest of the world: $8.5K Worldwide: $26.3K
Jun 22, 2018 · Indonesian · Drama, Thriller $26.3K worldwide - 14
Jun 21, 2018 US and Canada: – Rest of the world: – Worldwide: $21.7K - 15
Izzy Gets the F*ck Across Town (2018)Jun 22, 2018 US and Canada: $20.2K Rest of the world: Worldwide: $20.2K
Jun 22, 2018 · English · Adventure, Drama, Comedy $20.2K worldwide - 16
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $19.5K - 17
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $10.8K - 18
Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $9.2K - 19
Jun 18, 2018 US and Canada: $974 Rest of the world: $6.4K Worldwide: $7.4K - 20
Jun 21, 2018 US and Canada: – Rest of the world: – Worldwide: $6K - 21
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $2.5K - 22
Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8K
US & Canada vs the world
Where Did the Money Come From in Week 25 of 2018?
Of the top 10, Damsel (2018) earned the biggest share at home (94% in the US & Canada), while The Catcher Was a Spy (2018) made 24% of its gross abroad. Across all 22 films, $1.8M (17%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
- 1 Incident In a Ghostland (2018) $5.6M No US & Canada figure reported
- 2 The Road Not Taken (2018) $1.1M No US & Canada figure reported
- 3 The Catcher Was a Spy (2018) $954K $725.2K US & Canada · 76% $228.7K elsewhere · 24%
- 4 Boundaries (2018) $756K $703.4K US & Canada · 93% $52.5K elsewhere · 7%
- 5 Student A (2018) $733.5K No US & Canada figure reported
- 6 Ala Changso (2018) $339.7K No US & Canada figure reported
- 7 Damsel (2018) $323.2K $305.1K US & Canada · 94% $18.1K elsewhere · 6%
- 8 Thys & Trix (2018) $207.9K No US & Canada figure reported
- 9 Eaten by Lions (2018) $99.3K No US & Canada figure reported
- 10 Brothers of the Wind (2018) $84.9K No US & Canada figure reported
Gross bands
How Many Week 25 of 2018 Releases Crossed $100 Million?
None of the 22 films reached $100M. 22 films, 100% of the list, earned under $10M. Each band shows its films and its share of the $10.4M total.
100%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 22 films, 100% of the list $10.4M · 100% of the gross
Weeks around it
How Does Week 25 Compare With the Weeks Around It?
Week 25 releases took $10.4M. The biggest of these 9 weeks is week 26 (Jun 24–30) with $178.6M, led by Sanju (2018).
- Week 19 Wk 19 May 6–12 Breaking In (2018) $70M Breaking In (2018)
- Week 20 Wk 20 May 13–19 Book Club (2018) $121.1M Book Club (2018)
- Week 21 Wk 21 May 20–26 Parmanu: The Story of Pokhran (2018) $21.8M Parmanu: The Story of Pokhran (2018)
- Week 22 Wk 22 May 27–Jun 2 Adrift (2018) $84.4M Adrift (2018)
- Week 23 Wk 23 Jun 3–9 Hereditary (2018) $117.3M Hereditary (2018)
- Week 24 Wk 24 Jun 10–16 Animal World (2018) $92.4M Animal World (2018)
- Week 25 Wk 25 Jun 17–23 Incident In a Ghostland (2018) $10.4M Incident In a Ghostland (2018)
- Week 26 Wk 26 Jun 24–30 Sanju (2018) $178.6M Sanju (2018)
- Week 27 Wk 27 Jul 1–7 Fireworks (2018) $47.9M Fireworks (2018)
Earlier years
How Does Week 25 of 2018 Compare With Earlier Years?
Of these 10 years, Week 25, 2015 earned the most: $1.8B from 21 films, led by Inside Out (2015). Week 25, 2018 took $10.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 2009 Jun 14–20 4 films | 4 | $318.6M | – | The Proposal (2009) $317.4M |
| Week 25, 2010 Jun 13–19 10 films · −89% | 10 | $36.1M | −89% | I Am Love (2010) $12.7M |
| Week 25, 2011 Jun 12–18 12 films · −75% | 12 | $9.1M | −75% | Angel of Evil (2011) $4.4M |
| Week 25, 2012 Jun 17–23 8 films · +313% | 8 | $37.7M | +313% | I Want You (2012) $24M |
| Week 25, 2013 Jun 16–22 11 films · +1421% | 11 | $573.4M | +1421% | World War Z (2013) $540.5M |
| Week 25, 2014 Jun 15–21 12 films · −77% | 12 | $131.6M | −77% | Jersey Boys (2014) $67.6M |
| Week 25, 2015 Jun 14–20 21 films · +1254% | 21 | $1.8B | +1254% | Inside Out (2015) $859.1M |
| Week 25, 2016 Jun 12–18 17 films · −99% | 17 | $16.3M | −99% | Department Q: A Conspiracy of Faith (2016) $9.7M |
| Week 25, 2017 Jun 18–24 15 films · +498% | 15 | $97.1M | +498% | The Big Sick (2017) $56.4M |
| Week 25, 2018 Jun 17–23 22 films · −89% | 22 | $10.4M | −89% | Incident In a Ghostland (2018) $5.6M |
By language
Which Languages Do the Biggest Drama Movies Speak in Week 25 of 2018?
English-language drama films took $2.2M across 9 films, 21% of the total, ahead of Chinese-language drama films ($1.1M) and Korean-language drama films ($755.2K).
Week 25 of 2018 Drama Box Office by Language
- English $2.2M9 films · #1 The Catcher Was a Spy (2018)
-
Chinese $1.1M1 film · #1 The Road Not Taken (2018) -
Korean $755.2K2 films · #1 Student A (2018) -
Tibetan $339.7K1 film · #1 Ala Changso (2018) -
Afrikaans $207.9K1 film · #1 Thys & Trix (2018) -
German $84.9K1 film · #1 Brothers of the Wind (2018) -
Portuguese $38.4K1 film · #1 Araby (2018) - Indonesian $26.3K1 film · #1 Marlina the Murderer in Four Acts (2018)
-
Punjabi $19.5K1 film · #1 Asees (2018) -
Swedish $7.4K1 film · #1 The Unthinkable (2018)
Archive
Drama Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $1.4B, led by Black Panther (2018).
- Week 1 $172.4M
- Week 2 $125.1M
- Week 3 $212.1M
- Week 4 $117.7M
- Week 5 $22M
- Week 6 $430.1M
- Week 7 $1.4B
- Week 8 $630M
- Week 9 $209.8M
- Week 10 $74M
- Week 11 $683M
- Week 12 $189.4M
- Week 13 $109.8M
- Week 14 $407.1M
- Week 15 $34M
- Week 16 $26.5M
- Week 17 $84.9M
- Week 18 $60.6M
- Week 19 $70M
- Week 20 $121.1M
- Week 21 $21.8M
- Week 22 $84.4M
- Week 23 $117.3M
- Week 24 $92.4M
- Week 25 $10.4M
- Week 26 $178.6M
- Week 27 $47.9M
- Week 28 $421.5M
- Week 29 $42.3M
- Week 30 $185.8M
- Week 31 $128.3M
- Week 32 $408M
- Week 33 $199.6M
- Week 34 $155.5M
- Week 35 $83.2M
- Week 36 $106.5M
- Week 37 $170.8M
- Week 38 $162M
- Week 39 $56.9M
- Week 40 $549.8M
- Week 41 $333.5M
- Week 42 $58.2M
- Week 43 $41.9M
- Week 44 $1B
- Week 45 $665.4M
- Week 46 $667.7M
- Week 47 $514.1M
- Week 48 $73.5M
- Week 49 $82.3M
- Week 50 $281.4M
- Week 51 $199.9M
- Week 52 $329.1M
- Week 53 No grosses
FAQ
Drama Box Office Week 25 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 22 films as the chart.
What is the highest-grossing drama movie in week 25 of 2018 (Jun 17–23)?
Incident In a Ghostland (2018) leads with $5.6M worldwide. Next come The Road Not Taken (2018) at $1.1M and The Catcher Was a Spy (2018) at $954K.
How much did drama movies released in week 25 of 2018 (Jun 17–23) earn?
22 drama films released in week 25 of 2018 (Jun 17–23) report a worldwide gross, $10.4M in all, or $473.9K per film on average. Week 24, 2018 releases took $92.4M.
How many drama movies released in week 25 of 2018 (Jun 17–23) made $1 billion?
None. The biggest, Incident In a Ghostland (2018), earned $5.6M.
How is the week 25, 2018 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2018 (Jun 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 25, 2018 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.